Marquee Builder, to begin constructing your first Marquee.
Marquee Database, where you can edit previously created items and create new items like Ads(for Marquee Pro users).
You may still use the auto-generated QR codes for any Marquee, found in their respective dropdown menus above.
After a moment, refresh the dashboard to see if it's ready to go!
Need to set a specific order to your Creative Team for your Marquee? Scroll down to Creative Team submission panel and select Set Order. You can then choose the order of the bios. The default order is alphabetical by last name.
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Jessica Hendy
Ms. Hendy made her Broadway debut as “Grizabella” in the original Broadway production of CATS at the Winter Garden Theatre, and is the only member of that production to have also been a cast member of the Broadway revival at the Neil Simon Theatre. Other Broadway credits include AIDA (Amneris), and AMOUR. She made her Radio City Music Hall debut in THE NEW YORK SPRING SPECTACULAR alongside the world famous ROCKETTES, and toured nationally with CATS (Grizabella), JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT (Narrator), and in concert with composer Stephen Schwartz, singing DEFYING GRAVITY from WICKED. Her one-woman cabaret, A LIFE TO CALL YOUR OWN received rave reviews in the New York press, and she received a Bistro Award for the review GET YOUR TICKETS NOW at Don’t Tell Mama. She played “Diana Goodman” in the regional premier of NEXT TO NORMAL at Ensemble Theatre Cincinnati, she earned an Acclaim Award. Other regional theatre credits include MAMMA MIA (Donna) in the Terrence Mann directed production at Connecticut Rep, North Shore Music Theatre's MISS SAIGON (Ellen), and the Helen Hayes Performing Arts Center production of SONGS FOR A NEW WORLD with Jason Robert Brown. She’s regular guest artist at Feinstein’s 54 Below, housed in New York’s legendary Studio 54. Ms. Hendy continues to appear in concert with Symphony Orchestras across North America. She attended the Cincinnati College-Conservatory of Music, and lives in New York City with her amazing son, Beckett.
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Brianna Barnes
Ms. Barnes is a multi-dimensional artist who works professionally as an actor, singer-songwriter, and composer/lyricist. She is a Finalist for The American Theatre Wing’s 2021 Jonathan Larson Grant and Recipient of the 2022 NYC Women’s Fund Grant through the Mayor’s Office of Media and Entertainment and NY Foundation For The Arts. A graduate of the esteemed Musical Theater Program at The University of Cincinnati (CCM), she has performed professionally around the country (Theatre Aspen, John W. Engeman Theater, Wick Theatre) as well as starred in the National Tour of A CHARLIE BROWN CHRISTMAS. Brianna directed and produced her first original musical, LET THERE BE LIGHT (Book, Music, & Lyrics), which won Best Musical and Best Score at The New York Theatre Festival in 2018. In 2021 she was commissioned as Composer/Lyricist for the new rock musical, RATHSKELLER, which won Best Musical in Broadway World’s Off-Off-Broadway Awards. Her musical, THE PRESENCE (Book, Music, and Lyrics) is currently in development. Her debut album, HIEROPHANIES: MANIFESTATIONS OF THE SACRED, made the first round on the GRAMMY Awards® ballot for consideration under Best Contemporary Christian Album. Brianna is a member of The Dramatist Guild, BMI, and Maestra. Her literary work is represented by Amy Wagner of A3 Artists Agency and her performing work is represented by Michael Rodriguez of The Roster Agency.
Richard Hess
Richard Hess made his New York directing debut at the Laurie Beechman Theatre directing AN EVENING OF (Mostly) TRUE SONGS (with Andrea Burns), a new incarnation of Don't Look Down, the music and lyrics of Adam Wagner, first seen in the Cincinnati Fringe Festival. Favorite directing credits at the Human Race Theatre Co., where he is a resident artist, include On Golden Pond, Race, Red, Doubt, Proof, I Am My Own Wife and A Delicate Balance. Other credits include the Los Angeles staging of the one-woman show Besame Mucho, O.K. That's Enough (with Diana Maria Riva), and the smash hits The Pages of My Diary I'd Rather Not Read and The Catholic Girl's Guide to Losing Your Virginity, both of which enjoyed sold out runs at the Hudson Theatre in LA. For five years Hess was the artistic director of Hot Summer Nights in Cincinnati, where he directed Violet (with Ashley Brown), Hello, Dolly! (with Pamela Myers), Godspell (with Shoshana Bean and Leslie Kritzer) and the premiere of We Tell The Story: The Songs of Ahrens and Flaherty, in collaboration with Stephen Flaherty. He was Chair of the CCM Acting Department for 25 years at the University of Cincinnati College-Conservatory of Music (CCM). Favorite directing credits at CCM include ONCE, Middletown, Her Naked Skin, Pentecost, The Heidi Chronicles, Speech and Debate, The Crucible, The Laramie Project, Coram Boy, RENT, Bat Boy, You Can’t Take It With You, Anon(ymous), Brigadoon and Tony Kushner's Angels in America, Part One: Millennium Approaches. He studied with the internationally acclaimed director Anne Bogart and members of the Saratoga International Theatre Institute in New York and Los Angeles, and has taught Viewpoints Training in Amsterdam, The Netherlands, Nairobi, Kenya, Tallinn and Tartu, Estonia, Beijing, China, and across the US. He is a Fulbright Scholar and taught acting and directing at Kenyatta University in Kenya.
Our Roadmap
Take a look at what is on the horizon for Marquee Digital
We’re introducing a 24-hour demo experience, giving prospective clients the opportunity to explore Marquee hands-on and understand its value in real time.
Marquee Pro clients will be able to choose between alternate menu formats, including streamlined 3-option and expanded 6-option menus, allowing each production to present itself with just the right level of detail.
Team Plans will make it easy to add additional seats to an account, supporting collaboration across staff and production teams.
We’re introducing enhanced analytics that provide deeper insight into how audiences engage with each Marquee, helping you better understand reach, timing, and impact.
Clients will be able to set Dark Mode as the default viewing experience for their Marquees, further minimizing audience distraction and improving in-theatre usability.
In collaboration with licensing houses, we’re developing one-click templates for supported shows. These templates will automatically populate essential information such as songs and scenes, licensing details, and required creative billing, streamlining setup while supporting compliance.
A new forum within the member portal will allow clients to suggest and upvote features, share ideas, and connect with one another as part of the growing Marquee community
This quarter will focus on refinement, iteration, and community-driven improvements. Stay tuned as plans take shape.
We’re opening the door to audiences with a new portal that allows patrons to sign in, save their favorite Marquees to a personal collection, and engage more deeply with the Marquee Digital community—plus additional features we’re excited to share as the year unfolds.
