Evan Bernardin Productions is a full-service theatrical management company that provides general and production management for productions and immersive experiences. Select credits include: Fairycakes,Seven Deadly Sins, Million Dollar Quartet (Tour), Charlie Brown Christmas (Tour), Afterglow, and We Are The Tigers. Additional collaborative projects have included performances at Lincoln Center, The United Nations, The Harvard Club, The White House, Cornell University, Georgetown's Gaston Hall, The Culture Project, The Ohio Theatre and The Metropolitan Museum of Art.

As a kid I read all the time, wrote plays and had all my friends and cousins perform in them. I was always the lead. So I'm back where I started, except now they make you audition for the lead and that doesn't work in my favor. I graduated from LSU in Journalism, married my high school sweetheart, had 7 children, owned a greeting card company for 17 years, wrote a novel, then wrote BETWEEN THE BARS. Behind the scenes feels just fine.

Recent: BRIC TV’s Original Series  86’d, Life Boat (Theater 54), The Bitter Tears of Petra Von Kant (New Ohio Theater), Fireface(The Brick), Kragar: An American Monster Musical (West End Theatre), and award-winning webseries Blank My Life. Benjamin has worked with The Orchard Project, BAM, Roundabout Theater, Huntington Theater, The New Group, and The Civilians. Member of Kennedy Center Director’s Lab, MTC’s Directing Fellow, The Civilians’ R&D Group. Artistic Director of Third Space. Education: Carnegie Mellon.

Previous designs include Grand Horizons on Broadway, Soft Power at the Public Theater along with Samsung’s virtual reality television series Interpretation of Dreams, Feel The Pride an AI powered audio-visual installation with St. Vincent and a virtual reality arcade for Muse’s 2019 World Tour. Co-founder of Third Space, winner of the 2017 USITT Rising Star Award and a 2019 L.B. Tobin Director-Designer Finalist.  Education: Carnegie Mellon University.

Simmons is an American Costume Designer of staged productions. He received his MFA in Costume Design from Virginia Commonwealth University. His design credits include Thoughts of a Colored Man, The Merchant of Venice, In the Next Room or the Vibrator Play, Man of La Mancha, A Streetcar Named Desire and Ensemble. He has also done work on three seasons of AMC’s television show TURN, the 2nd National Touring production of the Broadway hit In the Heights and two seasons of the PBS television series Mercy Street. He is currently the Associate Costume Designer for all productions of Come From Away (designed by Toni-Leslie James) playing in the Gerald Schoenfeld Theatre on Broadway, the Royal Alexandra Theatre in Toronto, the Phoenix Theatre in London, the Comedy Theatre in Melbourne, Australia and in various theatres across the US and Canada for the North American Tour.

Arminda Thomas is co-producer and resident dramaturg for CLASSIX. Selected dramaturgy credits include Mirrors (Next Door at New York Theatre Workshop); A Harlem Triptych of Eulalie Spence, Wine in the Wilderness, and Soul Struggle: The Works of Georgia Douglass Johnson (New Perspectives); Black History Museum...According to the United States of America (HERE Arts Center); Jazz (Marin Theatre Company); Zora Neale Hurston (New Federal Theatre); and The First Noel (Classical Theatre of Harlem). She has also served as associate artistic director and resident dramaturg for the Going to the River Festival and Writer’s Unit.

Recent credits include Shakespeare Theatre Company, Florentine Opera, Working Theater, Northern Stage, Talking Band, Prototype, Harvard University. She is a member of Sightline Arts and the Resident Designer for HOWL ensemble and Third Space. Recognitions include a 2020 Bessie Award nomination, a 2019 Opera America Tobin Finalist, a 2016 Henry Hewes Award nomination, a 2014 Live Design Young Designer to Watch, the 2011 USITT Barbizon Lighting Design Award winner, and a 2009 Hangar Theatre Lab Company Design Fellow. . Member USA 829. MFA, Boston University; AB, Harvard College. Mary Ellen currently teaches lighting design at Carnegie Mellon School of Drama.

Adrian Bridges is a sound designer and musician. Recent theater credits include: Battle of Angels (NYC & Provincetown), Guac: My Son, My Hero (National Tour), On The Grounds Of Belonging (Long Wharf Theatre), Refuge (Baruch PAC), Mr. Burns (Muhlenberg College), Artemesia’s Intent (NYC & Regional Tour), This Is Modern Art (NYTW: Next Door), and Intuitive Men (NYC & L.A.). He graduated from NYU with a Bachelor’s and Master’s in jazz guitar and composition. He has forthcoming albums with hip hop collective, Izzy Man & The Plan, and Puerto Rican singer-songwriter Huascar Robles and podcasts with Venus Radio Theater.

Juliana graduated from Ball State University in Muncie, Indiana. Her credits include the national tours of Cirque Dreams, The Big Apple Circus, CATS, The Sound of Music, Beauty and the Beast, Evita, My Fair Lady, and The King and I. Her New York credits include Stage Managing at the Ailey School, SLK Ballet, The Ramaz School and numerous events and award shows, including working as a production assistant on television and films. Her other passion is freelancing as a photographer and pursuing One Million Cards, her lifelong project of creating a million unique greeting cards with her photography. Juliana would like to dedicate this performance to her Dad, Bob Heeter, her biggest fan.

Felipe Cuesta attended Shenandoah Conservatory where he pursued a BFA degree in Theater Design & Production with an emphasis in Stage Management. Most recently he was the Stage & Production manager at Sonesta Resorts & Casino Royale in the beautiful island of Sint Marteen. Other credits include the national tour of Cirque Dreams Holidaze (Head Carp.) Royal Caribbean Int. (Stage & Prod Manager) Busch Gardens Williamsburg (Show Ops.) He is excited to be able to return to theater with this wonderful company! A big thank you to all of those who have supported me along the way and to all the wonderful people I have met around the world! Adam, thank you for always being there for me you’re the best bro someone could ask for. To Sesh, without you I wouldn’t be where I am today. You are an inspiration. Much Love & always follow your dreams! Mom, I made it!

Sami Pyne is a theatremaker based in New York City working most prominently as an independent producer. She is currently the Line Producer for 600 Highwaymen’s A THOUSAND WAYS. Most recent producing credits include Capricorn 29 created by Alex Hare and Julia Izumi at The Tank, Kyk Hoe Skyn die Son created by Keenan Tyler Oliphant at Clubbed Thumb, Columbia SOA International Play Reading Festival curated by David Henry Hwang, and 2020 & 2019’s Prelude Festival at The Martin E. Segal Theatre Center. Columbia University School of the Arts MFA Theatre Management and Producing class of 2020

With over 20 years of experience, Joe Trentacosta’s JT Public Relations has created strategic public relations campaigns for the entertainment industry. They have represented clients on Broadway, Off-Broadway, festival productions, developmental industry presentations, films in release, film festivals, numerous non-profit organizations, and special events. Non-profits include the Museum of the Moving Image, National Meningitis Association, Pulmonary Fibrosis Foundation, Stuttering Association for the Young. He has consulted with Lincoln Center Theatre, Hamilton the musical (Tony campaign) and also represents National Alliance of Musical Theatre, Rockefeller Productions, Galleria on Third, Lillypops (COO & Director of Marketing and Communications). Joe is also the Executive Producer of Katsura Sunshine’s Rakugo (New World Stages and World Tour).

Holly has a diverse background in theater, music, non-profit and entertainment events.  Currently working the Long Wharf Theatre in New Haven, and Off-Broadway’s Working Theater, her recent work includes: The Eliza Project (Graham Windham/Hamilton), Broadway Brews (collaboration w/Hamilton, Waitress & Come From Away casts), Arts in the Armed Forces (w/ founder Adam Driver).  Working with leading press agent Sam Rudy, Holly has worked on multiple productions including Dear Jack, Dear Louise by Ken Ludwig at Arena Stage in Washington, D.C.), Isaac Mizrahi’s I&ME tour; Broadway/Off-Broadway smash Avenue Q and Miracle in Rwanda (Theater Row).