Notes
Local
Connect
News
People
Media
Notes
Connect
People
Notes
Connect
People
Notes
Connect
People
Notes
Connect
People
Join the
Team
Notes
Connect
People
Donate

Grantors

No items found.

Sponsors

No items found.

Special Thanks

Donors

Mill Mountain Theatre would like to thank the generous gifts from our Donors. We would not be here without you!

Donors

Standing Ovations 2022
Gifts of $5,000 and more

The Honorable and Mrs. G. Steven Agee *

Avis Construction Company, Inc.

Mr. and Mrs. Jason E. Bingham *

Boxley Materials Company

Carilion Clinic

Ceres Foundation Inc.

Roanoke Arts Commission

Commonwealth of Virginia, Rebuild Virginia CARES grant

Community Foundation Serving Western Virginia

Davis H. Elliot Company, Inc.

Freedom First Federal Credit Union

The Sam & Marion Golden Helping Hand Foundation, Inc.

The Huntly Foundation

Mr. and Mrs. Shields Jarrett *

Jewell Machinery

The Louise R. Lester Foundation

W. E. McGuire Charitable Foundation, Inc.

Kathryn B McQuade Foundation *

Pinnacle Financial Partners

Roanoke Women's Foundation

The Honorable and Mrs. Frank W. Rogers, III *

Skyline National Bank

Edgar Thurman Foundation For Children

U.S. Small Business Administration, Pandemic Economic Stimulus grants

Virginia Commission for the Arts

Producers 2022
Gifts of $2,500 to $4,999

Brandon Oaks Retirement Community

Center in the Square

Davenport & Company LLC

Mrs. Anne G. Downing

Ms. Sarah Copenhaver and Mr. G. Franklin Flippin, Esq.

Mr. & Mrs. W. Heywood Fralin Sr.

Mr. and Mrs. Richard A. Garbee *

Gentry Locke Attorneys

The Glebe

Dr. Anthony-Samuel LaMantia Ph.D. *

Mr. & Mrs. G. John Levin, Jr.

Member One Federal Credit Union

Mr. & Mrs. G. Marshall Mundy

Roanoke Natural Foods Co-op

The Roanoke Star

Marsh & McLennan Agency

Truist Bank

Mrs. Mary Meade G. Winn

Stars 2022
Gifts of $1,000 to $2,499

American National Bank & Trust Company

Anonymous donors to Mill Mountain Theatre

Anstey Hodge Advertising Group

ARD Properties LLC

Mr. and Mrs. John T. Avis *

Mr. and Mrs. L. Scott Avis

Better Sofas, Inc

Dr. Nathaniel L. Bishop *

Mr. and Mrs. Abney S. Boxley, III *

Mr. and Mrs. Thomas R. Brock, Jr.

Business Solutions

The Candy Store

Mr. and Mrs. George B. Cartledge, Jr.

City of Salem

Claytor-Wirt Associates

Cox Communications Charities

Mr. and Mrs. Warner Dalhouse

Dixon, Hubard, Feinour, & Brown Inc.

Dominion Risk Advisors, LLC

Dunkenberger-Waskey Group at Morgan Stanley

Elk Hill Advisors, Inc.

Mr. and Mrs. William D. Elliot

Entre Computer Center

Mrs. Sibyl N. Fishburn

5 Points Creative

Frith, Anderson & Peake, P.C.

Dr. Gary E. Glontz

Ms. Nancy O. Gray and Mr. David N. Maxson *

Dr. Robyn Hakanson and Mr. Erik Moledor *

Mr. Harry W. Hamilton, III

Mr. and Mrs. John Higginbotham

Howell's Motor Freight, Inc.

Innovative Insurance Group

Mr. and Mrs. Howard Jones, Jr.

Kiwanis Club of Roanoke

Mr. and Mrs. Mark S. Lawrence *

Dr. and Mrs. Lee Learman *

Mr. and Mrs. Sam Lionberger, III

Mr. and Mrs. Charles I. Lunsford, II

Lunsford, A Trustpoint Company

Miller, Long & Associates, Inc.

Mr. and Mrs. Harry G. Norris

Oakey's Funeral Service & Crematory

Ms. Yvonne Olson

Ms. Nancy R. Patterson *

Mr. and Mrs. William N. Powell

Punch Boutique

Mrs. Carolyn W. Rakes

Roanoke Animal Hospital

Roanoke Gas Company - RGC Resources, Inc.

Roanoke Valley Orthodontics

Mr. and Dr. John G. Rocovich, Jr. *

Frank W. (Bo) Rogers, Jr. Fund

Rosie's Gaming Emporium

Ms. Rachel Sailer and Mr. Peter Barber

Mr. and Mrs. Edward M. Smith *

Dr. and Mrs. Donald G. Smith, Jr.

Steel Dynamics Roanoke Bar Division

Mr. Maury L. Strauss

Ms. Lesleigh B. Strauss

Sun Tan City

Mr. and Mrs. Joel Tenzer *

Dr. Bruce R. Thomas and Ms. Linda Bowden

Dr. and Mrs. John T. Tielking

Mr. and Mrs. Raphael M. Traen

Will Trinkle and Juan Granados *

Mr. Charles J. Wehrmeister *

Mr. and Mrs. Barton J. Wilner

Woods Rogers PLC

Leading Roles 2022
Gifts of $500 to $999

Ms. Cathy Acri

Reverend and Mrs. George C. Anderson *

Mr. & Mrs. D. James Bailey III

Mr. and Mrs. W. Chan Bolling *

Mr. and Mrs. J. Keith Bown

Ms. Dorothy S. Clifton and Dr. Lou Singer

Connexions Professional Services

Mr. & Mrs. Grimes W. Creasy

Dr. and Mrs. Antonio T. Donato

Dr. and Mrs. F. Joseph Duckwall

First Citizens Bank

The Honorable and Mrs. Robert W. Goodlatte

Mr. and Mrs. Will Griffeth

Mrs. Robert Jaeger

Dr. and Mrs. David A. Kinsler

Laurence Kufel *

Mr. and Mrs. William L. Lee

Mr. and Mrs. Samuel B. Long

Mr. and Mrs. Reynolds G. Lynch lll *

Dr. Elizabeth Rice Martin and Mr. Eddie Martin *

Mast General Store, Inc.

Dr. and Mrs. G. A. McClellan

Mr. and Mrs. Phillip McKeage *

Mr. and Mrs. Robert McMican

Mr. and Mrs. Charles J. Meidlinger

Ms. Donna L. Mitchell

The Newbern Foundation

Mr. and Mrs. Paul W. Nordt, III *

Mr. & Mrs. J. Lee Osborne *

P1 Technologies, Inc.

Capt. and Mrs. Gary S. Powers *

Mrs. B. J. Preas *

Dr. Randall R. Rhea

Mr. and Mrs. Paul C. Timmermann

Mr. and Mrs. Raphael M. Traen

Ms. Vicki Turner

Ms. Yvette Van Hise

Mr. and Mrs. Joe H. Vaughn

Mr. and Mrs. Rudy Vietmeier

Wabtec Graham-White

Mr. and Mrs. Byron L. Yost

Scene Stealers 2022
Gifts of $1 to $249

Ms. Kailey Absher

Mr. and Mrs. Carl D. Akers

Mr. and Mrs. David K. Allen *

AmazonSmile Foundation

Mr. and Mrs. Don H. Andree

Mr. and Mrs. Briggs W. Andrews

Ms. Sharon Angle

Mr. Andrew S. Arbury, III

Mr. and Mrs. Robert H. Ashwell

Anne T. Avis

Ms. Brenda Ayers

Ms. Bettie Baber

E R Bane Trust

Mr. & Mrs. D. Stan Barnhill

Dr. and Mrs. Vincent T. Basile

Ms. Ashleigh Bayer

Mrs. Ruth G. Babylon

Ms. Kathy Bibb

Ms. Mary H. Bivens

Mr. Norman Blanchard

Ms. Joellen K. Bland

Ms. Cynthia Blevins

Ms. Leanna Blevins

Dr. and Mrs. John Bouldin

Ms. Nancy A. Bourne

Mr. Alexander Bowman, Jr.

Ms. Amanda Bozack

Mr. and Mrs. John P. Bradshaw Jr.

Ms. Michelle Brandt

Ms. Henriette B. Brooks

Ms. Stephanie Bryant

Ms. HelenRuth Burch

Mr. and Mrs. Chris Bush

Mr. Andrew Callahan

Capt. Anne Cannon

Mr. and Mrs. John P. Carlin

Mr. Zachary Carney

Mr. and Mrs. Jeremy Carroll

Mr. and Mrs. Reed Carter

Mr. and Mrs. Stephen Cates

Ms. Gloria Cauley

Mr. and Mrs. Daniel J. Celin

Mr. and Mrs. Jerry W. Cheadle

Mr. and Mrs. Michael D. Childress

Mr. & Mrs. W. R. Clemmer, Jr.

Mr. William Colbert

Carl E. Coleman Family Trust

Mr. and Mrs. W. Patton Coles, IV *

Mr. and Mrs. R. E. Conner

Mrs. Mary Ann Conrad

Mr. and Mrs. Nicholas C. Conte

Mr. John Cornthwait

Mr. and Mrs. James G. Cosby

Frankie Courtemanche

Mr. & Mrs. Grimes W. Creasy

Mr. and Mrs. Timothy Cribbs

Mr. Mark Culbreth

Mr. and Mrs. Declan F. Daly

Mr. & Mrs. H. Lawrence Davidson

Ms. Michelle Davis

Ms. Elizabeth G. Deisher

Kelly Derrick

Ms. Stacy Deyerle

Mrs. Barbara M. Dickinson

Dr. Elizabeth H. Duckworth & Mr. John M. Duckworth

Ms. Jeanne M. Duddy

Mr. and Mrs. Thomas M. Dunkenberger, Sr.

Ms. Kathy Dupont

Ms. Patricia Ebbett

Mr. Charles L. Echols Jr.

Ms. Melvina Edwards

Ms. Christina Englehart

Mr. and Mrs. Michael W. English

Mr. and Mrs. John L. Ewart, Jr.

Ms. Kelly T. Farber

Ms. Emily Farmer

Ms. Janet Faulkner

Mr. and Mrs. Gregory W. Feldmann *

Ms. Victoria Ferris

Mr. Eric E. Fitzpatrick

Mr. and Mrs. Juergen F. Fleck

Mr. and Mrs. John R. Francis, Jr.

Ms. Gail Godsey

Mr. and Mrs. Lawrence A. Goldstein

Mr. Mark Goodes

Dr. James J. Gooding

Mr. Glen Graye

Mr. and Mrs. Fred Greear

Dr. and Mrs. Frank Guilfoyle

Mr. James E. Hall, Jr.

Dr. & Mrs. Geoffrey Harter

Mr. and Mrs. Edmund Harvey

Dr. & Mrs. J. Bruce Hauser

Ms. Katherine Havener

Mr. and Mrs. Walker B. Healy Jr.

Mr. and Mrs. John L. Hess

Ms. Jessica Hilbish

Mr. and Mrs. Frank F. Hill, Jr.

Mr. and Mrs. Charles A. Hite, III

Mr. & Mrs. Joseph M. Hoff

Mr. and Mrs. Daniel E. Holdgreve

Macel Holloway

Ms. Donna B Horak

Mr. Chris Howard

HHHUNT Homes Richmond

Ms. Carin Hunt

Dr. and Mrs. Alvin J. Hurt

IBM International Foundation

Mr Richard L Ikenberry

Mr. and Mrs. John Jackson

Mr. Edward F. Jennings Jr.

Ms. Sarah Jernigan-Tompkins

Mr. and Mrs. Michael Jewell

Marcia and Lewis Johnson

Mr. and Mrs. Pegram Johnson, III

Drs. James and Janet Johnson

Ms. Erma L. Jones

Mr. Pedro Martin Jose Juan

Mrs. Ann M. Journell

Mrs. J. Robert Justice

Mr. and Mrs. William K. Keesee

Mr. Matthew Kelley

Mr. and Mrs. Herman D. Kemp, Jr.

Ms. Victoria Kessler

Mr. Joshua Kier

Mr. and Mrs. Rich Kirchhoff

Ms. Shoshana Knapp

Mr. and Mrs. Alton L. Knighton, Jr.

Kroger

Dr. and Mrs. Arthur A. Kunkle

Mr. and Mrs. Richard Kurshan

Mrs. Susan P. Lancaster

Mr. and Mrs. Kenneth C. Laughon

Mr. Terry Lauver

Mr. and Dr. Todd A. Leeson

Mr. and Mrs. Anthony F. Lefkowicz

Ms. Zoe Manoukian

Ms. Tara A. Marciniak

Ms. Jane Markson

Mr. Gene H. Marrano

Mr. Robert Martin

Ms. Lee B. McBride and Ms. Katherine M. Rakes

Mr. Norman Foggin and Mrs. Kathryn McCathern

Debra McClure

Dr. and Mrs. Maston R. McCorkle, Jr.

Mr. W. D. McCoy

Mr. and Mrs. Douglas McLaughlin

Mr. and Mrs. John G. McLeod

Ms. Amber McLoney

Mr. and Mrs. John D. McMillen

Ms. Bette McNamara

Ms. Melissa Merritt

Mr. Thomas Mesner and Ms. Jeanne Larsen

Mr. and Mrs. David Moledor

Ms. Connie Jo Montz

Ms. Pamela Morgan

Leslie J. Morrissett and Rebecca F. Morrissett

Ms Katherine Mortara

Mr. Marcus B. Moses

Mr. and Mrs. Allan Mower

Ms. Suzana Muller

Ms. Bethany Murphy

Mr. and Mrs. Robert Myers

Richard Nance

Ms. Jacquelyn Nasca

Ms. Carmen Neal

Ms. Rhonda Neely

Theresa Ruth Neilsen-Steinhardt

Network For Good

Mr. and Mrs. John Nicklo

Dr. and Mrs. James R. Niederlehner

Mr. and Mrs. Robert O. Nordt, Sr.

Mr. & Mrs. George W. Norton

Ms. Rachel Nunez

Amanda O'dell

Mrs. Phyllis A. Olin

The Rev. and Dr. David Olson

Mr. Patrick J. O'Reilly

Dr. and Mrs. Ronald B. Overstreet

Mr. and Mrs. Steve Padis

Ms Melissa Palmer

Mr. & Mrs. John C. Parrott, II

Mr. Jeffrey Pasciak

Dr. and Mrs. Steven J. Pasternak

Dr. and Mrs. John W. Pendleton

Mrs. Ashley Pennington-Tripp

Ms. Joan K. Petrus

Dr. and Mrs. Robert E. Pooley

Mr. and Mrs. John Powell

Mr. and Mrs. Robert Pratt

Dianne & Nick Prout

Mr. Mauricio Ramos

Jacqueline Rearick

Dr. and Mrs. Wayne G. Reilly

Mr. Ian Ridgway

Mr. William Riedy

Mr. and Mrs. Chris Rigsby

Mr. and Mrs. James A. Robertson

Mr. and Mrs. Kyle Rottkamp

Mr. Carl Milton Rowan

Mr. James Royalty

Mrs. Charles B. Ryan

Mr. and Mrs. Ronald J. Sailer

Mr. Connor Savage

Ms. Sharon Schwind

Ms. P. Annie Seago

Ms. Sally A. Seagraves

James C. Sears, Ed.D.

Mr. and Mrs. Patrick N. Shaffner *

Ms. Katherine Shaver

Mr. and Mrs. Barry L. Shelor

Mr. and Mrs. Charles J. Silverman

Mrs. Gene H. Smallwood

Ms. Diane T. Smith

John H. Smithey, Jr.

Ms. Mary J. Snedegar

Ms. Ann Marie Soltis

Ms. Melanie Starks

Mr. and Mrs. Bruce C. Stockburger, Esq.

Mr. and Mrs. Arthur P. Strickland

Mr. Robert Stutes

Ms. Leila Summo

Ms. Angela Swain

Mr. and Mrs. Bruce Swanson

Mr. and Mrs. William B. Symonds

Ms. Anne T. Tiffany

Mr. and Mrs. David Todd

Ms. Ann Penny Tully

Mr. and Mrs. Zachary Vernon

Mrs. and Mr. Jane I. Wallace

Mr. Jason Walsh

Mr. & Mrs. J. Robert Walton

Mr. and Mrs. Jimmy R. Ward

Mr. and Mrs. Lilburn E. Ward, III

Ms. Tiffany Waters

Ms. Maureen Watson

Hugh and Jaye Harvey Wellons

Ms. Virginia West

Ms. Judy West

Mr. Roy Westmoreland

Mr. and Mrs. Frank E. Whaley

Mr. and Mrs. Damon W. White

Mr. and Mrs. James Whitney

Mrs. Pamela H. Wiegandt

Ms. Deborah Wilhelm

Ms. Kimberly Williamson

Mr. and Mrs. Jerry W. Willis

Mr. and Mrs. J. David Wine

Ms. Edna Wood

Ms. Savannah Woodruff

Mr. Trenten Woods

Mrs. Lee H. Woody

Ms. Vella Wright

Mr. and Mrs. Keith F. Young

VIPs 2022
Gifts of $250 to $499

Mr. and Mrs. Carlton W. Alcorn

Mrs. Lynn D. Avis

Ms. Hazel Bernard

Mr. and Mrs. Robert E. Brailsford

Ms. Helen A. Burnett

Mr. and Mrs. Russel M. Danstrom

The Rev. Dr. and Mrs. David Dixon, III

Mr. Paul A. Economy and Mr. Randy Craver

Mrs. Lauren Ellerman *

Mrs. Marianne E. Gandee *

Dr. and Mrs. Charles D. Gilliland

Dr. & Mrs. J. Bruce Hagadorn

Donna Hancock

Mr. and Mrs. Stephen Janoschka *

Mr. and Mrs. William H. Jernigan Jr.

Robyn and David Johnsen

Mr. and Mrs. James F. Johnson

Mr. and Mrs. Robert A. Keely

Mr. Talfourd H. Kemper

Anna and Tom Lawson

Mr. and Mrs. Kirk A. Ludwig

Mr. and Mrs. Edward J. Machado

Ms. Martha L. Martin

Dr. Suzan R. and Dr. John R. Merten

Paul and Robert Metz

Mr. Bob Mills

Ms. Leisa Mundy

The Muse Family Foundation *

Mr. and Mrs. Steven L. Nash

Dr. and Dr. Michael S. Nussbaum

Mr. and Mrs. Mike O'Brochta

Mr. and Mrs. Lewis J. Pillis

Mr. Dale Rakes

Ms. Mary L. Sailer

Mr. and Mrs. Jim Shaver

Mr. and Mrs. James D. Sheahan

Mr. and Mrs. Barry L. Shelor

Janet M. Siems

Dr. and Mrs. Bertram Spetzler

Dr. and Mrs. Brian A. Torre

Mr. and Mrs. John P. Whittle

Mr. & Mrs. W. Lee Wilhelm, III

Mr. Adam Williams

Mr. and Mrs. Scott W. Winter

Meet Our Donors

Tributes

Mill Mountain Theatre is honored to acknowledge gifts made in tribute or memory of special friends. To make such a gift please contact John Levin at (540) 342-5761 or development@millmountain.org.

Tributes

In honor of Nancy Agee and on her birthday by Dr. Nathaniel L. Bishop

In special commemoration of Ginger Poole Avis and Jack Avis being honored at the 2022 Multiple Sclerosis Society Dinner of Champions by current and former presidents of Mill Mountain Theatre’s Board of Directors including: David Allen, Nancy Gray, Macel Janoschka, John Jessee, Cynthia Lawrence and Will Trinkle, and by Ginny Jarrett

In honor of Ginger Poole Avis by Mr. and Mrs. Nicholas C. Conte, by Ms. Melvina Edwards, by Nancy Gray and by Macel and Stephen Janoschka

In honor of Jack Avis by Ginger Poole Avis

In memory of Jim Ayers by James C. Sears, Ed D

In memory of Willeyne McCune Clemens, Dorothy Meyer Hannaford and Sam Zulis by Nancy Ruth Patterson

In memory of Tracy D’Souza by Mr. and Mrs. Kyle Rottkamp

In memory of Becky Gilbert by Paul and Robert Metz

In honor of Mary Hubbard by Macel and Stephen Janoschka

In honor of Randall Hubbard by Macel and Stephen Janoschka

In memory of Timothy A. Kelly by Talfourd H. Kemper; by Mr. and Mrs. Charles I. Lunsford, II; by Mr. W. D. McCoy; by Mr. and Mrs. John G. McLeod; by Mr. and Mrs. Paul W. Nordt, III; by Mr. and Mrs. William N. Powell, and by Mr. and Mrs. James A. Robertson

In honor of the MMT Team by Ms. Edna Wood

In honor of Tuillo Brenna O’Reilly by Mr. Patrick J. O’Reilly

In honor of Nancy Ruth Patterson by Mr. and Mrs. Walker B. Healy, Jr.

In honor of B.J. Preas by Mr. and Mrs. Jerry W. Cheadle

In memory of Charles Ruff, Jr. by Mr. and Mrs. Gregory W. Feldmann

In honor of Maury Lee Strauss by Ms. Lesleigh B. Strauss

In memory of Crystal Lynn Van Hise by Mrs. Yvette Van Hise

In honor of Susan Williams by Mr. Adam Williams

Our Tributes

Performers

(in alphabetical order)

Stephanie Berger

*

Medium Alison

Isaac Bouldin

*

Roy

Carlyn Connolly

*

Helen

Michael Hunsaker

*

Bruce

Hayley Palmer

*

Alison

Alexandra Rivers

*

Joan

Josh Romeo

*

John

Lillian Salazar

*

Christian

Riley Whisnant

*

Small Alison

Michael Havens

*

Electric Guitar

Setting

Rural Pennsylvania

There will be no intermission.

Songs & Scenes

Act I
Scene 13
Small Alison, Adult Alison, Bruce and Joan
Scene 14
Medium Alison, Adult Alison, Bruce and Joan
Scene 15: “Ring of Keys”
Small Alison, Adult Alison and Bruce
Scene 16
Medium Alison, Adult Alison, Helen and Joan
Scene 17
Medium Alison, Adult Alison, Helen and Bruce
Scene 18
Medium Alison, Adult Alison, Helen, Bruce, Joan and Roy
“Days and Days”
Helen
Scene 19: “Telephone Wire”
Adult Alison and Bruce
Scene 20: “Edges of the World”
Adult Alison and Bruce
Scene 21: “Flying Away”
Small Alison, Medium Alison and Adult Alison
Act I
Scene 1: “It All Comes Back”
Small Alison, Bruce and Adult Alison
Scene 2: “Welcome to Our House on Maple Avenue”
Small Alison, Adult Alison, Helen, Bruce, Christian and John
Scene 3: “Not Too Bad”
Medium Alison, Adult Alison and Bruce
Scene 4: “Come to the Fun Home”
Small Alison, Adult Alison, Bruce, Pete, Christian and John
Scene 5
Medium Alison and Joan
Scene 6
Small Alison, Adult Alison, Helen, Bruce, Roy, Christian and John
"Helen's Étude"
Medium Alison and Joan
Scene 7
Medium Alison and Joan
Scene 8: “Party Dress”
Small Alison, Medium Alison and Bruce
Scene 9: “Changing My Major”
Medium Alison, Adult Alison and Joan
Scene 10
Small Alison, Adult Alison, Helen and Bruce
"Maps"
Adult Alison and Bruce
Scene 11
Bruce and Roy
Scene 12
Small Alison, Adult Alison, Helen and Bruce
“Raincoat of Love”
Small Alison, The Susan Deys, Adult Alison, Helen, Bruce, Bobby Jeremy, Christian and John

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

Production Staff

Producing Artistic Director
Ginger Poole
Director
Director
Music Director
Dan Pardo
Director of Production/Props Master
Matt Shields
Scenic Designer
Jimmy Ray Ward
Lighting Designer
Bill Webb
Sound Designer/Engineer
Savannah Woodruff
Costume Designer
Jessica Gaffney
Production Stage Manager
Kailey Absher
Assistant Stage Manager
Erin Markham
Intimacy Choreographer‍
Molly Hood
Dramaturg
Katie Stueckle
Carpenters
Drew Callahan‍ Trenten Woods‍ Thomas Costello
Production Photography
Ian Ridgway

Venue Staff

School Administration Staff

Producing Artistic Director
Ginger Poole
Director of Development
John Levin
Business Manager
Larry Kufel
Director of Education
Victoria Buck
Production Manager
Matt Shields
Creative Director of Public Relations
Ian Ridgway
Resident Musical Director
Seth Davis
Assistant Technical Director/Lighting and Sound Supervisor
Savannah Woodruff
Education Associate & Community Engagement Coordinator
Francesca Reilly
Teaching Artist
Josh Polk
Carpenter
Drew Callahan Trenten Woods

Musicians

Music Directo
Dan Pardo
Drums
JT Fauber
Guitar
Mike Havens
Reeds
Teresa Hedrick
Reeds Sub
Curtis Nichols
Music Director
Christopher D. Littlefield
Assistant Music Director; Conductor/Keys
Seth Davis
Drums
JT Fauber
Guitar
Michael Havens & Evin Bowman
Reed
Teresa Hedrick

Board of Directors

President

Macel H. Janoschka

Vice President

J. Lee E. Osborne

Treasurer

Lori D. Cauley

Secretary

Nathaniel L. Bishop

Board Members

David K. Allen, Lauren Ellerman, Linda Garbee<, Nancy O. Gray, Dr. Robyn Hakanson, Laurence E. Kufel, Dr. Anthony-Samuel LaMantia, Cynthia Lawrence, William L. Lee, Reynolds Lynch III, Dr. Elizabeth Rice Martin, Laura McKeage, Nancy Ruth Patterson, Gary S. Powers, Doris Rogers, Edward M. Smith, Judy Tenzer, Will Trinkle, Maxwell Huddleston Wiegard

Student Advisory Board

Letter from the Dramaturg

Alison Bechdel is a Butch Lesbian: What That Is and Why It Matters

“I felt absurd in a dress”

Fun Home is about many things: family, fathers, the past, mental health, connection and disconnection, healing, etc. It speaks to the immense depth and complexity of the human experience through one cartoonist’s individual experience. It is impressive that Alison Bechdel’s memoir (in both its original graphic novel form and the musical adaptation) hits home for so many, since her personal life is certainly not ordinary or mainstream. From the little girl who would rather wear boys’ clothes to the adult grown into her sense of self, Alison’s journey is inseparable from her identity as a butch lesbian. The Fun Home musical was written with this in mind, and this aspect of Alison’s real life was not an optional hold-over for the fictionalized Alison onstage. Lesbian characters are uncommon – butch lesbians and gender-non-conforming characters even more so. By keeping true to Alison Bechdel’s real life, Lisa Kron and Jeanine Tesori created representation that has introduced many theatregoers to a specific identity with its own rich history. So what does it mean to be a butch lesbian, and where did it come from?

“You seem okay with being strong”

Fundamentally, a butch lesbian is a lesbian who exhibits a masculine identity. That can mean a wide variety of things depending on who you ask! Butch lesbians come to the label in a variety of ways: some are uncomfortable with femininity from childhood, some realize their connection after decades of heterosexual marriage. Overall, lesbian masculinity is built on a foundation of community, respecting women, liberation and comfort. When asked to describe what a butch lesbian looks like, many people will suggest calling cards like short hair, boots, hooking one’s ring of keys on a belt loop, and dressing in menswear: all these things are common among butches, but style and identity are not synonymous. Plenty of masculine lesbians do not identify as butch, because the identity goes beyond aesthetic. For many, butch is intrinsically connected to inner strength– the same kind of strength one would expect from a mountain, a deep rooted tree, or perhaps a battleaxe. To be a butch lesbian is to protect and provide for the community. Embracing a ‘masculine identity’ and fully rejecting society’s expectations for women (looking feminine, dating men) is both freeing and terrifying. Living a day-to-day existence of visible queerness is a radical act. Yet butches feel liberated and confident by their style and manners, and high visibility it is worth it to feel comfortable in one’s own skin.

“She was an old-school butch”

Masculine women who love other women have existed throughout history. However, the language we have to describe these people is limited at best. It’s impossible to know how historical figures might choose to describe themselves with modern words and concepts. Even our current language lacks nuance – when your language is formed within a binary, it’s basically impossible to break out of that system and create words that sum up complicated human lives. It is important to note that ‘butch’ has not been the only word used for masculine lesbian identity. Different groups, especially distinct racial communities, have diverse language and words to describe these dynamics. Additionally, the word ‘butch’ has been used in plenty of contexts outside of lesbian identity as well.

In the lesbian bar culture of the mid-1900’s, working-class lesbians who wore mens’ clothes for safety in traditionally male workplaces and for their own personal freedom formed what it meant to be butch. Butch identity goes hand-in-hand with its femme counterpart. Butches created courtship rituals and community with femmes, who dressed in feminine clothes and were able to hold higher-paying jobs and pass more safely through regular society. These groups of lesbians provided each other with love and protection: for example, butches offered femmes physical protection from men, while femmes helped butches maintain financial stability. 

Butch lesbian culture faced backlash from many directions. While police raids would target butches, as well as drag queens and trans folk, for not wearing “proper gender” attire and mainstream society saw butches as ‘incorrect women’, other groups also voiced criticism. White gay men and lesbians whose goal was to assimilate into mainstream culture distanced themselves from visibly different groups like transgender people, drag queens, butches, and LGBT+ communities of color; separatist feminists claimed that the butch/femme dynamic was ‘imitating heterosexuality’ and butches were trying to ‘emulate men’. In the 1970’s, this pushback caused butch and femme identities to be less prominent in white lesbian communities. (Since the mainstream feminist movement was majority white and upper class, masculine identities persisted and grew in excluded communities, especially among Black lesbians.)

By the time Alison Bechdel was coming of age in the 1980’s, butch was re-emerging as a general lesbian-specific gender identity no longer connected to social class. In an era where women were regularly wearing pants to work and androgyny was becoming normalized, the working-class origins of butch and femme dissipated, as well as the expectation that lesbian couples would follow the butch/femme dynamic. Personal style played a large role in identity. As the gay rights movement and the AIDS crisis moved forward, the LGBT community started to take shape as a more united front and lesbians mingled more with other populations. Now, fewer lesbians find personal meaning in historic butch and femme identities due to continuously changing understanding of sexuality, gender, and style, although strong communities still exist.

“I want to know what’s true, dig deep into who / and what and why and when”

If unfamiliar with the history and meaning behind butch identity, it can be easy to think of butches as just ‘lesbians who dress like men’. However, a clearer understanding of history helps us all form stronger connections and community, and knowledge of this particular lesbian perspective creates a deeper understanding of the musical you’ve come to see. One of the most beautiful things about Fun Home is that there are moments of connection for every audience member, no matter how different your story may be from Alison’s. The search for knowledge about ourselves, others, truth, past, present, and future is ongoing… I hope we all find something new and true in this space together. Thank you for reading!   

-Katie Stueckle, Dramaturg

Letter from the Director

Hi, there. I’m so glad we’re all at the theater. Specifically, I’m glad you’re at our show.

Welcome to the kaleidoscopic Russian doll Rubik’s Cube that is Lisa Kron, Jeanine Tesori, and Alison Bechdel’s Pulitzer Prize and Tony Award winning musical Fun Home. The show is an autobiographical memory play based on Alison Bechdel’s 2006 graphic novel of the same name. The story unpacks Alison Bechdel’s relationship with her late father as she unpacks and discovers her own identity. We vacillate in time between 1969 through the early 70s for Alison’s childhood, around 1980 when she’s at Oberlin College, and around 2005 as she writes Fun Home, the graphic novel. The piece investigates family relationships, the masks we all wear to get by (How do they serve us? When do they? Do we know who we are beneath them?), queerness, coming-of-age, worldliness, how your life measures up to your expectations--and more. It’s an efficient, densely packed 90 minutes!

It’s particularly meaningful to have the opportunity to present this piece during Pride Month. Three-dimensional queer characters remain underrepresented in musical theater. Queer female characters, in particular, remain underrepresented in musical theater. Fun Home doesn’t just provide a three-dimensional queer heroine; it gives young queer kids musical theater anthems--their own “I want” songs. Watching a 12-year-old kid sing “Ring of Keys” would have meant the world to me growing up. And perhaps I wouldn’t have had the words to say so, much like Small Alison doesn’t, but I would have felt her sentiment upon seeing visible queerness for the first time: ‘I know you.’

It’s a gift to do theater in any capacity right now. Getting to work on a piece like this? An embarrassment of riches. I hope our Fun Home offers you a bit of the yearning, the discovery, the beauty, and the solace it has provided me. It’s the kind of story that burrows into your head and heart and sort of sticks there--it’s special in that way. Welcome to the Fun Home.

Warmly,
Katharine Quinn

Cast
Creatives

Meet the Cast

Stephanie Berger

*

Medium Alison
(
)
Pronouns:
she/her

Stephanie Berger is thrilled to be making her debut at Mill Mountain Theatre! Originally from Miami, Florida, she recently graduated from Florida Southern College with a BFA in Musical Theatre and a minor in Psychology. Recent regional credits include performances with The Rev (Merry-Go-Round Playhouse), as well as Kate Monster in Avenue Q, and Fiona in Shrek.You can also catch her performances as Chef Pisghetti in Mill Mountain’s production of Curious George this summer! In addition, she served as the President of the award-winning Studio Box Improv troupe. She has a passion for comedy, teaching, and spreading the love of theatre to everyone she meets. Many thanks to her family and friends for all the love and support! She is grateful and excited for such an amazing opportunity!

Isaac Bouldin

*

Roy
(
)
Pronouns:
he/him

Isaac Bouldin is a Roanoke native and an MMT Conservatory alumni. He has previously appeared with MMT in Romeo and Juliet, A Midsummer Night’s Dream, and Timeless Twenties, MMT’s immersive theatre experience. He is currently studying musical theatre at Belmont University in Nashville, TN.

Carlyn Connolly

*

Helen
(
)
Pronouns:
she/her

Carlyn Connolly (Helen) is a NYC-based performer and start-up founder, returning to MMT for the first time since 2016. Carlyn has previously been seen on the Trinkle Mainstage in White Christmas (Betty Haynes), Swing! (Vocalist), and The Sound of Music (Elsa Schraeder). Select regional credits include The Sound of Music (Virginia Opera), Hello, Dolly! (Virginia Musical Theatre), Cabaret (Ivoryton Playhouse), An American In Paris (Arts Center of Coastal Carolina), and The Music Man (North Shore Music Theatre). Carlyn is endlessly grateful to Fun Home’s fearless leader, Katharine Quinn, as well as Dan, Ginger, Kailey, Erin, and the entire MMT Family for choosing to tell this important story. Love always to Mom, Dad, Devin, Melissa, and Joe.

Michael Havens

*

Electric Guitar
(
)
Pronouns:
he/him

Mike Havens was born and raised in Roanoke, VA and has been involved in music and playing guitar since the age of 12. He received his Bachelors’ degree in classical guitar performance from Radford University and was awarded a full scholarship for study towards a Masters’ degree at the University of Cincinnati College Conservatory of Music. In 2001, he taught guitar studies at local colleges and universities including, Radford University, Emory and Henry College, Sweet Briar College, Randolph-Macon Woman’s College, and Lynchburg College. In 2008, he was offered, and continues, a full-time position teaching guitar and electronic music at Patrick Henry High School in Roanoke, VA. Mike performs regularly as an acoustic and classical guitar soloist, is a member of the classical guitar and flute duo Con Eleganza, as a guest guitarist for the Roanoke Symphony Orchestra, and is the guitar and bassist for Roanoke’s Mill Mountain Theater.

Michael Hunsaker

*

Bruce
(
)
Pronouns:
he/him

Michael is thrilled to return to MMT! Currently the Head of Musical Theater for Lynn University where he directed The Curious Incident of the Dog in the Nighttime. He has written several musicals including Out of Frame, Fetching Water, and Measures of Man. His most recent musical A Simple Romance (based on Shakespeare’s Sonnets) received its world premiere in Virginia Beach last Spring (Cast Recording can be found on streaming platforms). Michael holds a BFA in Music Theatre from Florida State University and an MFA in Film Production from Full Sail University. As an actor, Michael has performed all over the world. Notable roles include: Jean Valjean (Les Misérables/BroadwayWorld Award), Fred/Petruchio (Kiss Me, Kate/BroadwayWorld Award), Jesus and Judas (Jesus Christ Superstar), and Billy Bigelow (Carousel).

Hayley Palmer

*

Alison
(
)
Pronouns:
she/they

Hayley is absolutely thrilled to be back onstage at Mill Mountain Theatre where she was last seen as Tanya in 2019’s Mamma Mia! A San Diego native, she was the Swing and Dance Captain for the National Tour of Beauty and the Beast, and later played Lady Macbeth in over 250 performances of the Off-Broadway hit and New York Times Critic’s Pick Drunk Shakespeare. Hayley earned her M.F.A. in Acting from the University of California Irvine and has an extensive background in improvisation from Chicago's iO Theatre. She now lives in New York City where she teaches for New York University and the American Musical and Dramatic Academy. Hayley travels to Scotland this summer to progress toward designation in the Linklater Voice Technique. AEA, SAG-AFTRA.

Alexandra Rivers

*

Joan
(
)
Pronouns:
she/her

Alexandra Rivers is so grateful to be making her first appearance on the Mill Mountain stage this summer in a show that is so near and dear to her heart. Coming all the way from Philadelphia, she recently earned a B.A. in both Theatre and Media & Communication from Muhlenberg College in Allentown, Pennsylvania. Favorite credits include En El Tiempo de Las Mariposas (Older Dedé), Les Miserables (Fantine), and Next to Normal. This fall, Alexandra will be heading to Florida Studio Theatre in Sarasota, Florida where she will serve as an acting apprentice for the 2022-2023 season. She is eternally grateful to all of the wonderful people at Mill Mountain who made her experience this summer such a special one, and is always thankful for her family, friends, and incredible professors as well. Outside of performing, Alexandra is passionate about photography and can be found on Instagram.

Josh Romeo

*

John
(
)
Pronouns:
he/him

Josh Romeo is a rising senior at Wagner College studying Theatre Performance. Previous credits include Owen in On The 20th Century and Emily’s Mother in Go. Please. Go. Last summer, he worked at Cedar Point performing in their immersive experience, Forbidden Frontier. He is the president and creator of The Spin Cycle - Wagner’s premier improv troupe! Check them out at @spincycle_official.

Lillian Salazar

*

Christian
(
)
Pronouns:
they/them

Lillian (they/them) is making their Mill Mountain Theatre debut! They are currently going into their Junior year as a musical theatre major at Boston Conservatory at Berklee. Some past credits include Head Over Heels (Mopsa), Ride The Cyclone (Constance), In The Heights (Vanessa), Heathers (Heather Chandler). Lillian is so excited to be on stage again with this amazing cast and team! Science rocks! They are extremely grateful for their family, friends and everyone who has supported them throughout the years. Enjoy the show!

Riley Whisnant

*

Small Alison
(
)
Pronouns:
she/her

Riley Whisnant, a rising 7th grader at Roanoke Catholic School, is thrilled to return to the Waldron Stage. She has performed in 19 shows across the Roanoke Valley including The Sound of Music (Gretl), The Wizard of Oz (Dorothy), and As You Like It (Amiens, Corine, and Dennis). She trains with Mill Mountain Theatre Conservatory, Virginia Children’s Theatre Academy and the Kevin Jones Performing Arts Studio. She is grateful to Ginger, Katharine, Victoria, Seth, Tiffany and the rest of the Mill Mountain Theatre staff for giving her the opportunity to perform this very special role. She thanks all who have encouraged her to follow her dreams! Enjoy the show!

Meet the Team

Teresa Hedrick

*

Reed Player
(
)
Pronouns:
she/her

Teresa is excited to be marking her 51st show in the Mill Mountain Theatre pit! Other theatre work includes Hollins University Theatre Department and Columbia, South Carolina's Town Theatre and Workshop Theatre where her very first show was Sweeney Todd. Teresa has been playing woodwinds since age 12, and was a member of the Dennis Reaser Orchestra, Roanoke Jazz Orchestra, founder of Star City Swing for the Salem Jazz Festival, and is in the Sway Katz Big Band. She performs regularly for area churches and special occasions, and has performed extensively around Southwest VA including concerts with Gladys Knight, The Temptations, Shirley Jones and Maureen McGovern. Teresa teaches woodwinds at Hollins University and Roanoke College, and taught at Bluefield University from 2009-2019. She also teaches woodwinds and her husband Steve teaches brass at Hedrick Music Studios. They own Hedrick Music, Inc., which publishes the Band Fundamentals Book Series.

Ginger Poole

*

Producing Artistic Director
(
)
Pronouns:
she/her

Ginger Poole is a proud member of Actor’s Equity Association and an Associate member of the Stage Directors and Choreographers Union. She has studied, taught, choreographed, and performed throughout the U.S. She has worked in GA, HI, FL, MS, SC and VA with, Theatre in the Square, The Alliance City Series, Theatre Gael, Synchronicity Performance Group-GA, Mill Mountain Theatre-VA and SC Children’s Theatre. Originally from Atlanta, she has worked with the N.F.L. and The Atlanta Falcons as their director and choreographer and The Atlanta Opera. Prior to coming to Mill Mountain Theatre, she was based out of North Carolina where she has worked with Flat Rock Playhouse, the State Theatre of North Carolina, in over 25 productions. She was a part of the Education program at Flat Rock Playhouse for 5 years where she taught for their Apprentice Companies and their Conservatory Program in Acting, Dance, and Musical Theatre. Ginger has taught at The University of Southern Mississippi, Western Carolina University, William Carey College, Mississippi University for Women, and currently teaches at Hollins University. With Ginger’s strong background in dance she finds herself not only acting and dancing on stage but also directing the choreography and classroom skills for her students. Ginger holds her M.F.A. in Acting Performance from the University of Southern Mississippi and continues to teach acting and dance.  She has worked with students that range in age from kindergarten through professionals.

Ginger has worked in commercials, voice-overs, film, stage, and the classroom, and was profiled in the book FIRESTARTERS as “the actor”.

Ginger serves on the following Board of Directors: South Eastern Theatre Conference (SETC Secretary, Second Term), Junior League of the Roanoke Valley (Past President and Current Nominating Committee, Second Term), Burton Performing Arts Advisory Board, The Roanoke City Public Schools Education Foundation, and she has served on the Review Panel for theVirginia Commission for the Arts. She was the recipient of the DePaul’s Women of Achievement Award in the Arts in 2013 and was named the 2016 Kendig Award recipient for Individual Artist. Ginger is also a guest host with WSLS, the NBC affiliate, Daytime Blue Ridge television show, and is the host of the new Mill Mountain Theatre Podcast, Meet Me at Mill Mountain. She is very proud to be a member of the Mill Mountain Theatre team and looks forward to its continued growth, success, and artistic influence in the region.

Katharine Quinn

*

Director
(
)
Pronouns:
she/her

Katharine Quinn is delighted to return to Mill Mountain Theatre! Katharine is a theater artist based in New York City. Favorite credits: Tootsie (Broadway), Hercules (The Public), Legally Blonde, The Lodger, James and the Giant Peach (Northern Stage), Cabaret (Dallas Theater Center), Newsies, Mamma Mia (Tuacahn), White Christmas, 42nd Street, Always Andrews (Mill Mountain Theatre). Awards and Nominations: Goodspeed Observership, SDCF Traube Fellowship, Best Choreography Nominee (Newsies) BroadwayWorld Dallas, Best of Theatre 2018 (Mamma Mia!) OnStage, Fred, Gene, and Louise Kelly Tap Award. Katharine is also a full-time voice actor (www.voicedbykate.com) and runs an AirBnb in the Catskills (@quinnhollowhunter). MA Arts Administration, UK College of Arts and Sciences. BFA Theatre Directing, SMU.

Dan Pardo

*

Music Director
(
)
Pronouns:
he/him

Dan Pardo is a freelance music director, pianist, educator, and arranger, based in NYC. He is so happy to revisit Fun Home, after conducting a memorable run of the piece at the Weston Playhouse, in 2018. Broadway: Amazing Grace (Nederlander Theatre). Off-Broadway: I Spy a Spy, The Office: A Musical Parody, Rothschild and Sons, and Skippyjon Jones: Snow What? Regional favorites include Company at the Barrington Stage (starring Aaron Tveit), How to Succeed at The 5th Avenue Theatre (Seattle), and Alice at Yale School of Drama. Dan was also on the resident music staff at Goodspeed for several seasons. In 2019, Dan music-directed his first TV project, the Emmy-nominated variety special, John Mulaney and the Sack Lunch Bunch, for Netflix. As an educator, Dan teaches regularly for Harlem School of the Arts. You can also see him play at several piano bars and cabaret venues throughout the city.

Kailey Absher

*

Production Stage Manager
(
)
Pronouns:
she/her

Kailey Absher is a local Virginian, growing up nearby in the New River Valley. She is a graduate of Radford University, where she earned her BS in Theatre with an emphasis on Stage Management, as well as minors in English and Communications. Past SM Credits at MMT include recently: The Cake, A Christmas Story, Million Dollar Quartet, and Tomás and the Library Lady. Kailey has worked as part of the intern company for The Rev (Formally Finger Lakes Musical Theatre Festival) and well as two seasons of outdoor theatre.

Jessica Gaffney

*

Costume Designer
(
)
Pronouns:
she/her

Jessica Gaffney earned her Master of Fine Arts in costume and scenery design at New York University’s Tisch School of the Arts. Ms. Gaffney has designed costumes for over seventy-five theatrical productions, her work has been seen Off-Broadway, Off-Off-Broadway, and in Regional Theatres across the country. Favorite Mill Mountain Theatre costume design credits include: Next to Normal and Disney’s The Little Mermaid Junior. In addition to theatrical design, Ms. Gaffney has designed costumes and scenery for several award winning film and video projects. Ms. Gaffney is the Chair of Theatre at Cape Fear Community College in Wilmington, NC.

Matt Shields

*

Technical Director & Props Designer
(
)
Pronouns:
he/him

Matt Shields is a native of Virginia. Having grown up in Loudoun County, he first moved to the region in 2013 to attend school at Radford University where he graduated with a BS in theatre. After working for a few other companies, Matt is happy to call MMT his artistic home. In the past few years Matt has served in a variety of jobs around Mill Mountain, including Props Master, Costumes Manager, Teaching Artist, Scenic Designer, and Company Manager. Matt is very happy to now be serving MMT as the Production Manager and is grateful to MMT for all the faith they have put in him over the years.

Erin Markham

*

Assistant Stage Manager
(
)
Pronouns:
she/her

Erin Markham is a Roanoke native with a lifelong passion for the theatre. She graduated summa cum laude from Radford University with a B.S. in Theatre and an emphasis in stage management. Along with stage managing several productions and student projects at Radford, Erin worked as a Box Office Assistant and an Assistant to the Chair. In previous summers, Erin has worked with Christiansburg Dance Academy and the Virginia Governor’s School for Arts and Humanities. Her most recent work includes run crew for Mill Mountain Theatre’s A Christmas Story and guest artist stage manager for Radford University’s The Drowsy Chaperone. Erin is excited to be back at Mill Mountain this summer to assist in creating meaningful theatre in her hometown.

Bill Webb

*

Lighting Designer
(
)
Pronouns:
he/him

Bill is thrilled to be returning to Mill Mountain Theatre as the Lighting Designer for In the Heights. Bill is a native of Alfred, NY, where he received his Bachelor of the Arts in Theatre from Alfred University in 1988.  He continued training at The University of North Carolina School of the Arts where he earned his Master of Fine Arts in Scenic Technology in 1994.  Since 1996, Bill has been on faculty at Elon University in North Carolina where he serves as the Lighting Designer/Production Manager for the Performing Arts Department. Bill has been designing lights at Mill Mountain since the MMT production of Swing in 2014, with over 30 MMT Lighting design credits. In addition to his work at Mill Mountain Theatre, Bill has worked  throughout the United States for companies such as Cirque Du Soleil, I Weiss, Bungalow Scenic Studios and Arkansas Repertory Theatre.

Jimmy Ray Ward

*

Scenic Designer
(
)
Pronouns:
he/him

With an MFA in Design from UNC-Greensboro, his credits include work at many theatre companies along the East coast such as Spoleto Festival USA, Williamstown Theatre Festival, Seaside Music Theatre, Flatrock Playhouse, and the Gainesville Theatre Alliance.  Locally, Jimmy designs for Opera Roanoke, Roanoke Children's Theatre, and Mill Mountain Theatre, where he worked as resident designer for its last nine seasons.  Some favorite designs over the years include scenery for Il Trovatore, The Flying Dutchman, The Adventures of Frog and Toad, If You Give a Mouse a Cookie, Seussical, and Grease, costumes for Hamlet, Beauty and the Beast, Joseph…Technicolor Dreamcoat, and lighting for Driving Miss Daisy, Wit, and Rapunzel, among many others. Despite years of working in a field he loves, Jimmy feels that his best productions to date are his children, Henry and Lily, Gracie and Frank.

Katie Stueckle

*

Dramaturg
(
)
Pronouns:
she/her

Katie is a Roanoke-based freelance dramaturg and collaborator who focuses her work on community building, lesbian stories, and subversive classical adaptations. She graduated from Hollins University in 2020 with a degree in English Literature and Performance. She has worked as a dramaturg locally at Hollins University (Decision Height, The Revolutionists, Fun Home, and Winter Festival of New Works), and more broadly on productions at the Nashville Shakespeare Festival, Still Imminent Rep, and Belmont University.

Molly Hood

*

Intimacy Choreographer
(
)
Pronouns:
she/her

Molly is an actor, choreographer, and director. She currently serves as an Assistant Professor of Theatre at Radford University where she teaches in the acting sequence and directs on the main stage. Most recently she directed RU’s spring musical, The Drowsy Chaperone. A native of Virginia, Molly performed, choreographed, and acted as a text coach for many seasons with the Richmond Shakespeare Festival. Previous intimacy choreography includes productions of: The Tragedy of Macbeth, Wonder of the World, Next Fall, and as a consultant for numerous student-directed productions. Molly holds an M.F.A. in Classical Acting from The Shakespeare Theatre Company Academy for Classical Acting at The George Washington University.

J.T. Fauber

*

Percussion
(
)
Pronouns:
he/him

J.T. has been playing drums at Mill Mountain since 2008. His favorite show was My Son Pinocchio which included his wife Rachel on piano and both kids, Kyle and Caroline, on stage. Early in his career J.T. performed in the country show at Kings Dominion and on the La Boheme cruise ship. Currently he plays with The Boogie Kings, a ragtime / dixieland group that has been together since 1986. He also plays with the 1st Baptist Roanoke orchestra, The Winds of the Blue Ridge, and the Let's Dance big band. J.T. is the owner of Sun Tan City and Buff City Soap, both supporters of Mill Mountain Theatre.

Savannah Woodruff

*

Lead Electrician & Sound Engineer
(
)
Pronouns:
she/they

Savannah Woodruff was born and raised in Southern Pines, North Carolina, where she was encouraged to become involved in technical theatre in high school. Savannah is a graduate of The University of North Carolina at Greensboro, and received a BFA in Technical Production. Prior to joining the Mill Mountain Theatre staff, she worked as a member of Weston Playhouse Theatre Company’s Intern Company. Savannah is grateful for the support of her family (and especially her cats) in her endeavors, and is thrilled to be able to continue working and growing with Mill Mountain Theatre.

Media

No items found.
2021 National Touring Cast

Pre-Show Snack or
Post-Show Dinner?

Don’t let the evening end when the curtain comes down. With The Marquee Local, you can find the perfect place for a pre-show snack, an evening meal, or a post-show cocktail. Enjoy exclusive deals from our local partners as you catch up, discuss the show, and create memories to last a lifetime.

Grab a Bite
Pre-show or post-show, our local partners have your dining needs covered
Raise a Glass
Settle into that post-show glow with a stellar drink in hand

Grab a Bite

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Marquee Deal!

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Marquee Deal!

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Marquee Deal!

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Marquee Deal!

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Marquee Deal!

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Marquee Deal!

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Marquee Deal!

Raise a Glass

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Marquee Deal!

‍Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Marquee Deal!

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Marquee Deal!

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Marquee Deal!

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Marquee Deal!

While You Wait

With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

Connect
Games

Media

No items found.

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Share this Marquee

Check out this Fun Home digital program by @Marquee.Digital.

Waiting for the Show to Start?

The Marquee has you covered.

Places in 5
Can you find the winning word in time?
Marquee Match
Find the match & take a bow.

Join the Team

Connect
Games

Media

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Waiting for the Show to Start?

The Marquee has you covered.

Places in 5
Can you find the winning word in time?
Marquee Match
Find the match & take a bow.
At This Performance
Hello! Please use portrait mode when viewing Marquee Digital Programs on a mobile device, in order to ensure the best user experience.
Event Date has Passed

Hello! It appears your event date has passed. You  can view the archived Event Marquee for 5 minutes before this pop up gets activated.

Event Preview

Hello! This is the Preview limit for your Event until the show's Opening Day. You will be able to view the Marquee for 5 minutes before this pop up gets activated. Simply refresh the page to restart the timer.