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Meet Our Donors

Tributes

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Our Tributes

Performers

Joe Boover

*

Elvis

Cody Craven

*

Carl Perkins

James (J.T.) Thomas Fauber

*

Fluke - Drummer

Caroline Hanks

*

Dyanne

Jeffrey McGullion

*

Sam Phillips

Jason Curtis Rivera

*

Brother Jay

Zachary Tate

*

Johnny Cash

Brady Wease

*

Jerry Lee Lewis

Setting

Sun Studio in Memphis, Tennessee, on December 4, 1956
There will be a 15 minute intermission.

Songs & Scenes

Act I
Blue Suede Shoes
(music by Carl L. Perkins; lyrics by Carl L. Perkins) © MPL Music Publishing Inc. All rights reserved. Used by permission of Wren Music Co., o/b/o Carl Perkins Music Inc.
Real Wild Child
(music by John O'Keefe, John Greenan and Dave Owens; lyrics by John O'Keefe, John Greenan and Dave Owens) © MPL Music Publishing Inc. All rights reserved. Used by permission of Wren Music Co.
Matchbox
(music by Carl L. Perkins; lyrics by Carl L. Perkins) © MPL Music Publishing Inc. All rights reserved. Used by permission of Wren Music Co. o/b/o Carl Perkins Music Inc.
Who Do You Love?
(music by Ellas McDaniel; lyrics by Ellas McDaniel) © ARC Music Corp. All rights reserved. Used by permission.
Folsom Prison Blues
(music by John R. Cash; lyrics by John R. Cash) Published by House of Cash, Inc. Administered by Bug Music Inc All rights reserved. Used by permission.
Fever
(music by Eddie Cooley and Johnny Davenport; lyrics by Eddie Cooley and Johnny Davenport) © Carlin America Music/Windswept Pacific Music Publishing. Published by Fort Knox Music, Inc. All rights reserved. Used by permission.
Memories Are Made of This
(music by Terry Gilkyson, Richard Dehr and Frank Miller; lyrics by Terry Gilkyson, Richard Dehr and Frank Miller) © EMI Blackwood Music, Inc. (BMI) All rights reserved. Used by permission.
That's All Right
(music by Arthur Crudup; lyrics by Arthur Crudup) © 1947 (renewed). Unichappell Music Inc. (BMI) and Crudup Music (BMI). All rights administered by Unichappell Music Inc. All rights reserved. Used by permission.
Brown Eyed Handsome Man
(music by Chuck Berry; lyrics by Chuck Berry) © Arc Music Corp. All rights reserved. Used by permission.
Down by the Riverside
(Traditional; arranged by Chuck Mead) © Zoilink Music. All rights administered by Coburn Music. All rights reserved. Used by permission.
Sixteen Tons
(music by Merle Travis; lyrics by Merle Travis)© Merle’s Girls Music. All rights reserved. Used by permission.
My Babe‍
(music by Willie Dixon; lyrics by Willie Dixon) © Bug Music, Inc. o/b/o Hoochie Coochie Music (BMI). All right reserved. Used by permission.
Long Tall Sally‍
(music by Robert Blackwell, Enotris Johnson and Richard Penniman; lyrics by Robert Blackwell, Enotris Johnson and Richard Penniman) © Sony/ATV Music Publishing LLC. All rights reserved. Used by permission.
Peace in the Valley
(music by Thomas A. Dorsey; lyrics by Thomas A. Dorsey) © (renewed) 1939 Warner-Tamerlane Publishing Corp (BMI). All rights reserved. Used by permission.
I Walk the Line
(music by John R. Cash; lyrics by John R. Cash) Published by House of Cash, Inc. Administered by Bug Music Inc. All rights reserved. Used by permission.
Act II
I Hear You Knocking
(music by Dave Bartholomew and Pearl King; lyrics by Dave Bartholomew and Pearl King) © EMI Unart Catalog Inc. All rights reserved. Used by permission.
Party
(music by Jessie Mae Robinson; lyrics by Jessie Mae Robinson) © MPL Music Publishing Inc. All rights reserved. Used by permission.
Great Balls of Fire
(music by Otis Blackwell and Jack Hammer; lyrics by Otis Blackwell and Jack Hammer) © 1957 (renewed), Unichappell Music Inc. (BMI), Mijac Music (BMI), Chappell & Co., Inc. (ASCAP) and Mystical Light Music (ASCAP). All rights reserved on behalf of itself and Mijac Music, administered by Unichappell Music Inc. All rights reserved on behalf of itself and Mystical Light Music, administered by Chappell & Co., Inc. All rights reserved. Used by permission.
Down by the Riverside (Reprise)
Hound Dog
(music by Jerry Leiber and Mike Stoller; lyrics by Jerry Leiber and Mike Stoller) Published by Sony/ATV Songs LLC. Copyright 1953 Sony/ATV Music Publishing LLC. All rights administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville TN 37203. All rights reserved. Used by permission.
Riders in The Sky
(music by Stan Jones; lyrics by Stan Jones) © MPL Music Publishing Inc. All rights reserved. Used by permission Edwin H. Morris & Company.
See You Later, Alligator
(music by Robert Guidry; lyrics by Robert Guidry) © Arc Music Corp. All rights reserved. Used by permission.
Whole Lotta Shakin’ Goin’ On
(music by Curly Williams; lyrics by Curly Williams) © 1997 N’Mani Entertainment Co. (ASCAP). All rights reserved. Used by permission.

Production Staff

Managing Director
Matt Shields
Director
Ginger Poole
Music Directors
Cindy Blevins Brady Wease
Costume Designer
Audrey Hamilton
Scenic Designer
Jimmy Ray Ward
Lighting Designer
Bill Webb
Technical Director
Savannah Woodruff
Production Stage Manager
Peppy Biddy*
Assistant Stage Manager
Erin Alexis Markham*
Sound Operator
Samuel Wood
Voice Overs
James Moye
Wardrobe
Eli Riederich
MMT Production Videographer
Richard Maddox
MMT Production Photographer
Richard Clompus
Spot Ops
Kamryn Cox Alaya Lewis Walker Johnson
Props Designer
Matt Shields

Venue Staff

School Administration Staff

No items found.

Musicians

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Board Members

Student Advisory Board

Credits

Lighting equipment from PRG Lighting, sound equipment from Sound Associates, rehearsed at The Public Theater’s Rehearsal Studios. Developed as part of Irons in the Fire at Fault Line Theatre in New York City.

Special Thanks

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

United Scenic Artists ● Local USA 829 of the I.A.T.S.E represents the Designers & Scenic Artists for the American Theatre

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers, and Theatre Managers employed on this production.

A Note from MMT

We are so excited to welcome you to Million Dollar Quartet! We are so honored to have had the opportunity to once again produce this show on our Trinkle Mainstage and to have been able to hand pick a cast and creative team that are truly the best of the best. In this show, these actors will act, sing, and play their own instruments LIVE for all of you tonight! Whether you've seen Million Dollar Quartet before or this is your first time, there will be something new for you. So be sure to sit back, relax, rock out, and most of all enjoy Million Dollar Quartet!

Cast
Creatives

Meet the Cast

Joe Boover

*

Elvis
(
)
(
)
Pronouns:
He/ Him

Joe Boover is thrilled to be making his debut at Mill Mountain, Favorite Past credits include: Guy in Once, Elvis in many productions of M$Q, Proteus in Two Gentlemen of Verona, Frankie in Plaid Tidings, Feste/ Music Director/  Composer for Twefth Night, other Music Director credits include: Phantom Folktales onboard Virgin Voyages and 'The Irish and How They Got That Way' at Playhouse on Park. Joe also co-wrote composed and starred in the multi-award winning musical "The Doormen" which won best production, best score, and best choreography in the New York Theatre Festival 2022.
Joe currently resides in Ireland with his wife when he's not performing regionally in the States. Much love to his family, his new nephew Owen, and the love of his life, Babs <3

Cody Craven

*

Carl Perkins
(
)
(
)
Pronouns:
he/him

Cody Craven he/him (Carl Perkins) is electrified to be jump back into the blue suede shoes in his MMT debut! This will mark his sixth production of MDQ: The Paramount, Beef & Boards, Suncoast Broadway, ATP (Carl) and Norwegian Cruise Line (Sam Phillips). Away from Sun Studios, Cody is a singer-songwriter, Star Wars aficionado, and thrift store junkie. Non-MDQ credits include 6 x Once: The Musical (Guy, Andrej, Svec), 2 x Kinky Boots (Charlie Price, Harry), 2 x Pump Boys and Dinettes (Jim, Jackson), Les Miserables (Marius), and 5 contracts at sea (Disney Cruise Line, Norwegian Cruise Line, and Oceania). Warmest thanks to Hudson Artists, his mom, sister Hattie, and husky Solo. Now will everyone PLEASE stop stepping on my shoes?! Thank you. 

James (J.T.) Thomas Fauber

*

Fluke - Drummer
(
)
(
)
Pronouns:
he

J.T. has played the drums for 28 MMT shows, starting with the 2009 production of Annie, Jr.
His family (Rachel, Kyle, and Caroline) has also been involved in many MMT shows over the past 26 years.
J.T. earned a degree in Music Management from JMU in 1984. He played professionally at the Kings Dominion
Theme Park and with Commodore Cruise Lines. He currently plays in the First Roanoke Orchestra, the Bedford 
Community Orchestra, The Let's Dance Band, The Winds of the Blue Ridge, and the Valley 
Chamber Orchestra. He is starting his 38th year with The Boogie Kings, a dixieland group in his hometown of Staunton, VA.
J.T. owns and operates three franchise chains: Sun Tan City, My Salon Suite, and Buff City Soap, and is on the Mill Mountain
Theater board. His favorite show to play was the 2014 MMT production of Children of Eden.

Caroline Hanks

*

Dyanne
(
)
(
)
Pronouns:

Caroline Hanks is so excited to be making her MMT debut in Million Dollar Quartet! Previous actor-musician credits include Prudie in Pump Boys & Dinettes (Totem Pole Playhouse, Hippodrome Theatre). She has also spent the last few years as a piano bar player on land and at sea alongside her all-time favorite partner and fiancé, Brady Wease.

Education: BFA from University of Utah. www.carolinehanks.com

Jeffrey McGullion

*

Sam Phillips
(
)
(
)
Pronouns:

Originally from Los Angeles, Jeffrey has performed throughout the southeast with Barpeg Productions, Barter Theatre, Roanoke Children’s Theatre, Temple Theatre, Texas Shakespeare Festival, Wohlfahrt Haus, The Barn Dinner Theatres, and as co-founder of the Roanoke Valley Shakespeare Festival.  Previous Mill Mountain Theatre credits include FDR in Annie, Herr Schultz/Max in Cabaret, JD in Escape to Margaritaville, Walter in Elf the Musical, Daddy Murphy in Bright Star, Clown 1 in The 39 Steps, Felix in The Odd Couple, Wilbur in Hairspray, and Mr. Dussel in The Diary Of Anne Frank. Other favorite roles include Prof. Moriarty in the regional premiere of Sherlock Holmes and the Case of the Jersey Lily and Louie in Lost in Yonkers.   He is a Cum Laude graduate of the University of Georgia Theatre Department.

 

 

 

Jason Curtis Rivera

*

Brother Jay
(
)
(
)
Pronouns:
He/Him

Jason Curtis Rivera (He/Him) is an NJ based composer and musician, known for his work on original musicals like Late Night: The Musical, "Tales From The Arabian Mice" and "RAANAP: The Musical", as well as contributions to short films including Double Date, "Lemons for Vi­ctor", and "Butterfly Effect", and the series "Black Widow Brigade.

He is a multi-instrumentalist guitarist, bassist, and performer who has lent his talents to productions such as A Charlie Brown Christmas Special Live! National Tour, “Local Singles” Off Broadway, Hootenanny Tonight!: A Folk Music Experience Off-Off Broadway,  Annie at Axelrod Performing Arts Center, and "Million Dollar Quartet" at Arizona Broadway Theatre as well as over 40 other shows across the United States.

He is a graduate of Ramapo College of New Jersey and a student of the BMI Lehman Engel Musical Theater Workshop. 

Zachary Tate

*

Johnny Cash
(
)
(
)
Pronouns:
he/him

Zachary Tate is proud to be making his Mill Mountain Theatre debut! This is his 12th production of Million Dollar Quartet. A native of Savannah, Ga, Zachary is a graduate of the University of Georgia, where he received degrees in theatre and journalism. Recent: Million Dollar Quartet (The Savannah Theatre, SLO Rep, Temple Theatre, Apex Touring), Million Dollar Quartet Christmas (New Stage Theatre, Timberlake Playhouse), Ring of Fire, Bright Star, Big Fish, Pump Boys & Dinettes (MOMO), Featured Actor with Royal Caribbean Cruise Lines. Forever blessed to share the story of Sun Records with another community.

Brady Wease

*

Jerry Lee Lewis
(
Music Director
)
(
Music Director
)
Pronouns:
He/Him

Brady Wease is very excited to return to MMT and to be back in Sun Records! Previous credits: Multiple productions of Million Dollar Quartet all across the country (Theatre Aspen, STAGES St. Louis, The Repertory Theatre of St. Louis, Totem Pole Playhouse, Florida Repertory Theatre, The Hippodrome, Mill Mountain Theatre, etc.) Other Actor-Musician shows (Murder For Two, Pump Boys & Dinettes, MDQX) He also works as a piano bar player alongside his fiancé and piano bar partner, Caroline Hanks.

Meet the Team

Audrey Hamilton

*

Costume Designer
(
)
Pronouns:

Audrey Hamilton delights in returning to Mill Mountain Theatre as
Costume Designer of Million Dollar Quartet. Previous MMT designs:
Annie, Bright Star, To Kill a Mockingbird. Audrey earned a BFA in Theatre from the Mississippi University for
Women and an MFA in Costume Design and Technology from the
University of Alabama. Costume/hair/makeup designs include: Le
Nozze di Figaro, Rigoletto, Gianni Schicchi, La Bohème, Don
Giovanni, Falstaff (La Musica Lirica, Novafeltria, Italy)Die Fledermaus,
Il Barbiere di Siviglia, The Ballad of Baby Doe, Cinderella (Opera in
the Ozarks, Eureka Springs, AR) La Traviata, Sweeney Todd (Opera
Roanoke), Wittenberg, Antony and Cleopatra (American
Shakespeare Center) Shrek (New Stage, Jackson, MS).

Bill Webb

*

Lighting Design
(
)
Pronouns:

Bill is thrilled to be returning to Mill Mountain Theatre as the Lighting Designer for Million Dollar Quartet.  Bill is a native of Alfred, NY, where he received his Bachelor of the Arts in Theatre from Alfred University in 1988.  He continued training at The University of North Carolina School of the Arts where he earned his Master of Fine Arts in Scenic Technology in 1994.  Since 1996 Bill has been on faculty at Elon University in North Carolina where he serves as the Lighting Designer/Production Manager for the Performing Arts Department. Bill has been designing lights at Mill Mountain since the MMT production of Swing in 2014 with 30  MMT Lighting design credits.  In addition to his work at Mill Mountain Theatre,  Bill has worked throughout the United States for companies such as Cirque Du Soliel, I Weiss, Bungalow Scenic Studios and  Arkansas Repertory Theatre.

Jimmy Ray Ward

*

Scenic Designer
(
)
Pronouns:
he/him

With an MFA in Design from UNC-Greensboro, his credits include work at many theatre companies along the East coast such as Spoleto Festival USA, Williamstown Theatre Festival, Seaside Music Theatre, Flatrock Playhouse, and the Gainesville Theatre Alliance.  Locally, Jimmy designs for Opera Roanoke, Roanoke Children's Theatre, and Mill Mountain Theatre, where he worked as resident designer for its last nine seasons.  Some favorite designs over the years include scenery for Il Trovatore, The Flying Dutchman, The Adventures of Frog and Toad, If You Give a Mouse a Cookie, Seussical, and Grease, costumes for Hamlet, Beauty and the Beast, Joseph…Technicolor Dreamcoat, and lighting for Driving Miss Daisy, Wit, and Rapunzel, among many others. Despite years of working in a field he loves, Jimmy feels that his best productions to date are his children, Henry and Lily, Gracie and Frank.

Peppy Biddy

*

Production Stage Manager
(
)
Pronouns:
he/him

Erin Alexis Markham

*

Assistant Stage Manager
(
)
Pronouns:
her/ she

Erin Markham is a Roanoke native with a lifelong passion for the theatre. She graduated summa cum laude from Radford University with a B.S. in Theatre and an emphasis in Stage Management. Along with stage managing several productions and student projects at Radford, Erin worked as a House Manager, Box Office Assistant, and an Assistant to the Chair. Her most recent work includes Assistant Stage Manager for Mill Mountain Theatre’s productions of Waitresss, Annie, Cabaret, Escape to Margaritaville, and Elf. Erin hopes you have a party movin’ and groovin’ with this Million Dollar Quartet.

Ginger Poole

*

Director
(
)
Pronouns:
She/Her

Ginger Poole Avis has been in the non-profit sector for over 25 years. She was the Producing Artistic Director for the professional regional theatre, Mill Mountain Theatre, for 18 years and is still involved with them as an Artistic and Theatre Admin Consultant. She has served on many Boards locally and nationally including: Past President of the Junior League of Roanoke Valley, Past President of the Southeastern Theatre Conference (National), Past President of Crystal Spring Elementary School PTA, Roanoke Valley Garden Club (Associate Member of 10 years), MS Society Dinner of Champions (Co-Chair and Past Honoree), Burton Performing Arts Advisory Board, The Roanoke City Public Schools Education Foundation, and she has served on the Review Panel for the Virginia Commission for the Arts. Ginger currently serves on the following Boards of Directors: Junior League of Roanoke Valley (VP of Fund Development), The Shenandoah Club (Current President), Second Presbyterian Church Session Member, The Grandin Theatre, James Madison Middle School PTA (Current President), Southeastern Theatre Conference (VP of Finance), and The Tudor House.

She has studied, taught, choreographed, and performed throughout the U.S. Originally from South Carolina and growing up in Atlanta, she has worked with the N.F.L. and The Atlanta Falcons as their director and choreographer, and The Atlanta Opera. Before coming to Mill Mountain Theatre, she was based out of North Carolina, where she has worked with Flat Rock Playhouse, the State Theatre of North Carolina in over 25 productions. Ginger has taught at The University of Southern Mississippi, Western Carolina University, William Carey College, Mississippi University for Women, and currently teaches at Hollins University. Ginger holds her M.F.A. in Acting Performance from the University of Southern Mississippi and continues to teach acting and dance. Ginger has worked in commercials, voice-overs, film, stage, and the classroom, and was profiled in the book FIRESTARTERS as “the actor”.

She was the recipient of DePaul’s Women of Achievement Award in the Arts in 2013 and was named the 2016 Kendig Award recipient for Individual Artist. Ginger was the 2022 honoree at the MS Dinner of Champions event. Ginger was also a guest host with WSLS, the NBC affiliate, Daytime Blue Ridge television show, and was the host of the Mill Mountain Theatre Podcast, Meet Me at Mill Mountain. Her home was featured in the Historic Garden Week tour of homes in 2023. Ginger was also a featured portrait in the Whitney Brock portrait series, A Thread Through Roanoke, in 2024-2025

She is thrilled to be back and playing with the fabulous creative team, cast, and crew of MDQ!

Savannah Woodruff

*

Director of Production
(
)
Pronouns:
They/she

Savannah was born and raised in Southern Pines, North Carolina but is happy to now consider Roanoke, Virginia their home. They are a graduate of The University of North Carolina at Greensboro, where they recieved a BFA in Technical Production. Since joining the staff of Mill Mountain Theatre, Savannah has served in a variety of roles, most recently becoming the Director of Production. They have also been able to expand into design work with the support of MMT, and are thrilled to be working as the Lighting Designer for Waitress. Savannah is grateful for the never-ending support of their partner and their family (and their cats) in their endeavors, and for the trust placed in them by MMT. 

Media

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2021 National Touring Cast

Pre-Show Snack or
Post-Show Dinner?

Don’t let the evening end when the curtain comes down. With The Marquee Local, you can find the perfect place for a pre-show snack, an evening meal, or a post-show cocktail. Enjoy exclusive deals from our local partners as you catch up, discuss the show, and create memories to last a lifetime.

Grab a Bite
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Raise a Glass
Settle into that post-show glow with a stellar drink in hand

Grab a Bite

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Marquee Deal!

The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

Marquee Deal!

Get 15% off your meal when you show your ticket stub or ticket from your phone for any Mill Mountain Theatre production.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Marquee Deal!

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Marquee Deal!

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Marquee Deal!

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Marquee Deal!

Raise a Glass

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Marquee Deal!

‍Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Marquee Deal!

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Marquee Deal!

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Marquee Deal!

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Marquee Deal!

While You Wait

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Marty Lauter and David Merino Perform TWO LADIES At The Laurie Beechman Theatre
Emily Wyrwa
October 6, 2025

Willkommen! Marty Lauter and David Merino are taking the stage for one night only in Two Ladies at the Laurie Beechman Theatre on Oct. 13 at 9:30 p.m. The pair, who closed the run of Cabaret at the Kit Kat Club on Broadway sharing the role of the Emcee, will be Emcees of their own.

In Two Ladies they present an evening filled with sisterhood, secrets from the bowels of the Kit Kat Club, and maybe a little desperation as they search for their next jobs…who knows, maybe this time, they’ll win! 

Lauter, a Theatrely31 alum, is also known as “Marcia Marcia Marcia!” from RuPaul’s Drag Race Season 15. They’ve strutted through Broadway’s Kinky Boots and toured in Hello, Dolly! Merino has been seen in Moulin Rouge! on Broadway and as Angel in the National Tour of Rent. Together, they became the Kit Kat Club’s unexpected power couple.

Two Ladies: Tales from the Kit Kat Club plays The Laurie Beechman Theatre on Monday, Oct. 13 at 9:30 p.m. For tickets and more information, visit here

Marty Lauter and David Merino Perform TWO LADIES At The Laurie Beechman Theatre
Emily Wyrwa
October 6, 2025

Willkommen! Marty Lauter and David Merino are taking the stage for one night only in Two Ladies at the Laurie Beechman Theatre on Oct. 13 at 9:30 p.m. The pair, who closed the run of Cabaret at the Kit Kat Club on Broadway sharing the role of the Emcee, will be Emcees of their own.

In Two Ladies they present an evening filled with sisterhood, secrets from the bowels of the Kit Kat Club, and maybe a little desperation as they search for their next jobs…who knows, maybe this time, they’ll win! 

Lauter, a Theatrely31 alum, is also known as “Marcia Marcia Marcia!” from RuPaul’s Drag Race Season 15. They’ve strutted through Broadway’s Kinky Boots and toured in Hello, Dolly! Merino has been seen in Moulin Rouge! on Broadway and as Angel in the National Tour of Rent. Together, they became the Kit Kat Club’s unexpected power couple.

Two Ladies: Tales from the Kit Kat Club plays The Laurie Beechman Theatre on Monday, Oct. 13 at 9:30 p.m. For tickets and more information, visit here

HAZBIN HOTEL: LIVE ON BROADWAY Will Play One Night at the Majestic Theatre, Hosted By Erika Henningsen
Emily Wyrwa
October 6, 2025

Straight from Hell to Broadway! Hazbin Hotel: Live on Broadway will come to the Majestic Theatre on Oct. 20 for a live concert celebrating the hit musical series. The evening will be hosted by series lead Erika Henningsen.

The concert will feature special performances from the talented cast featuring songs from both seasons one and two of the show. It will be available on Prime Video at a later date. Joe DeMaio serves as the director.

Hazbin Hotel follows Charlie, the princess of Hell, as she pursues her seemingly impossible goal of rehabilitating demons to peacefully reduce overpopulation in her kingdom. After a yearly extermination imposed by angels, she opens a hotel in the hopes that patrons will be "checking out" into Heaven. While most of Hell mocks her goal, her devoted partner Vaggie, and their first test subject, adult-film star Angel Dust, stick by her side. When a powerful entity known as the "Radio Demon" reaches out to assist Charlie in her endeavors, her crazy dream is given a chance to become a reality.

Season Two of the series premiers on Oct. 29, with two episodes rolling out weekly through Nov. 19.

Hazbin HotelL Live on Broadway is a one-night-only performance on Oct. 20 at the Majestic Theatre on West 44th Street in New York City. Fans can request tickets at 1iota here for a chance to attend. Cosplay is strongly encouraged. 

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

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