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Grantors

Sponsors

Donors

We are so grateful to the many donors and sponsors that make it possible for us to create high-quality, live theatrical programming for the greater Tuscaloosa community. We couldn't do it without YOU! Making a tax deductible donation to Theatre Tuscaloosa is easy. To learn more about our giving levels and benefits, visit https://www.theatretusc.com/sponsorships or call us at 205.391.2277.

Donors

Super Star
$10,000+

Claire Friday

Executive Producer
$2,500-$4,999

Butch & Karen Chandler

Kathy Grissom

Drs. Ralph and April Lane

David Lewis & Penny Miller

Dianne & Bill Teague

 

Producer's Circle
$1,000-$2,499

Anonymous in Celebration of Michael Walker's Directorial Debut as Executive Producer

David & Gabrielle Cruz-Uribe

Dennis & Carolyn Dahl

Amna and Devin Handley

Dr. Trudier Harris

Kathryn Hornsby

Jim Jolly

Paul & Susan Looney

Drs. Jamie & Keisha Lowther

Drs. Linda and Terry Olivet

Kim C. Palm

Annette Pickett

Judi Rabel

in memory of Murphy Roberts and Brian Benjamin

Janice and Grier Stewart

Drs. Ross and Julie Vaughn

Dr. John Walker

Designer's Circle
$250-$499

Susan Benke

Mr. and Mrs. Ralph Besnoy

Dr. Alan & Glinda Blackshear

Kenyatta Browne

Anna Gann

In Memory of Jane "Gigi" Gillock

Will Grimsley

Mac E. Hackney III

Lynn Hamric

Madeleine M. Hill

Mr. and Mrs. Wayne Hutton

Casey and Joseph Johnson

Anika Lodree, Ph.D.

Camille Mendle

Jim and Kathy Merrell

Dr. & Mrs. Robert Pieroni

Leslie Poss

Carol Prickett

Roger & Sandra Reed

MJ Sneckenberger

 

Stars
$100-$249

Anonymous x5

Marlene Barnett

Dr. Glenna Brown

The Bonneville Family

 Sarah Kay Bridges

Glenna Brown

Jack & Jane Brunson

Bob and Katie Byrd

Georgia Cannon

Ramona Caponegro

Dr. and Mrs. James G. Chambers III

Ken and Pam Cottingham

Dr. and Mrs. W Donald Crump

Catherine Evans Davies

Penny Davis

Dr. Joanne and Mr. James Davis

Carol DeVelice

Rita Doughty

Nicole M. DuBose

Susan Duff-Koniak

Nancy Dupree

 Eve W. Engle

Gerald and Jane Eure

J. Fiveash

Walter Foery

Grace M. Gilchrist

Lynn Gregory

Peggy Hamner

Mike and Kay Hanlin

Jackie Harover

Phyllis and Tom Henderson

Bobby Ray Hicks

Roxanne Hicks

Jim & Carolyn Hill

Frank & Sheila Hilleke

Mr. and Mrs. Wayne Hutton

Patricia Jessup

Talia Johnson

Joy and Bobby Jones

Harley Sabbagh Kelley

Guil Kicker

Ann B. Larson

Reita Mann

Louise Manos

Babs McCurley

Nancy George McDaniel

Lyndell & LeNa McDonald

James Merrell

Madison Moore

Phillip & Brenda Morris

McKittrick H. Moss

Linda Parsons

Carroll & Scott Phelps

Lee and Betty Pike

Leslie Poss

Jim and Gerrie Roberts

Dr. and Mrs. Rick Rogers

Carol Schladerbach

Carolyn Schmitt

Mrs. Al Sneckenberger

Richard M. Snow

Judy Spadoni

Debra & James Steadman

Renae & Timothy Summerlin

Jeff & DeAnne Terrell

In Memory of Sherry Thompson

Kristi Thomson

Lynda Walker

Andrea Watson

Ann Weeden

David and Libby Williams

 Steve & Sharon Wilson

Gary Wise

Laura and Ben Woolf

Denise Yanaura

Carver DeWitt & Palm In memory of Warren Spruill

Ensemble
$25-$99

Anonymous X 2

Meg Copeland

Nahree Doh

Rona Donahoe

Mary Ellen Green

David Hardy

Harley Sabbagh Kelley

Suzanne Koski

Easty Lambert-Brown

Sandra Sayer Lary

Joanne & Robert Lukasik

Gary & Melissa Medders

David & Tina Miller

Carol Naylor

Lois Palecek

Andy & Minda Paxton

Ken & Mary Reynolds

Charles Ross

Thomas Smith

Helen Spradley

Mr. and Mrs. Roy Thrash Jr.

Supporters of Community Karaoke

Meet Our Donors

Tributes

Tributes

No items found.
Our Tributes

Performers

Sophia Marie Allen

*

Mermaid, Alabama Lamb, USO Tapper

Jennifer Lynn Browning

*

Ensemble

Colton Crowe

*

Fisherman, Mayor, Ensemble

Joshua DeBell

*

Amos

Carol DeVelice

*

Dr. Bennett

Courtney Dover

*

Alabama Lamb, USO Tapper, Ensemble

Allison East

*

USO Tapper, Ensemble

Joseph Anthony Eatmon, Jr.

*

Ensemble

Sarah Kathryn Bonds Ethridge

*

Jenny Hill, USO Tapper

Donald Falls II

*

Ensemble

Finley Johnson

*

Ensemble

Lindsey Jones

*

Sandra Bloom

Baker Thomas Jones

*

Ensemble

Brent Jones

*

Edward Bloom

Molly Kerr

*

Ensemble

Libby Long

*

USO Tapper, Ensemble

Andrew Maughan

*

Karl—The Giant

Avery May

*

Young Will

Legend Newsome

*

Ensemble

Emily Seale

*

Josephine

JoQuez Shepard

*

Ensemble

Eli Sims

*

Don Price, Gen. Patterson

Ally Skelton

*

Witch, USO Tapper

M. Spenalzo

*

Cannonball Ed

Logan Spradley

*

Red Fang

Ben Stamps

*

Ensemble

Kolby Stone

*

Will Bloom

Brady Hays Taylor

*

Zacky Price, Ensemble

Benjamin Walker

*

Ensemble

Setting

Alabama Past and Present
There will be one 15-minute intermission. Wine and concessions will be available for purchase. Only drinks in official Theatre Tuscaloosa lidded tumblers or bottled water may be brought into the theatre; no food is allowed.

Songs & Scenes

Act I
Prologue
Orchestra
Be the Hero
Edward Bloom & Company
I Know What You Want
The Witch, Edward Bloom & Company
Stranger
Will Bloom
Two Men in My Life
Sandra Bloom
Ashton's Favorite Son
Company
Out There on the Road
Edward Bloom, Karl, Jenny Hill & Company
Little Lamb From Alabama
Sandra Bloom & the Alabama Lambs
Time Stops
Edward Bloom & Sandra Bloom
Closer to Her
Amos Calloway, Edward Bloom & Company
Daffodils
Edward Bloom & Sandra Bloom
Act II
Red, White and True
Edward Bloom, Sandra Bloom & Company
Fight the Dragons
Edward Bloom & Young Will
Stranger (Reprise)
Will Bloom
Showdown
Will Bloom, Edward Bloom & Company
I Don't Need a Roof
Sandra Bloom
Start Over
Edward Bloom, Don Price, Amos Calloway, Karl & Company
What's Next
Will Bloom, Edward Bloom & Company
How It Ends
Edward Bloom
The Procession
Orchestra
Be the Hero (Reprise)
Will Bloom

Production Staff

Director
Michael Thomas Walker
Musical Director
Leslie Poss
Technical Director
Wheeler Kincaid
Choreographer
Cole Cabiness*
Stage Manager
Ashlyn Lambert
Scenic Design
Therrin J. Eber
Lighting Design
Caleb Stroman
Costume Design
Jeanette Waterman
Sound Design
Eat My Beats
Collaborative Pianist
Amy R. Ashley
Master Electrician
Alex Scott Thomas
Assistant Stage Managers
Emily Canterbury Sophie Townsend
Fly Captain
Terry Olivet
Followspot Operators
Meredith Vaughn Jeff Terell
Scene Shop Assistants
Dylan Hoydich Terry Olivet
Deck Crew
John Ward Noble Hanner
Props Design
Joey Lay
Movement Coach
Molly Page
Dressers
Amanda Ingram Louise Manos Molly Page Kim Palm Denise Yanaura
Light Board Operator
Kat Maxey
Costume Shop Assistants
Halsie Bardin Ava Buchanan Amber Beck Burroughs Becky Freeman Bella Hill Jessica Prather
House Managers
Drew Baker Sara-Margaret Cates Angelique Ferguson Kiera Gillock Kathy Grissom Tia Hathorne Mary Lee Cassidy May Dianna Shaw Wescott Youngson

Venue Staff

School Administration Staff

Executive Producer
Michael Thomas Walker
Managing Director
Adam M. Miller
Technical Director
Wheeler Kincaid
Resident Costumer
Jeanette Waterman
Scene Shop Foreman
Patrick O'Sullivan
SSCC Theatre Program Coordinator
Molly Page
Management Office Staff
Charles Prosser Savannah Golden
Playbill Design & Advertising Coordinator
Mary Beth Webber
Artistic Director Emeritus
Paul K. Looney
Audience Services Manager
Sophie Webber

Musicians

Reeds
Megan Baker
Trumpet
Brittany Hendricks
Guitar 1
Chase Delbridge
Guitar 2
Evy Alley
Bass
Thomas Furlough
Keyboard 1 & Rehearsal Pianist
Amy R. Ashley
Keyboard 2
Landon Turner
Drums
Paul Oliver
Violin
Katie Lay
Percussion
Koby Nicholson

Board of Directors

President

Steven Yates, PhD

President-Elect

Ray Taylor

Secretary

Sontonia Stephens

Treasurer

William "Bill" Teague

Immediate Past President

Kim Palm

Board Members

Averie Bonneville Peggy Collins, PhD Rush Crawford David Cruz-Uribe, PhD Vickie Davis Nicole DuBose* Kathy Grissom Amna Khan Handley Amanda Ingram, PhD Jim Jolly Harley Sabbagh Kelley Jonathan Koh, PhD* Bradley Logan Paul Looney Keisha Lowther, MD Louise Manos Ronald Olivet, MD Rev. Paul Pradat Judi Rabel Kelsey Rush Cooper Shattuck Dianna Shaw William Teague

*Ex-officio

Student Advisory Board

Credits

Lighting equipment from PRG Lighting, sound equipment from Sound Associates, rehearsed at The Public Theater’s Rehearsal Studios. Developed as part of Irons in the Fire at Fault Line Theatre in New York City.

Special Thanks

The Noon ShowThe Tuscaloosa News, Mark Hughes Cobb, Alabama Public Radio, WVUA23, Kip Tyner, Great Day TuscaloosaTuscaloosa Thread, ABC33/40 and Talk of Alabama, UA Department of Theatre and Dance, Mr. Burch Formal Wear, Hillcrest High School Theatre Department, Porfirio Solórzano, Channing Marlowe, Visit Tuscaloosa, the SSCC Ambassadors, The Crimson White, Jason's Deli, John Walker, Nothing Bundt Cakes, Chick-Fil-A South, Leslie Poss, Sherry Kimbro, First Federal Bank, Ava Buchanan

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

United Scenic Artists ● Local USA 829 of the I.A.T.S.E represents the Designers & Scenic Artists for the American Theatre

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers, and Theatre Managers employed on this production.

Director's Note

If people tell stories to make order out of chaos, then Big Fish is pandemonium at its best. This musical tells us a story that stretches the limits of our imagination and invites us to expect the unexpected. It reminds us to savor the moment and to relish the question: “What’s next?” This production has been a supreme joy to work on. It has reminded me how much I miss my father and how important it is for me to be present for my son. The entire cast and crew have worked their TAILS off to inspire you to go and tell your story.

“We tell ourselves stories in order to live.”
 – Joan Didion

“People think that stories are shaped by people. In fact, it’s the other way around.”
- Terry Pratchett
 

“Stories make us more alive, more human, more courageous, more loving.”
– Madeleine L’Engle


Prohibited: Video, Audio, and Photographic Recordings

The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)' rights and actionable under United States copyright law.

Reminders

Management Office Hours
Monday–Thursday 9 a.m.–3 p.m. Friday 9 a.m.–Noon
One hour before performances
24-Hour Online Sales: theatretusc.com 

Exclusive Ticketing Partner: Exclusive Ticketing Partner:

Theatre Tuscaloosa's exclusive ticketing partner is AudienceView. For your security, always begin your online ticket purchase at our secure website: https://www.theatretusc.com or purchase by phone at 205.391.2277.

Seating Policies: All performances begin promptly. Every audience member must have a ticket before entering the theatre. Will-Call ticket holders are advised to arrive 30 minutes before show time. Cell phones must be silenced during performances. Babes in arms are not permitted in the theatre. 

Ticket Exchanges: There are no refunds on single ticket sales or complimentary tickets. Exchanges on non-expired tickets may be done for a $2.00 per ticket fee. Arrange exchanges by calling the Management Office 24 hours before the performance of the original tickets. Expired tickets cannot be exchanged. 

Late Seating: As a courtesy to our performers and all of our patrons, latecomers will be seated at the House Manager’s discretion in available seating in the back of the theatre until intermission. At intermission, regularly assigned seats may be taken. 

Sensory Kits: Sensory Kits are available free of charge upon request for patrons with autism or other sensory needs. Kits may include noise-reducing headphones, fidget tools, and a disposable chewing necklace.

Mailing List: Please leave your name, email, and address at the Management Office or click here to join online

Advertising: Our playbills are read by a captive audience of thousands of people per production. To become an advertiser or corporate sponsor, visit the “Get Involved” section of theatretusc.com. You may also call 205.391.2277 or stop by the Management Office for more information. 

Volunteers: Theatre Tuscaloosa needs your help! If you have a special talent or just want to help, we want to hear from you! Call the Management Office at 205.391.2277 or sign up on our website

Gift Cards: To the person who has everything, give the gift of theatre—perfect for birthdays, anniversaries, holidays, etc. Call the Management Office at 205.391.2277 to learn more or purchase on our website.

THEATRE TUSCALOOSA IS A PROUD MEMBER OF:

Indigenous Land Statement

Theatre Tuscaloosa recognizes that our organization, infrastructure, and the larger Tuscaloosa community are built on Choctaw lands, while the surrounding region encompasses Creek territories as well.

The histories of many Native nations are deeply rooted in Alabama, while the present and future lives of our neighbors—including the Poarch Creek, Mississippi Choctaws, and other tribal communities—remain closely connected to this land. Theatre Tuscaloosa affirms its commitment to tell stories that reflect and preserve the experiences of all Alabamians, including Alabama’s indigenous people.

Created in consultation with Dr. Mairin Odle, Assistant Professor of American Studies, The University of Alabama

~Adopted by Board of Directors, October 2020

Cast
Creatives

Meet the Cast

Sophia Marie Allen

*

Mermaid, Alabama Lamb, USO Tapper
(
Ensemble
)
(
Ensemble
)
Pronouns:
she/her

Sophia Marie Allen is a student on summer break from The University of Alabama, pursuing her Bachelor of Science in Education. She currently works at The Dance Centre, teaching ballet, jazz, and tap to students from ages 18 months to 7 years. You may have seen her on stage last as "Elaine Harper" (Arsenic and Old Lace) in February of 2026. Sophia is grateful for every opportunity to be on stage and treasures all of the wonderful relationships theatre brings. She thanks those closest to her who continue to encourage her to do what she loves.

Jennifer Lynn Browning

*

Ensemble
(
Sandra Understudy
)
(
Sandra Understudy
)
Pronouns:

Jennifer Browning earned her B.A. in Elementary Education with a minor in Music (Vocal Performance) from Millsaps College in Jackson, MS. She is excited to make her debut with Theatre Tuscaloosa. Past credits include “Aunt Eller” (Oklahoma!), “Amanda Wingfield” (The Glass Menagerie), and “Prudy Pingleton” (Hairspray), all with Golden Triangle Theatre in Columbus, MS. With Starkville Community Theatre in Starkville, MS, Jennifer played “Mrs. MacNeil” and “Anna Fryer” (Radium Girls), and she serves on the SCT Board of Directors and the Play Selection Committee. An elementary school teacher, she lives with her husband and children in Columbus, MS. Jennifer thanks her family, friends, and school for their unwavering support. 

Colton Crowe

*

Fisherman, Mayor, Ensemble
(
Edward Bloom Understudy
)
(
Edward Bloom Understudy
)
Pronouns:
he/him

Colton Crowe holds a B.S. in Mass Communication from the University of Montevallo and an M.S. in Strategic Communication from Troy University. Previous Theatre Tuscaloosa credits include “Thomas Franklin” (Alabama Story), "B Flat" (Second Samuel), "Smudge" (Forever Plaid), and "Jester" (Once Upon a Mattress). Colton is grateful to his family and friends for cheering him on, both on and off the stage.

Joshua DeBell

*

Amos
(
)
(
)
Pronouns:

Joshua DeBell is very excited to be back at Theatre Tuscaloosa after recently appearing as “Alf” (Peter and the Starcatcher). He currently works as an archivist at the University of Alabama in Tuscaloosa, where he is processing Richard Shelby's papers. 

Carol DeVelice

*

Dr. Bennett
(
All Star Cast Member
)
(
All Star Cast Member
)
Pronouns:

Carol DeVelice is a member of Theatre Tuscaloosa’s All-Star Cast. Her most recent experience was with the ACT, where she played “Ouiser” (Steel Magnolias). One of Carol’s favorite roles at Theatre Tuscaloosa is “Erma” (Erma Bombeck, At Wit’s End). Carol’s day job is as the Tuscaloosa Coordinator for Hand in Paw, helping provide animal-assisted therapy in our area.

Courtney Dover

*

Alabama Lamb, USO Tapper, Ensemble
(
Dance Captain
)
(
Dance Captain
)
Pronouns:

Courtney Dover grew up in Tuscaloosa and holds a BA in Elementary Education from UA and an MA in Early Childhood Education. She has been teaching public school for twelve years. Past Theatre Tuscaloosa credits include “Odette Ballet” and “Ensemble” (Anastasia), “Brenda” (Hairspray), “Dainty June” (Gypsy), “Ensemble” (The Drowsy Chaperone), and “Zaneeta” (The Music Man). With the ACT, Courtney played “Annie” (Chicago). Courtney thanks her friends and family for their love and support.

Allison East

*

USO Tapper, Ensemble
(
)
(
)
Pronouns:

Allison East was raised in Montgomery, earned her B.S. at Birmingham-Southern College and her M.A. and Ph.D. in clinical psychology at the University of Southern Mississippi, and practiced for 18 years as a pediatric psychologist in Tennessee. With Encore Theatrical Company (Morristown, TN) and others, she participated onstage or in production roles for more than 30 shows. Since moving near family in January 2025, she has been teaching with Tuscaloosa Children's Theatre, Theatre Tuscaloosa (ballroom & tap), and Tuscaloosa County Schools (substitute). Area performances include The Alabama Shakespeare Project's Law Against Lovers and The Actor's Charitable Theatre's Young Frankenstein, and she is excited for her Theatre Tuscaloosa debut!

Joseph Anthony Eatmon, Jr.

*

Ensemble
(
)
(
)
Pronouns:
He/Him

Joseph Anthony Eatmon, Jr., is thrilled to perform in his first Theatre Tuscaloosa show! He is a recent graduate of Paul W. Bryant High School, where he appeared as “Dimitri” (Anastasia, Youth Edition) and “Ensemble” (The Wiz). Joseph thanks his mom and dad for supporting his passion for theater all the way! 

Sarah Kathryn Bonds Ethridge

*

Jenny Hill, USO Tapper
(
)
(
)
Pronouns:
She, her, hers

Sarah Kathryn Bonds Ethridge holds a B.A. in Musical Theatre, an M.A. in Higher Education Administration, and an M.S. in Marketing from UA. She serves as the Nursing Simulated Patient Coordinator at the Capstone College of Nursing. Past Theatre Tuscaloosa credits include “Lily” (Anastasia), “Erma” (Anything Goes), and “SK” (Some Enchanted Evening). SK thanks her family for their unwavering love and support.

Donald Falls II

*

Ensemble
(
Karl Understudy
)
(
Karl Understudy
)
Pronouns:

Donald Falls II is a Communications major at the University of Montevallo. He is excited to enjoy the show and be a part of another Theatre Tuscaloosa production. His past credits include “Capt. Robert Falcon Scott” (Peter and the Starcatcher) , “Officer Brophy” (Arsenic & Old Lace), and “Harry” (Scrooge! The Musical). He thanks his friends and family for their support.

Finley Johnson

*

Ensemble
(
)
(
)
Pronouns:

Finley Johnson is a junior at Tuscaloosa County High School. He has been performing in shows since the age of 6, and he is actively involved with all of Tuscaloosa’s theatre companies. Past Theatre Tuscaloosa credits include Anything Goes, The Addams Family, and Anastasia. This summer, he appeared as “Percy Jackson” in The Actor’s Charitable Theatre’s The Lightning Thief. Finley thanks his family and friends who continue to encourage and support his love of theatre.

Baker Thomas Jones

*

Ensemble
(
)
(
)
Pronouns:
He/him

Baker Jones is NOT thrilled, he’s ecstatic to be in his third show with Theatre Tuscaloosa and the thirty-fifth show of his career! He is currently in 11th grade at Hillcrest High School. He has been involved with local theatre companies such as The ACT, TCT, and HHS Theatre. You may recognize him as “Captain Von Trapp” (The Sound of Music ), “Hugo” (Tuck Everlasting), or “SpongeBob” (The SpongeBob Musical). Baker is super excited to be doing this show with both of his parents, Brent and Lindsey Jones (“Sandra” and “Edward”), and he would like to thank everyone who has supported his love of theatre.

Brent Jones

*

Edward Bloom
(
All Star Cast Member
)
(
All Star Cast Member
)
Pronouns:
He, him

For Brent JonesBig Fish is a true family affair. He is absolutely delighted to share the stage with his wife, Lindsey (playing his onstage wife, Sandra), and their son, Baker. Brent has been a mainstay of the Tuscaloosa and Birmingham theatre scenes for four decades, contributing as both an actor and director. Deeply committed to arts education, he has spent 34 years teaching theatre in Tuscaloosa, guiding students at Central Elementary, Bryant High, and currently Hillcrest High School. Brent also served as Artistic Director for Tuscaloosa Children’s Theatre (1997–2003). Favorite credits: “Jekyll/Hyde” (Jekyll & Hyde), “Archibald” (The Secret Garden), “The Baker” (Into the Woods), “Snoopy” (Snoopy), “Nathan Detroit” (Guys & Dolls), and “Poirot” (Murder on the Orient Express).

Lindsey Jones

*

Sandra Bloom
(
All Star Cast Member
)
(
All Star Cast Member
)
Pronouns:
She/Her

Lindsey Jones holds a B.A. in Communications from Auburn University and currently works as a Project Manager at the University of Alabama. Previous credits include “Tanya” (Mamma Mia!), “Bea” (Something Rotten!), “Velma” (Hairspray), “Lucy” (Bright Star), “Amy”(Company), and “Mary Martin of Tours” (Sister Act). Lindsey is thrilled to direct and choreograph The 25th Annual Putnam County Spelling Bee with Theatre Tuscaloosa in the upcoming season and is especially excited to share the stage with her husband, Brent, and son, Baker, in this production.

Molly Kerr

*

Ensemble
(
)
(
)
Pronouns:

Molly Kerr is excited to be in her first show since graduating from the University of Georgia in 2024 with a B.A. in Theatre and a B.A. in Entertainment and Media Studies. She grew up in Charleston, South Carolina, and developed her love of theater starting in second grade with Charleston Stage Company, continuing her involvement through high school. Her credits there, at UGA, and in Athens Dessert Theatre include, among others, “Gabriella” (High School Musical), “Kim McAfee” (Bye Bye Birdie), “Sister Mary Lazarus” (Sister Act), “Little Sally” (Urinetown), and “Ado Annie” (Oklahoma!). Thanks to everyone who has shared in her excitement for this show throughout the past few months!

Libby Long

*

USO Tapper, Ensemble
(
)
(
)
Pronouns:

Libby Long is a 15 year old going into her sophomore year at Tuscaloosa County High School. She is thrilled to be making her Theatre Tuscaloosa debut! Libby has been performing since she was 7 years old. Some of her favorite past credits include, “Winnie Foster” (Tuck Everlasting) and “Lydia Deetz” (Beetlejuice Jr.) both with the Actors Charitable Theatre, as well as, “Leisl von Trapp” (The Sound of Music) and “Dory” (Finding Nemo Jr.) both with Tuscaloosa Children’s Theatre. Libby thanks Mom, Dad, Thomas, Hudson, and all of her wonderful friends for always showing up and supporting her!

Andrew Maughan

*

Karl—The Giant
(
)
(
)
Pronouns:
he/him/his

Andrew Maughan is a Tuscaloosa native and a student at UA. He is pursuing a BFA in Technical Theatre alongside an MBA. Having spent much of his childhood in the audience at Theatre Tuscaloosa productions, he is thrilled to be performing on the Bean-Brown stage for the very first time. Theatre has long been a meaningful part of Andrew’s life, and he is honored to contribute to the vibrant arts community that helped inspire his passion for performance. He thanks his family and friends for their continued support, especially his grandmother, who brought him to his first Theatre Tuscaloosa show.

Avery May

*

Young Will
(
)
(
)
Pronouns:

Avery May is 13 years old and attends Tuscaloosa Christian where he also serves as an Ambassador. His theatre credits include “Kurt” in TCT’s The Sound of Music, “Nemo” in TCT’s Finding Nemo, “Ralphie” in The ACT’s A Christmas Story, “Pugsly” in TT’s The Addams Family, “Chip” in TCT’s Beauty and the Beast, “Michael” in TCT’s Elf Jr., “Tiny Tim” in TT’s A Christmas Carol (2017 & 2018), and “Michael Darling” in TCT’s Peter Pan. Avery enjoys ALL things sports, card tricks, and competitive family game nights.

Legend Newsome

*

Ensemble
(
)
(
)
Pronouns:
She/Her

Legend Newsome is thrilled to return to the stage after two years, joining the ensemble of Big Fish. She studies Engineering at UA, balancing equations and entrances with equal enthusiasm. Her favorite role was “Karen”(Mean Girls), where she discovered her love for musical comedy. She is excited to keep building consistency as she pursues her acting dreams one show at a time.

Emily Seale

*

Josephine
(
)
(
)
Pronouns:

Emily Seale is excited to be back on stage after some time away from theatre. Past Theatre Tuscaloosa credits include “Sherri Lee Speer”(The Real Queen of Hearts Ain’t Even Pretty) and “Beth” (Little Women). Most recently, she appeared as “Betsy Foster” (Tuck Everlasting) with The ACT. Outside of theatre, Emily is a real estate agent with Carrie Fitts Real Estate. She is grateful for the opportunity to return to performing and thanks everyone who continues to support local theatre.

JoQuez Shepard

*

Ensemble
(
)
(
)
Pronouns:
He/Him

JoQuez Shepard is pursuing a B.M. in Vocal Performance at UA. There, he is an active member in multiple choirs. He also previously served as the Music Director for UA’s Show Choir. Past Theatre Tuscaloosa productions include “Ensemble, Ballet Prince, Cadet, Drunk” (Anastasia). With the Actor’s Charitable Theatre JoQuez played “Ensemble, Elizabeth’s Entourage, Male Quartet” (Young Frankenstein). JoQuez thanks his friends and family for their continued support.

Eli Sims

*

Don Price, Gen. Patterson
(
)
(
)
Pronouns:
He/Him

Eli Sims is thrilled to be making his Theatre Tuscaloosa debut! He is currently a student at Jacksonville State University pursuing a B.A in Theatre Performance, with plans to pursue his M.F.A in Acting upon graduation. Past Tuscaloosa credits include “Quasimodo” (The Hunchback of Notre Dame) and “Horton The Elephant” (Seussical the Musical ). Thank you for supporting live theatre.

Ally Skelton

*

Witch, USO Tapper
(
Ensemble
)
(
Ensemble
)
Pronouns:
She/Her

Ally Skelton is a senior at UA majoring in Music Education. Previous credits include “Narrator” (Joseph and the Amazing Technicolor Dreamcoat), “Hope Harcourt” (Anything Goes), “Sister Mary Robert” (Sister Act), and “Paulina” (Anastasia). When not at rehearsal, you can find her teaching at Tuscaloosa Children’s Theatre. She thanks her family, theatre family, and Kolby.

M. Spenalzo

*

Cannonball Ed
(
)
(
)
Pronouns:

M. Spenalzo is thrilled to be making his Theatre Tuscaloosa debut! M received his undergraduate degree from Halloween Express University and his MFA from Amazon Shipping Conservatory. He is speechless (and faceless) to be flopping on the boards of the Bean-Brown stage for the first time. Favorite roles include “Mr. Spenalzo’s Corpse” (Arsenic and Old Lace ) at both Bryant and Hillcrest High Schools and “Random Scarecrow” (The Wizard of Oz ) at Hillcrest High. M gives a special shout-out to his manufacturer for making this possible!

Logan Spradley

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Red Fang
(
)
(
)
Pronouns:

Logan Spradley is a registered nurse currently working a travel assignment at DCH Med Center. He earned his degree from SSCC, which allowed him to cross paths with Theatre Tuscaloosa back in 2013. 

Ben Stamps

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Ensemble
(
)
(
)
Pronouns:

Ben Stamps is a rising 6th grader at Northport Intermediate School. His recent credits include Beetlejuice Jr., The Lion King Jr., Finding Nemo Jr., Aladdin Jr., and Scrooge! The Musical. When Ben isn't on the stage, he enjoys playing the piano and making art.

Kolby Stone

*

Will Bloom
(
)
(
)
Pronouns:
He/Him

Kolby Stone is currently pursuing an undergraduate degree in Marketing at the University of Alabama. Kolby also serves as Program and Communications Assistant at Tuscaloosa Children’s Theatre. Previous credits include “Ensemble” (Anastasia) with Theatre Tuscaloosa, as well as “Jesse Tuck” (Tuck Everlasting) and “Gad” (Joseph & The Amazing Technicolor Dreamcoat) with the Actor’s Charitable Theatre. Kolby thanks the wonderful production staff, Ally, and his friends and family for their inspiration and motivation.

Brady Hays Taylor

*

Zacky Price, Ensemble
(
Will Bloom Understudy
)
(
Will Bloom Understudy
)
Pronouns:
He/Him

Brady Taylor is thrilled to return to the Theatre Tuscaloosa stage this summer! Brady is an incoming freshman at UAB, where he is pursuing a BFA in musical theatre. Recent credits include Ensemble (Anastasia), “Joseph” (Joseph and the Amazing Technicolor Dreamcoat), and “Franz” (Rock of Ages). Brady thanks his family and friends for their continued support.

Benjamin Walker

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Ensemble
(
)
(
)
Pronouns:

Benjamin Walker is thrilled to be making his Theatre Tuscaloosa debut! This is his very first show, and he is excited to be working alongside his director—and dad—Michael Walker. Benjamin recently moved to Tuscaloosa from Homewood and has thoroughly enjoyed being part of this production and making lots of new friends along the way. When he’s not exploring his new hobby of theatre, Benjamin enjoys riding his scooter, playing soccer, basketball, and baseball, swimming, and spending time with his mom, dad, and his very cute dog, Bunny. He hopes you enjoy the show!

Meet the Team

John August

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Librettist
(
)
Pronouns:

John August is an acclaimed screenwriter, novelist, and librettist best known for writing the screenplay for Big Fish, which he later adapted into a book. His other notable screenwriting credits include Go, Charlie and the Chocolate Factory, Corpse Bride, Frankenweenie, and Disney’s live-action adaptation of Aladdin. Renowned for his imaginative storytelling and memorable characters, August continues to be one of the entertainment industry's most respected writers.

Andrew Lippa

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Music & Lyrics
(
)
Pronouns:

Andrew Lippa is an award-winning composer, lyricist, and playwright whose work has been performed on Broadway and around the world. His musical credits include Big Fish, The Addams Family, The Wild Party, John & Jen, and A Little Princess. Known for his emotionally rich storytelling and memorable melodies, Lippa's work has earned widespread acclaim and continues to be performed by professional, community, and educational theatres worldwide.

Charles A. Prosser

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Management Office Associate
(
)
Pronouns:
he/him

Charles A. Prosser has been with Theatre Tuscaloosa since 1991. Onstage to backstage to front of house, Charles has had a 34-year run with Theatre Tuscaloosa. Some of Charles' favorite roles include "Carl Magnus" (A Little Night Music), "Edna" (Hairspray), "Benjamin Franklin" (1776), "Max Bialystock" (The Producers), and "Tevye" (Fiddler on the Roof). Charles is a retired secondary school teacher of 27 years. He's enjoyed both an amateur and a professional acting/directing career having worked with many organizations in and out of Alabama including the Oklahoma Shakesperean Festival. Charles was a professional actor and director there for five summer seasons.

Michael Thomas Walker

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Director
(
)
Pronouns:

Michael Thomas Walker is very excited to be joining the Theatre Tuscaloosa family. He has spent the last 11 years teaching acting and voice at the University of Montevallo and served as Chair of the theatre department for the past three years. He is a proud graduate from the University of Alabama, having received a BA in Theatre, and also holds an MFA in Acting from Rutgers University. Before that, Michael was working as an actor and director in NYC for over 13 years. He has worked at several Off-Broadway theatres, including Classic Stage Company, New Light Theater Project, Ensemble Studio Theatre, Jean Cocteau Repertory, and Boomerang Theatre Company. He has performed on national tours, including "Edna Turnblad"(Hairspray) and "Horton the Elephant" (Seussical the Musical). His film and television appearances include Boardwalk Empire, Dirty Little Secret, Now That’s Cute, and Non-Stop. Michael is a recipient of the Wildacres Playwriting Residency and was a finalist for the Edna St. Vincent Millay Colony Playwriting Residency. His interview-based solo show, BUBBA, received the Best Variety Show Award in the United Solo Festival, Best Solo Performance Award for the Planet Connections Festival, and was performed on NPR’s Tales From The South. He is a co-author of the play Canfield Drive, which received its world premiere production at The Black Repertory Theatre in St. Louis in 2019 and was also presented at the National Black Theatre Festival. He has also co-created the devised plays Septic and A Buzz in the Bankhead.​ He recently performed at Red Mountain Theatre in Birmingham, AL, as a part of their Human Rights Festival, helping to develop the new musicals Bar Mitzvah in Birmingham by Nissim Black and Ben Andron and She Reached for Heaven by Oliver Houser.

Leslie Poss

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Musical Director
(
)
Pronouns:

Since 2003, Leslie Poss has served as Music Director for 30+ Theatre Tuscaloosa musicals/special events, including Closer than Ever, Annie, The Music Man, Ain’t Misbehavin’, Mamma Mia, Company, Anastasia, and Ragtime. Twelve years ago, she collaborated with then-guest director Michael Walker on Theatre Tusc.’s 2014 production of Hairspray and is pleased to reunite with Michael and welcome him as Theatre Tusc.’s new Executive Producer. Outside the theatre, Leslie is Director of Music & Worship Arts at Grace Presbyterian and Conductor of Prentice Concert Chorale.

Cole Cabiness

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Choreographer
(
All Star Cast Member
)
Pronouns:

Cole Cabiness has directed and choreographed numerous productions around the state of Alabama throughout his career including Anything Goes, Newsies, The Sound of Music: Youth Edition, High School Musical, Aladdin JR., Godspell, The SpongeBob Musical, Joseph and the Amazing Technicolor Dreamcoat, and Beauty and the Beast JR., among others. Recent performance credits include Frozen (Red Mountain Theatre), Summer: The Donna Summer Musical (Red Mountain Theatre), and Mary Poppins (Red Mountain Theatre). He graduated from UA with a B.A. in Communication as well as an M.B.A. Cole is the Artistic Director at Tuscaloosa Children’s Theatre and has worked in various creative roles for numerous community theatre groups, local schools, and studios. “Enjoy the show!”

Wheeler Kincaid

*

Technical Director
(
)
Pronouns:

Wheeler Kincaid is thrilled to be in his 16th season with Theatre Tuscaloosa as technical director after working in NYC as a designer and production manager in venues such as Classic Stage Company, Theatre Row Studios, 59 East 59 Theatres, New 42nd Street Studios, Minetta Lane Theatre, and The New York Musical Theatre Festival.

Jeanette Waterman

*

Costume Design
(
)
Pronouns:

Jeanette Waterman has served as the full-time costumer since 2000, having designed costumes for more than 90 productions. She is a native of Mobile who studied clothing and textile design at UA, and she has also costumed independent films and regularly assists local schools with their productions. Jeanette won the Outstanding Costumes award for her design of Launch Day, which was featured in the national American Association of Community Theatre Festival (AACTFest) in Louisville, KY, in 2023.

Caleb Stroman

*

Lighting Designer
(
)
Pronouns:
he/him

Caleb Stroman is an Associate Professor of Theatre and Lighting Designer at the University of Montevallo in Alabama and a member of United Scenic Artists, Local USA 829. His work focuses on lighting and scenic design for theatre and live events, and he is passionate about mentoring the next generation of theatre artists through both classroom instruction and production work. Before joining the faculty at Montevallo, Caleb served as an Assistant Professor of Theatre and Lighting and Scenic Designer at Susquehanna University. Professionally, he has worked as a lighting designer for theatres and live events across the country. He served as Resident Lighting Designer for the 2024–2025 and 2025-2026 seasons at Virginia Samford Theatre in Birmingham, Alabama, and has spent several summers as the Resident Lighting Designer at Millbrook Playhouse in Pennsylvania. Earlier in his career, he designed lighting for concerts, corporate events, weddings, and galas with Harvest Productions in Kansas City, Missouri, and worked with Shawnee Mission Theatre in the Park in Kansas. Caleb holds an MFA in Scenography from the University of Kansas and a BA in Theatre Arts from Texas A&M University. While at Kansas, he worked as a graduate teaching assistant for Stage Makeup and Lighting Production, an experience that sparked his long-standing passion for teaching. He believes teaching and design inform one another, and he is continually inspired by the collaborative process of bringing stories to life on stage.

Therrin J. Eber

*

Scenic Designer
(
)
Pronouns:
He/Him

Therrin J. Eber is excited about another season with Theatre Tuscaloosa! He is an award-winning, Birmingham, Alabama-based, scenic and lighting designer, an Assistant Professor, and the Head of Design and Technology at the University of Alabama at Birmingham Department of Theatre. Therrin holds an M.F.A. in theatre from The University of Alabama and a B.A from Purdue Fort Wayne. Some of his favorite past work from around the country includes Machinal (off-B’Way), Arsenic and Old Lace, Alabama Story, Ragtime, Anything Goes, Anastasia (Theatre Tuscaloosa), Made For More, The Little Mermaid (Magnificat), Sweeney Todd, The Drowsy Chaperone, and Little Women (UA), Madama Butterfly, Pagliacci, Barber of Seville (Opera Louisiane), Murder on the Orient Express, Dead Man’s Cell Phone, God of Carnage, Two Gentlemen of Verona, and Freaky Friday (UAB). He thanks his wife, Sara, Doodles: Oliver Twist and Liza Minnelli, and his Cat: Bob Fosse. See more of his work at www.TherrinJEber.com

Amy R. Ashley

*

Collaborative Pianist
(
)
Pronouns:

Amy R. Ashley holds a B.A. and an M.M. in Music Performance from Alabama State and UA, respectively. She currently serves as the Staff Accompanist at Shelton. In her role, she collaborates with the vocal and instrumental students as well as the choral department. Amy spent last summer as the collaborative pianist for Theatre Tuscaloosa's production of Anastasia. Most recently, she was the pianist for SSCC's Peter and the Starcatcher and Theatre Tuscaloosa's Inaugural Curtain-Up Season Reveal. Amy thanks Theatre Tuscaloosa for the opportunity to create theatre magic together again!

Eat My Beats

*

Sound Design
(
)
Pronouns:

Eat My Beats is a locally owned, full-service music and event production company serving Tuscaloosa and the surrounding region. From professional live sound, lighting, and DJ services to equipment rentals and audiovisual production, Eat My Beats provides high-quality technical support for concerts, theatrical productions, weddings, festivals, and special events. Dedicated to exceptional service and a passion for live entertainment, they help bring unforgettable experiences to audiences across West Alabama.

Ashlyn Lambert

*

Stage Manager
(
)
Pronouns:

Ashlyn Lambert has stage-managed 40 Theatre Tuscaloosa shows since 2009! When not in the booth, Ashlyn is a Pre-K Para Educator at Lloyd Wood Education Center and a dance teacher at MJ’s Academy of Dance. A few recent TT credits include Anastasia, Anything Goes, Sister Act, Launch Day, Mamma Mia, and, of course, her first show with Michael Walker, Hairspray! Ashlyn thanks Matthew and her family for their support in doing what she loves.

Adam M. Miller

*

Managing Director
(
)
Pronouns:
he/him

Adam M. Miller has been Theatre Tuscaloosa's managing director since 2010. He holds an M.F.A. in theatre management/arts administration from UA, having interned at the Alabama Shakespeare Festival. Previously, Adam was a Marketing Manager for the UA College of Continuing Studies and the Director of Marketing and PR for the LSU Theatre Department and their affiliated Equity theatre, Swine Palace Productions. In addition to overseeing the business operations of Theatre Tuscaloosa, Adam also enjoys acting and directing from time to time, having recently appeared as "Vlad Popov" in Anastasia. His accolades include a Druid City Arts Award (Theatre Educator 2015) and AAF Tuscaloosa's Silver Medal and Dan Kilgo Community Service Awards. He currently serves as the president of the Alabama Conference of Theatre. Adam thanks Paige, Kai, Quinn, Luc, and Luna, for their love and support.

Patrick O'Sullivan

*

Scene Shop Foreman
(
)
Pronouns:

Patrick O’Sullivan grew up on California’s central coast and moved to Tuscaloosa in 2005. He received a B.F.A. in painting from UA and worked there as an arts technician in the department of art and art history for 10 years. He has also worked in landscaping, construction, and craft brewing. Patrick currently resides in Holt where he hosts occasional weekend concerts and dinners when the weather cooperates.

Mary Beth Webber

*

Advertising Manager
(
)
Pronouns:

Mary Beth Webber is thrilled to serve as Advertising Manager and Digital Playbill Coordinator for Theatre Tuscaloosa. A Tuscaloosa native, she grew up performing onstage and working behind the scenes. After recently returning from the national tours of the Broadway productions Fiddler on the Roof and My Fair Lady, Mary Beth is grateful for the opportunity to give back to the theatre community that first inspired her love of the arts.

Sophie Webber

*

Audience Services Manager
(
)
Pronouns:

Sophie Webber is very excited for her first summer musical as Theatre Tuscaloosa’s Audience Services Manager. She is thrilled to combine her passion for the arts with her love of serving the community, whether it’s enhancing patron experiences, fostering donor relationships, or delivering exceptional customer care. She has led the annual Lights, Camera, Auction! fundraiser since 2023 and is a member of the Theatre Tuscaloosa hospitality committee. Sophie holds her bachelor's degree in general business administration with a minor in management from The University of Alabama, applying her skills to arts administration. She thanks her Mom, sisters, Max, and Melissa for their love and support.

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2021 National Touring Cast

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Jason's Deli

American Cuisine
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2300 McFarland Blvd E, Tuscaloosa, AL 35404

Fast-casual American restaurant known for its extensive menu of deli sandwiches, soups, salads, wraps, and baked potatoes, emphasizing fresh ingredients and healthy options

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American Cuisine
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2300 McFarland Blvd E, Tuscaloosa, AL 35404

Fast-casual American restaurant known for its extensive menu of deli sandwiches, soups, salads, wraps, and baked potatoes, emphasizing fresh ingredients and healthy options

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1530 McFarland N Blvd C, Tuscaloosa, AL 35406

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Your Neighborhood Chocolatier®
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Innisfree Irish Pub

Irish Bar & Restaurant
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1925 University Blvd Tuscaloosa, AL 35401

Irish bar (think Guinness, shepherd's pie, fish and chips, and green beer), plus burgers, wraps, and other casual fare, served amid traditional decor.

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Heidi Blickenstaff Returns To The New York Stage; Full Company of THE HEART Announced
Alan Koolik
August 20, 2026

It seems The Heart has found its company. Today, it was announced that the New York premiere production of The Heart with book and additional lyrics by Kait Kerrigan (The Great Gatsby), music and lyrics by Anne Eisendrath (aka electronic music artist Anniee) and Ian Eisendrath (KPop Demon Hunters), music supervision by Ian Eisendrath, choreography by Mandy Moore (Taylor Swift’s Eras tour) and direction by Tony Award-winner Christopher Ashley (Come From Away) based on Maylis de Kerangal's novel Réparer les vivants has found the cast. 

As previously announced, the new musical will begin preview on Thursday, October 8, 2026 with an official opening set for October 29 at the Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre. The engagement runs through Sunday, December 6, 2026. 

The production will feature Heidi Blickenstaff (Jagged Little Pill, Something Rotten!) as “Claire,” Lincoln Clauss (Fly, Bat Out of Hell) as “Thomas Driscoll,” Nick T. Daly (MJ: The Musical) as “Simon Lamar,” Drew Gehling (& Juliet, Almost Famous) as “Dr. Breva,” Bre Jackson (The Book of Mormon, MJ: The Musical) as “Cordelia Owl,” Tony Award-winner Joaquina Kalukango (Paradise Square, Slave Play) as “Marianne Lamar,” Max McKenna (Rent, Cabaret) as “Juliette Brooks,” Wren Rivera (Jagged Little Pill, Teeth) as “Marthe,” and Jason Tam (Be More Chill, If/Then) as “Sean Lamar.” Daniel Brackett, Gareth Keegan, Q. Smith and Emily Somé round out the cast as the understudies. 

Roundabout is also pleased to announce additional creative and design team for the production which will include music direction by Wendy Bobbitt Cavett (Come From Away), scenic design by Robert Brill (Hell’s Kitchen), costume design by Sarafina Bush (The Outsiders), lighting design by Amanda Zieve (Proof), sound design by Gareth Owen (BOOP! The Musical), video design by Lucy Mackinnon (All Out: Comedy About Ambition), hair and wig design by Drama Desk Award-nominee Alberto “Albee” Alvarado (The Rocky Horror Show), and music production by Juan Ariza and Elin Sandberg. Casting is by The TRC Company - Tara Rubin, CSA. Associate direction by Jacole Kitchen and associate choreography by Ashley Andrews.

THE ASK Returns Off-Broadway This Fall
Kobi Kassal
August 19, 2026

It was recently announced that five-time Golden Globe Award nominee Marilu Henner and Shannon Purser (Barb from Stranger Things) will team up and star together on stage this fall in the Off-Broadway commercial premiere of The Ask, by Matthew Freeman and directed by Jessi D. Hill. The Ask had a previous run at The Wild Project back in 2024. This production marks Purser’s New York stage debut. 

In The Ask, a donor meeting in an Upper West Side apartment erupts into a gripping battle of wills. Greta (Henner), a longtime donor with strong progressive views, meets with Tanner (Purser), a young ACLU fundraiser sent to secure a significant gift. As the two confront each other with wit, conviction and wariness, their shared ideals give way to unexpected divisions, exposing the cultural and emotional fault lines that separate their generations.

Previews begin Tuesday, October 6, 2026 at Theater 555 with an official opening night set for October 13. The production is set to run through November 22. 

The production will feature set design by Craig Napoliello, costume design by Nicole Wee, lighting design by Venus Gulbranson, and sound design by Ben Scheff. Casting is by Geoff Josselson Casting.

For tickets and more information, visit www.TheAskPlay.com

On The Scene: PARANORMAL ACTIVITY Has Made Its Way To Broadway
Kobi Kassal
August 18, 2026

Late in Act II of Paranormal Activity’s first preview, there’s a fun jump scare that get’s the audience pretty good. Screams and cries echoed around the August Wilson for a few moments before subsiding back down. A few beats later, a man towards the back of the orchestra just yelled out “Shit!” and the whole audience erupted in laughter again. 

As a true horror aficionado, I’ve been patiently waiting years for a truly terrifying play to come to New York. We’ve had a few pop up here and there but when whispers of a stage adaptation of Paranomal Activity was in development a few years back, I had high hopes. 

Written by Levi Holloway, who gave us Grey House on Broadway back in 2023, Paranormal has had an interesting journey to Broadway. First premiering at the Leeds Playhouse in 2024, the show next went on to play a mini tour across the US with stops at Chicago Shakespeare Theatre, the Ahmanson at CTG in Los Angeles, Shakespeare Theatre Company in DC, and finally American Conservatory Theater in San Francisco before setting its sights on the August Wilson. 

The play is an original story set in the Paranormal universe that follows newly married couple James and Lou who move from Chicago to London for a fresh start. As their lives get turned upside down, they must work together to confront whatever is inside that house… 

I was fortunate enough to first catch the production in Los Angeles late last fall. Walking in with two colleagues, none of us knew what we were about to experience. On the other side, we all agreed that it was the most fun we have had seeing a show in years. 

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The August Wilson Theatre | Photo: Laurel Hinton

Now on Broadway, I caught the first preview where we celebrated the Broadway debuts of Cher Álvarez, Travis A. Knight, Shannon Cochran, and Bobby J. Howlett. Eva Kaminsky also stars in the production, alongside understudies Caron Buinis, Caroline Hendricks, and Michael Holding. 

Before the curtain even went up on Friday night, a woman sat down in the row in front of me gripping her sweater. When I leaned over and asked how she was doing, “Not well” was the response… as the evening went on, I would say “not well” was her general disposition. 

At intermission, I checked the app for my Oura Ring and saw for the last hour my heart rate was at a pretty consistent 120 BPM, and I had already seen the show before…

I spoke with a few folks as they entered the theatre and it was clear, everyone was there to be scared, and boy does it deliver. The rush of adrenaline pumping through your veins lets you experience this visceral piece of theatre that is truly unlike anything we have seen on Broadway ever before. 

Now of course the question is: just how scary is it? Signs near the box office say this is not for anyone under the age of 15. Everyone’s horror tolerance is different, but you will certainly get some jumps here and there no matter what. And what can be more glorious than 1,200 people all screaming in unison. 

Paranormal Activity is now in performances at the August Wilson Theatre through Janaury 3, 2027. 

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

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