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Grantors

Sponsors

Donors

Donors

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Meet Our Donors

Tributes

Tributes

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Our Tributes

Performers

Peppy Biddy

*

Joe

Taylor Grace Blaszak

*

Lulu

Ashlinn Blevins

*

Ensemble

Aaron Castle

*

Dr Pomatter

Sade Crosby

*

Dawn

Tammie Harris

*

Becky

Macalan Johnson

*

Ensemble

Keeley Morgan

*

Ensemble

Riley Parks

*

Ensemble

Francesca Reilly

*

Ensemble

Selena Robinson

*

Ensemble

Ryan Slone

*

Earl

Dylan Toms

*

Ogie

Amanda Tong

*

Jenna

Amber Voeller

*

Ensemble/Dawn Understudy

Jacob Wadstrom

*

Ensemble

Scott Watson

*

Cal

Setting

Present day, Springfield, USA.
There will be a 15 minute intermission.

Songs & Scenes

Act I
"What's Inside"
Jenna
"Opening Up"
Jenna, Becky, Dawn, Cal, & Company
"The Negative"
Jenna, Becky, & Dawn
"What Baking Can Do"
Jenna
"Club Knocked Up"
Ensemble
"When He Sees Me"
Dawn
"It Only Takes A Taste"
Dr. Pomatter & Jenna
"You Will Still Be Mine"
Earl
"A Soft Place To Land"
Jenna, Becky, and Dawn
"Never Getting Rid of Me"
Ogie & Company
"Bad Idea"
Jenna & Dr. Pomatter
Act II
"I Didn't Plan It"
Becky
"You Matter To Me"
Dr. Pomatter & Jenna
"I Love You Like A Table"
Ogie & Company
"Take It From An Old Man"
Joe & Company
"She Used To Be Mine"
Jenna
"Everything Changes"
Jenna
"Opening Up (Finale)"
Full Company

Production Staff

Director
Amy Efird
Managing Director
Matt Shields
Choreographer
Keeley Morgan
Production Stage Manager
Ashley Raper*
Assistant Stage Manager
Erin Alexis Markham*
Scenic Designer
Laurie Powell Ward
Lighting Designer/Sound Designer/Technical Director
Savannah Woodruff
Props Designer
Amber Voeller
Costume Designer
Camilla Morrison
Music Director
Cindy Blevins
Sound Engineer
Cole Clark
Spot Operator
Kamryn Cox
Spot Operator
Audrianna Romano
Master Carpenter
Joey Neighbors
Carpenter
Trenten Woods
Wardrobe
Zoe Keith
Costume Assistant
Susan Adams
Costume Assistant
Cassie Laymon
Run Crew
Davin Hansen
Pie Makers
Ashlee Ramey Lucia Gonzalez Karys Jones Zoe Keith Jesse Landolf Donny Rinker Klair Roark Elliott Sanborn Brandon Smith Mazie Wakefield Jae Wise
MMT Production Videographer
Richard Maddox
MMT Production Photographer
Richard Clompus
Junior Choreographer
Andi-Grace Novell

Venue Staff

School Administration Staff

No items found.

Musicians

Keys
Cindy Blevins
Cello
John Crawford
Guitar
Mike Havens
Drums
JT Fauber
Bass
Jeff Hoffman

Board Members

Student Advisory Board

Credits

Lighting equipment from PRG Lighting, sound equipment from Sound Associates, rehearsed at The Public Theater’s Rehearsal Studios. Developed as part of Irons in the Fire at Fault Line Theatre in New York City.

Special Thanks

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

United Scenic Artists ● Local USA 829 of the I.A.T.S.E represents the Designers & Scenic Artists for the American Theatre

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers, and Theatre Managers employed on this production.

Cast
Creatives

Meet the Cast

Peppy Biddy

*

Joe
(
)
(
)
Pronouns:
he/him

Peppy Biddy (Joe) is happy to return to Mill Mountain Theatre and to Roanoke. Biddy is a
Professor Emeritus of Theatre at Mississippi University for Women (Columbus, MS). He earned
his MFA in Theatre at Trinity University (San Antonio, TX) and has worked as either actor,
director, or stage manager at such companies as Dallas Theatre Center, Dallas Summer Musicals,
Casa Manana (Ft. Worth, TX), Dallas Children’s Theatre, and New Stage Theatre (Jackson, MS.)
He served as the Production Manager for the Sundance Theatre Lab in Utah from 2000-2017.
Previous MMT credits include Director of The Glass Menagerie, Smokey Joe’s Café, The
Marvelous Wonderettes, The 39 Steps, Hank Williams: Lost Highway, Idols of the King and as
Production Stage Manager for To Kill A Mockingbird, On Golden Pond , Holiday Inn, Bright
Star, and Jersey Boys.. Member of Actors Equity Association.

Taylor Grace Blaszak

*

Lulu
(
)
(
)
Pronouns:

Taylor is thrilled to make her Mill Mountain theatrical debut as Lulu in Waitress! She has been passionate about performing from a young age and has extensive experience in dance, acting, and singing. Taylor has trained in ballet, jazz, tap, hip hop, contemporary, and acrobatics with Little Leapers and LEAP Performing Arts Academy.

Her past performances include Alice in Wonderland (Little Alice), The Nutcracker (Party Girl, Battle Mouse, Chinese Tea Dancer, Candy Elf), A Toy Story (Dancer), and Rapunzel (Dancer). She has also showcased her talents in dance competitions such as Dance Machine and Hall of Fame Dance Challenge.

Taylor is excited to bring Lulu to life and would like to thank God, her family, teachers (especially Miss. Heather & Miss. Izzy), friends, and fellow performers for their encouragement and support. She hopes the audience enjoys the show as much as she loves performing in it! 

Ashlinn Blevins

*

Ensemble
(
)
(
)
Pronouns:
She/Her

Ashlinn Blevins is delighted to be returning to the Mill Mountain stage! You may have recently seen her on the Trinkle Mainstage as (Ensemble/Swing) Escape To Margaritaville, (Fraulein Kost) Cabaret, (Stephanie Crawford) To Kill A Mockingbird and (Star To Be) Annie. Ashlinn has her certificate in Musical Theatre from the American Musical and Dramatic Academy located in New York City. She is forever grateful for the unrelenting support from her wonderful mom, dad, and sister. They’ve helped make all her dreams come true and made the little girl who wanted to make art exceptionally happy. She hopes you leave this show with more appreciation for the “moms” in your life!

Aaron Castle

*

Dr Pomatter
(
)
(
)
Pronouns:
He/him

This is Aaron’s second show with MMT after bringing the Kit Kat Klub to life as the Emcee in Cabaret last season. He occasionally visits the Tampa, Nashville, and New York theatre communities for employment, but returns home to Southern California to be with his grandma. When he isn’t sneaking off to the theatre at night, you can find him serving coffee or exploring the US backcountry. Off Broadway: Sleepy Hollow (Ichabod Crane), A Christmas Carol (Ensemble). Regional: Cabaret (Emcee), Shear Madness (Nick O’Brien), Green Day’s American Idiot (Favorite Son, St Jimmy U/S), Murder on the Orient Express (Hector MacQueen), West Side Story (Riff).

Sade Crosby

*

Dawn
(
)
(
)
Pronouns:
She/Her

All the way from the Sunshine State, Sade Crosby is thrilled to be back at MMT, where she was last seen in the 2023 production of Bright Star! A graduate of Jacksonville Univeristy's BFA Muscial Theatre program, she has several regional credits under her belt including Clue: The Musical (Arizona Broadway Theatre), Elf The Musical, and Beautiful: The Carole King Musical (The Phoenix Theatre Company). Sade is grateful for this incredible opportunity to play a dream role in a dream show with a dream cast and crew. She thanks her family & friends for their love and support. Enjoy the show! 

Tammie Harris

*

Becky
(
)
(
)
Pronouns:
She/Her

Tammie Harris is an actress and singer from Georgetown, Kentucky. Her first production was A Song For Coretta. Since then, she's played Effie in Dreamgirls and Glinda in The Wiz. Recent credits include The Witch in Into The Woods, Medda Larkin in Disney's Newsies and Motormouth Maybelle in Hairspray aboard Royal Caribbean's Symphony of the Seas. When she's not at home, you can find her reading, doing research on eyebrow microblading (which she hopes to get one day), being Whitney Houston's unofficial fan club president, laughing at videos of people falling…basically, the same things she does when she's home. Tammie would like to thank her family and friends for their infinite love and support! Her advice: daily vocal warm-ups, moisturizers with SPF and Anastasia Beverly Hills Brow Wiz for sparse brows.

Macalan Johnson

*

Ensemble
(
)
(
)
Pronouns:

Macalan is truly honored to be "opening up" in the ensemble alongside the Mill Mountain professionals in Waitress. He is a current freshman at Patrick Henry High School and is a member of MMT's Musical Theatre Conservatory. Favorite past roles include; RCPS productions of Beauty and the Beast (Lumiere), Shrek (Shrek), Newsies (Jack Kelly), and Peter Pan (Captain Hook). MMT productions of Finding Nemo Jr (Crush), Elf (Michael), and A Christmas Story (Ralphie). Grateful for the support of family, friends, and mentors who have helped shape his journey in the performing arts. Enjoy the warmth, humor, and hope of Waitress!

Keeley Morgan

*

Ensemble
(
Choreographer
)
(
Choreographer
)
Pronouns:
She/Her

Keeley Morgan is a performer from Panama City, FL and a graduate of the University of West Florida with her BFA in Musical Theatre. She recently performed with Mill Mountain in their productions of Cabaret (Frenchie), The Musical Adventures of Flat Stanley (Mrs. Lambchop), To Kill A Mockingbird (Mayella Ewell), The Complete Works of William Shakespeare Abridged (Daniel), and Annie (Grace Farrell). This is Keeley's first time choreographing in the professional setting and she is so excited that she got this opportunity to work with such a talented creative team and for a company she loves so much. 

Riley Parks

*

Ensemble
(
)
(
)
Pronouns:
She/Her

Riley Parks is a 9th grader at Patrick Henry High School. She has performed in over 20 shows across the Roanoke Valley including Annie(Pepper), The Miracle Worker(Helen Keller), Shrek Jr(Fiona), Footloose(Wendy Jo), and Fun Home(Young Allison). She is a member of the MMT Conservatory and serves on the Mill Mountain Theatre Student Advisory Board. She trains vocally with KJPAS and studies piano with Bethany Costello. She thanks Mill Mountain Theatre for this opportunity to be a part of this production and hopes you enjoy the show.

Francesca Reilly

*

Ensemble
(
Director of Education
)
(
Director of Education
)
Pronouns:
She/Her

Francesca Reilly is PIE-sitively thrilled to be back on the MMT stage! A performer and educator, she fell in love with theatre at the age of 9. Originally from Northern Virginia, she made Roanoke her home after earning her Bachelor's in Music and her Master’s in Music Education.

Since graduating, Francesca has toured with theatres across Virginia and North Carolina. Some of her favorite credits include Junie B. Jones (Junie), Goodnight Moon (Mouse), and Stellaluna (Pinduli). You may also remember her from MMT’s Best of Broadway and last year’s 60th Anniversary Concert.

When she’s not performing, Francesca serves as Director of Education at Mill Mountain Theatre, helping shape the next generation of stars. She sends endless thanks to the cast, crew, and loved ones for their support and dedicates this performance to the strongest woman she knows - her mom. "I love you to the moon, back, and more!" 

Selena Robinson

*

Ensemble
(
Dance Captain
)
(
Dance Captain
)
Pronouns:
She/Her/Hers

Selena Robinson (Nurse Norma/Dance Captain) is so excited to return to Mill Mountain Theatre after appearing as Texas/Dance Captain in Cabaret and Marley in Escape to Margaritaville! She is a proud Chicago native and NYU graduate. Some of her favorite credits include Legally Blonde (Pilar, Music Theatre Works), Chicago (Liz, Arizona Broadway Theatre), Elf (Arvada Center), Little Shop of Horrors (Ronnette, Metropolis Performing Arts Centre), Matilda, Scrooge (Fireside Theatre), and The Queen’s Ball: A Bridgerton Experience (Netflix/Fever). Selena is represented by Gray Talent Group. Special thanks to her friends and family, her Physical Therapist Maddie, Matt, Ginger, and the entire MMT Team! www.selenarobinson.com IG: @selenarobinson_97

Ryan Slone

*

Earl
(
)
(
)
Pronouns:
He/him

RYAN SLONE is excited to make his debut with MMT. A Cincinnati native and graduate of CCM at the University of Cincinnati, Ryan now resides in New York City but has traveled the world through his music, including as a member of the band Chasing Saturn. His adventures include cage diving with great white sharks in South Africa, a two-month solo road trip through Mexico, and a six-month performer contract with Viking Ocean.

Ryan’s traveling and music career began at age 11 when he became one of the first Americans to join the Vienna Boys Choir. Recently, he has been seen at Fireside Theatre as Monty in Saturday Night Fever and Johnny Casino in Grease, as well as roles like Gaston in Beauty and the Beast (The Growing Stage) and Pirelli in Sweeney Todd (City Island Theatre).

Ryan would like to thank his family and friends for their unwavering support.

Dylan Toms

*

Ogie
(
)
(
)
Pronouns:

DYLAN TOMS (Ogie) DC AREA: Signature Theatre: Into the Woods, Sweeney Todd, She Loves Me, AssassinsKennedy Center Theatre for Young Audiences: FINN (Finn, World Premiere), The Mortification of Fovea Munson (World Premiere); Olney Theatre Center: Meredith Wilson’s The Music Man (Helen Hayes Award: Outstanding Ensemble); Adventure Theatre MTC: The Lion, The Witch, and the Wardrobe (Peter et. al, Helen Hayes Nomination), Junie B. Jones: The Musical, You’re a Good Man, Charlie Brown; SOUTHERN VA: Virginia Children's Theatre: The Secret Garden (Dr. Craven), The Addams Family (Lurch); Showtimers Theatre: Cabaret (Emcee)Renaissance Theatre: Sordid Lives (Ty)EDUCATION: B.M. - George Mason University 2018.

Amanda Tong

*

Jenna
(
)
(
)
Pronouns:

Amanda Tong is honored to make her MMT debut in this beautiful show and dream role. Some of her past favorite regional credits include: “Steel Magnolias” (Annelle); “Jersey Boys” (Lorraine); Regional Premiere “Flashdance” (Gloria); “Into the Woods” (Cinderella); “Chorus Line” (Judy); “Escape to Margaritaville” (Rachel); “Man of La Mancha (Antonia);  “Saturday Night Fever (Stephanie)*Winner for Most Impressive Actress in a Lead Role; “Cabaret”(Lulu); “Godspell” (Robin); “Marvelous Wonderettes” (Cindy Lou); Regional Premiere “Rock of Ages” (Constance, u/s Sherrie); “Crazy for You” (Polly); “I Love You, You’re Perfect, Now Change” (Woman 1); “Daughter of Society” (Herself) *New York SummerFest Winner for Best Vocalist in a New Musical; “A Wall Apart”-Air Supply Musical New York Musical Festival. Amanda was a member of the USO Show Troupe where she had the honor and privilege to travel all over the world performing for our troops, veterans and their families. Her extreme gratitude to MMT. Sean, I love you with my whole heart! Galatians 6:9

Amber Voeller

*

Ensemble/Dawn Understudy
(
Props Designer
)
(
Props Designer
)
Pronouns:
she/her

Amber Voeller is an actress, singer, performer, educator, and Props Designer based out of N.Y.C and Roanoke, VA. She received her training at Huntington University School of Arts with a B.A. in Theatre Performance and is a current vocal student under Matt Farnsworth's Vocal Studio. She is thrilled to be making her Mill Mountain performance debut and thankful to be returning as a Props Designer!  When not performing she is teaching young artists her favorite thing! Playhouse Studio L.L.C  is her small business where students globally can take fun and engaging theatre classes online. She would like to thank her incredible husband for being her rock, Mill Mountain Theatre staff for being so kind and supportive, and all of you here tonight. We can't have theatre with our audiences. 

Jacob Wadstrom

*

Ensemble
(
u/s Ogie
)
(
u/s Ogie
)
Pronouns:
he/him

Jacob Wadstrom recently graduated from Nazareth University with a BFA in Musical Theatre. A Roanoke native, Jacob is thrilled to be back at Mill Mountain Theatre where he originally fell in love with acting. Some favorite roles include Lank in Crazy For You (Nazareth University), Demetrius in A Midsummer Night's Dream (Nazareth University) and Romeo in Romeo and Juliet (Mill Mountain Theatre). Outside of the theatre, Jacob enjoys hiking, playing golf and rooting on his beloved Liverpool FC. 

Scott Watson

*

Cal
(
)
(
)
Pronouns:
He/Him

Brooklyn, NY based actor Scott Watson is delighted to return to the stage for the 9th time at his artistic home-away-from-home Mill Mountain Theatre! 

This production and Mill Mountain Theatre would not be possible without the talent, dedication, and heart of the small but mighty MMT creatives and staff. You make MMT and Southwestern Virginia brighter by keeping professional theatre alive.

Previous shows at Mill Mountain: Mamma Mia!, A Christmas Story (2017, 2021), To Kill A Mockingbird, The Diary Of Anne Frank, The Christians, The Putnam County Spelling Bee and The Odd Couple. 

Off-Broadway: Drunk Shakespeare (Brass Jar Prod), Taming of the Shrew & Henry V (New York Classical Theatre), Going Once, Laughing Twice (St Luke’s Theatre)

Regional: Othello, Much Ado About Nothing (Hudson Valley Shakespeare Festival), Twefth Night, Hamlet, Two Gentlemen of Verona, Midsummer Night’s Dream (Shakespeare on the Sound) Julius Caesar (Teatro Delle Due, prod in Italy.) 

Other Credits: Scott Watson and his mustache can be spotted in numerous national commercials currently running including an Underwater Office Spot for Grammarly, a spot for Trolli Gummi Worms, a Redfin Commercial co-starring his lovely and talented partner Amanda Lea Mason, a promo for Peacock, and many more. 

All my love to my better half and brilliant partner, Amanda, and to our adorable son Peanut who is weird, wonderful and also a Chihuahua. Scott is a proud graduate of Grand Valley State University, MI with a Bachelors of Arts in Theatre Performance and a Playwriting Minor. 

Meet the Team

Amy Baldwin Efird

*

Director
(
)
Pronouns:

Amy Baldwin Efird has performed in over 70 regional theatre productions between DC and Seattle, and has been seen at Mill Mountain Theatre in Mamma Mia!, Next to Normal, The Cake, Cabaret, and other productions. She is thrilled to be part of the creative team at MMT for WAITRESS! Amy has directed at Virginia Tech, Showtunes Music Theatre (AD), Paramount Center and serves as an acting and public speaking coach. She is an avid hiker and wants you all to know that dogs are the best--particularly rescue dogs. 

Cindy Blevins

*

Keyboard/Conductor
(
)
Pronouns:
she/her

Cindy Blevins is a local musician and performer in both the classical and musical theatre realms and a
lifelong theatre enthusiast and performer. After studying piano for 14 years and earning a BA in Music
she went on to teach voice and piano both privately and in public school systems and also sing with
different groups in and around Richmond, VA, her hometown.  After moving to the New River Valley she
continued performing  with Opera Roanoke, Summer Musical Enterprise, Mill Mountain Theatre,
Blacksburg Master Chorale, Virginia Children’s Theatre and Virginia Tech School of Performing Arts. She
stays busy as a collaborative pianist/accompanist with individuals and groups, and as a director and
coach with music makers of all ages. She has been the Chairperson for Summer Musical Enterprise,
headquartered in Blacksburg, since 2009 and has led the organization through the last 15 musicals, two
relocations (2010 and 2011) due to electrical issues at Haymarket Theatre, and COVID. During her
tenure with SME she has performed on stage, and also served as Vocal Director, Stage Director, Musical
Director and Executive Producer. She was slated to be the Musical Director for Radford University
Department of Theatre and Cinema’s 2020 production of Urinetown which was canceled due to COVID;
however was thrilled to serve as Musical Director for their 2024 production of Bat Boy the Musical!
She is excited to be returning to Mill Mountain Theatre and support this beautiful production of
Waitress. Other MMT productions include: Jersey Boys, Elf the Musical, 60 th Anniversary Concert
(Keyboard 1) and Cabaret (Musical Director); Sound of Music (Nun, 2019) Timeless Twenties (Zelda
Fitzgerald, 2020), To Kill A Mockingbird (Mrs.Dubose/Townsperson, 2024), Annie (Musical Director). In
addition to her musical life, Cindy is also a Licensed Professional Counselor with Life In Balance
Counseling Center in Christiansburg.

Zoe Keith

*

Dresser/Costumer
(
)
Pronouns:
She/Her

Zoe is an actor/costumer from Mayville, NY who graduated from Radford University. Although she also has a passion for the stage, her costume work includes assistant designing Silent Sky, designer for The Aliens, and wardrobe head for Trojan Women, all at RU. Zoe has worked in a costume shop for over 3 years. She is thrilled to be joining the Mill Mountain team for her first position here! 

Erin Alexis Markham

*

Assistant Stage Manager
(
)
Pronouns:
She / Her

Erin Markham is a Roanoke native with a lifelong passion for the theatre. She graduated summa cum laude from Radford University with a B.S. in Theatre and an emphasis in stage management. Along with stage managing several productions and student projects at Radford, Erin worked as a House Manager, Box Office Assistant, and an Assistant to the Chair. Her most recent work includes Assistant Stage Manager for Mill Mountain Theatre’s productions of Annie, To Kill a Mockingbird, Cabaret, Escape to Margaritaville, and Elf. Erin has enjoyed getting to learn the ingredients of this show with such a wonderful group of women at the work table.

Keeley Morgan

*

Choreographer
(
)
Pronouns:
she/her

Keeley Morgan is a performer from Panama City, FL and a graduate of the University of West Florida with her BFA in Musical Theatre. She recently performed with Mill Mountain in their productions of Cabaret (Frenchie), The Musical Adventures of Flat Stanley (Mrs. Lambchop), To Kill A Mockingbird (Mayella Ewell), The Complete Works of William Shakespeare Abridged (Daniel), and Annie (Grace Farrell). This is Keeley's first time choreographing in the professional setting and she is so excited that she got this opportunity to work with such a talented creative team and for a company she loves so much. 

Camilla Morrison

*

Costume Designer
(
)
Pronouns:
she/her

Camilla Morrison is a Costume Designer, Draper, Artist, and Teacher. Camilla is an Assistant Professor at Radford University. She earned her MFA in Costume Design and Technology at Louisiana State University and her BA in Theatre from Salisbury University in Maryland. Camilla was a 2020-2021 North Dakota Council on the Arts Individual Artist Fellow from which she created her devised work “Of the Earth: Stories of Women in North Dakota” by interviewing women from North Dakota and creating costumes based on their collective experiences surrounding aging, motherhood, relationships, and being a woman in North Dakota. Camilla was named an Emerging Artist in the 2019 USITT Exhibited Artists in the Prague Quadrennial, where her devised work, Nightmares Are Dreams, Too, was exhibited. Companies with which Camilla has worked include Empire Theatre Company, Theatre B, Black Hills Playhouse, Texas Shakespeare Festival, Serenbe Playhouse, and Hangar Theatre.

Laurie Powell-Ward

*

Scene Designer
(
)
Pronouns:

Holding an MFA in Scenography from UNC-Greensboro, her regional design credits include work with the Williamstown Theatre Festival, Charleston Stage Company, Nashville Children’s Theatre, and Struthers Library Theatre, among others. Locally, she has designed scenery for Opera Roanoke, Mill Mountain Theatre, and Virginia Children's Theatre. Laurie has also worked extensively as a scenic artist, painting for regional companies such as the Guthrie Theatre, Children’s Theatre Company, Tennessee Repertory Theatre, Opryland USA, and Sesame Street Live.  Prior to her life in Virginia, she was the Assistant Production Manager for the Spoleto Festival USA in Charleston, SC; however, after over two decades of being "new here," Laurie is proud to call Roanoke home.

Ashley Raper

*

Production Stage Manager
(
)
Pronouns:
She/Her

Ashley Raper: Stage Manager (She/Her) is an AEA stage manager currently based out of Atlanta, Georgia. Her theatre credits include: Mill Mountain Theatre: Waitress (SM); Annie (SM); Cabaret (SM); Elf (SM). Horizon Theatre Company: Amélie the Musical (SM). Dark and Stormy Productions: The Prime of Miss Jean Brodie (SM); God of Carnage (SM); Jacuzzi (SM). Artistry: Godspell (SM); Shrek the Musical (SM) PRIME Productions: The Revolutionists (SM). Park Square Theatre: Airness (SM); The Diary of Anne Frank (ASM); Face to Face: Hmong Women’s Experiences (SM); Paige in Full (SM). Sod House Theater: Arla Mae’s Booyah Wagon (SM). University of Minnesota: Ted Mann Concert Hall (SM). Kentucky Opera: Barber of Seville (PA); Rigoletto (PA). Commonwealth Theatre Center: The Ugly Duckling (SM); Little Red Riding Hood (SM). NC Summer Repertory: Sweeney Todd (ASM); Sunday in the Park with George (ASM). Triad Stage: The Price (ASM).

Savannah Woodruff

*

Lighting Designer
(
Director of Production
)
Pronouns:
They/she

Savannah was born and raised in Southern Pines, North Carolina but is happy to now consider Roanoke, Virginia their home. They are a graduate of The University of North Carolina at Greensboro, where they recieved a BFA in Technical Production. Since joining the staff of Mill Mountain Theatre, Savannah has served in a variety of roles, most recently becoming the Director of Production. They have also been able to expand into design work with the support of MMT, and are thrilled to be working as the Lighting Designer for Waitress. Savannah is grateful for the never-ending support of their partner and their family (and their cats) in their endeavors, and for the trust placed in them by MMT. 

Media

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2021 National Touring Cast

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Italian
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413 1st St SW

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32 Market Square SE #134 inside.

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The Hangry Bulldog

Burgers and Bratwurst
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32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

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From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Marquee Deal!

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Marquee Deal!

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Marquee Deal!

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Marquee Deal!

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Marquee Deal!

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Marquee Deal!

Raise a Glass

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Marquee Deal!

‍Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Marquee Deal!

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Marquee Deal!

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Marquee Deal!

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Marquee Deal!

While You Wait

With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.

Exclusive First Listen to "Finale" From JOHN CASSAVETES' OPENING NIGHT
Emily Wyrwa
September 11, 2025

Center Stage Records announced the release of the live West End cast recording of John Casssavetes’ Opening Night on CD and digital outlets on Sept. 12. The show features music and lyrics by three-time Grammy Award-nominated singer/songwriter Rufus Wainwright.

John Cassavetes’ Opening Night is the first stage musical with music, lyrics, and orchestrations by Rufus Wainwright. It premiered in London at the Gielgud Theatre in the spring of 2024. The book and direction were by Ivo van Hove and is based on the 1977 movie Opening Night by American avant-garde director John Cassavetes. 

The live album features Wainwright’s songs written for the original London West End production performed by the cast including Sheridan Smith, Nicola Hughes, and Benjamin Walker, recorded over the last four performances of the play at London’s Gielgud Theatre. 

Theatrely has an exclusive first listen to the show’s finale performed by Sheridan Smith and company. 

John Cassavetes’ Opening Night tells the story of an actress, Myrtle Gordon, who is premiering a play written for her that is about a woman coming to terms with aging. Myrtle does not come to terms with her own aging and rebels against the play and throws the entire production into jeopardy. A young female fan asking her for an autograph at the stage door gets killed by a car as she runs off onto the street. Myrtle is being haunted by the ghost of the young girl. On opening night, she arrives completely drunk but ultimately does what she does best: act and improvise. 

To pre-save the album, click here.

Exclusive First Listen to "Finale" From JOHN CASSAVETES' OPENING NIGHT
Emily Wyrwa
September 11, 2025

Center Stage Records announced the release of the live West End cast recording of John Casssavetes’ Opening Night on CD and digital outlets on Sept. 12. The show features music and lyrics by three-time Grammy Award-nominated singer/songwriter Rufus Wainwright.

John Cassavetes’ Opening Night is the first stage musical with music, lyrics, and orchestrations by Rufus Wainwright. It premiered in London at the Gielgud Theatre in the spring of 2024. The book and direction were by Ivo van Hove and is based on the 1977 movie Opening Night by American avant-garde director John Cassavetes. 

The live album features Wainwright’s songs written for the original London West End production performed by the cast including Sheridan Smith, Nicola Hughes, and Benjamin Walker, recorded over the last four performances of the play at London’s Gielgud Theatre. 

Theatrely has an exclusive first listen to the show’s finale performed by Sheridan Smith and company. 

John Cassavetes’ Opening Night tells the story of an actress, Myrtle Gordon, who is premiering a play written for her that is about a woman coming to terms with aging. Myrtle does not come to terms with her own aging and rebels against the play and throws the entire production into jeopardy. A young female fan asking her for an autograph at the stage door gets killed by a car as she runs off onto the street. Myrtle is being haunted by the ghost of the young girl. On opening night, she arrives completely drunk but ultimately does what she does best: act and improvise. 

To pre-save the album, click here.

Exclusive First Listen to Donna Lynne Champlin singing "The Fabulous Miss Lila Morae" From GET WHAT YOU WANT: THE SONGS OF MICHAEL FINKE
Emily Wyrwa
September 11, 2025

Center Stage Records has announced the release of Get What You Want: The Songs of Michael Finke in streaming and digital formats on Sept. 12. The album showcases the rise of Finke, a rising musical theatre composer and lyricist who is heralded for his soaring ballads and unconventional story songs. 

Get What You Want features an all-star cast, including Emily Afton, Ari Axelrod, Donna Lynne Champlin, Alex Goley, Alan H. Green, F. Michael Haynie, Tommy Kaiser, Sarah Naughton, Kyle Taylor Parker, Jelani Remy, Kate Rockwell, Analise Scarpaci, Justin David Sullivan, Talia Suskauer, and Matt Wood.

Theatrely has an exclusive first listen to  “The Fabulous Miss Lila Morae” performed by Donna Lynne Champlin. 

“Whenever I feel the need to write a new trunk song or musical project, I'll turn to the headlines,” Finke said of the song. “And of course a month before a concert at the Green Room, the Anna Delvey trial wrapped up and I was obsessed with her statement, ‘I'd be lying if I said I was sorry for anything.’ So Lila is my take on Anna. And it's worth mentioning this song might have my first and last "Simpsons-esque" prediction with the Shonda Rhimes/Netflix series.”

Finke has written the book, music, and lyrics for full-length musicals such as Reporting Live, Caroline and George, Surrounded By the Water, and Powerline Road, which recently completed a developmental Off-Broadway production at the ART/New York Gural Theater.

Produced by Robbie Rozelle and Michael Finke, and co-produced by Yasuhiko Fukuoka, the album features arrangements and orchestrations by Nils-Petter Ankarblom. The album features liner notes by Grammy and Tony Award nominee Nathan Tysen.

To pre-save the album, click here.

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

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