Notes
Local
Connect
News
People
Media
Notes
Connect
People
Notes
Program Info
Connect
People
Notes
Connect
People
Notes
Connect
People
Join the
Team
Notes
Connect
People
Donate

Grantors

No items found.

Sponsors

No items found.

Sponsors

Donors

Donors

No items found.
Meet Our Donors

Tributes

Tributes

No items found.
Our Tributes

Performers

Mollie Craven

*

Violet

Briana Doran

*

Margaret

Kim Hale

*

Ensemble - Kathy, Doctor

Beck Hokanson

*

Joe/Dick/Ensemble

Macalan Johnson

*

Josh/Intern/Ensemble

Keeley Morgan

*

Missy/Ensemble

Galloway Stevens

*

Franklin Hart, Jr.

Christina Stroup

*

Doralee

Amanda Tong

*

Judy

Setting

1979
There will be a 15 minute intermission.

Songs & Scenes

Act I
"9 to 5"
Ensemble
"Around Here"
Violet and Ensemble
"Here for You"
Frank Hart
"I Just Might"
Judy, Doralee, & Violet
"Backwoods Barbie"
Doralee
"Heart to Hart"
Roz and Ensemble
"Dance of Death"
Judy, Frank Hart, Ensemble
"Cowgirl's Revenge"
Doralee, Frank Hart, Ensemble
"Potion Notion"
Violet, Frank Hart, Ensemble
"Joy to the Girls"
Judy, Doralee, Violet, Frank Hart, Ensemble
"Shine Like the Sun"
Doralee, Judy, Violet, Ensemble
Act II
"One of the Boys"
Violet, Men's Ensemble
"5 to 9"
Roz
"Change It"
Doralee, Violet, Judy, Ensemble
"Let Love Grow"
Joe and Violet
"Get Out and Stay Out"
Judy
"Nine to Five (Finale)"
Ensemble

Production Staff

No items found.

Venue Staff

School Administration Staff

No items found.

Musicians

Keys/Conductor
Cindy Blevins
Guitar
Mike Havens
Bass
Jeff Hoffman
Trumpet
Lori Wingo
Trumpet
Derek Nash
Drums
JT Fauber

Board Members

Student Advisory Board

Credits

Lighting equipment from PRG Lighting, sound equipment from Sound Associates, rehearsed at The Public Theater’s Rehearsal Studios. Developed as part of Irons in the Fire at Fault Line Theatre in New York City.

Special Thanks

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

United Scenic Artists ● Local USA 829 of the I.A.T.S.E represents the Designers & Scenic Artists for the American Theatre

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers, and Theatre Managers employed on this production.

Cast
Creatives

Meet the Cast

Mollie Craven

*

Violet
(
)
(
)
Pronouns:
she/her

Briana Doran

*

Margaret
(
)
(
)
Pronouns:
She/her

Kim Hale

*

Ensemble - Kathy, Doctor
(
Dance Captain
)
(
Dance Captain
)
Pronouns:
She/Her

Kim is thrilled to make her Mill Mountain debut! She relocated from LA to NYC at age 56 to give her Broadway dream one more shot. Her journey has been featured on GMA3, THE SHERRI SHOW and CBS MORNINGS. Kim was most recently seen as Mrs. Hatch in A WONDERFUL LIFE at Fireside Theatre. Other credits include commercials for American Airlines, Home Goods and Dove featuring Ciara, Jon Batiste in Central Park, BROADWAY BARES, THE PENGUIN (HBO) and PALM ROYALE (Apple TV+) plus a one night only performance in Broadway’s CHICAGO. She also appeared in the films: SPIRITED (Apple TV) and CHRISTMAS ON THE SQUARE (Netflix) starring Dolly Parton.  @mskimhale

Beck Hokanson

*

Joe/Dick/Ensemble
(
)
(
)
Pronouns:
He/Him

Originally from LA, Beck is a Chicago based actor excited to be performing with MMT! THEATRE: Diana (Theo Ubique/Chicago Premiere), Dames at Sea (Citadel Theatre), American Psycho (Kokandy Productions/Chicago Premiere-Jeff Award Best Musical), A New Brain (PrideArts), White Christmas (Towle Theatre), Cinderella (Metropolis PAC), Carousel (Music Theatre Works), My Fair Lady (Finch Theatrics), Mamma Mia! (BrightSide Theatre); Bright Star (Metamora Opera House). Graduate of the Chicago College of Performing Arts at Roosevelt University and the Second City Chicago Conservatory. Represented by Rock Talent Agency.

Macalan Johnson

*

Josh/Intern/Ensemble
(
)
(
)
Pronouns:

Macalan is proud to be performing in 9 to 5 as a student spotlight. Recent credits include Elf (Buddy), Beetlejuice Jr. (Beetlejuice) Little Mermaid (Sebastian), Shrek (Papa Ogre, Papa Bear), Little Shop of Horrors (Orin U/S, Ensemble), Beauty and the Beast (Lumiere). Macalan is a sophomore at Patrick Henry High School and actively involved in theatre productions throughout the valley. He has a passion for musical theatre and is grateful for this student spotlight opportunity. Special thanks to his vocal coach, Mrs. Brynn (SCAPA) and the cast and creative team at MMT for working long after the hours of 9 - 5 to make the magic happen. 

Keeley Morgan

*

Missy/Ensemble
(
)
(
)
Pronouns:
she/her

Galloway Stevens

*

Franklin Hart, Jr.
(
)
(
)
Pronouns:
He/Him

Galloway Stevens is a newcomer to the Trinkle stage, but is no stranger to being under the bright lights as he celebrates 30.years of professional acting. He hails from the Asheville area of NC's beautiful Blue Ridge Mountains. This will be his fifth production of 9 to 5 portraying the sexist, egotistical... Franklin Hart. Other recent regional credits include Gomez Addams in The Addams Family, Oliver "Daddy" Warbucks in Annie! (Temple Theatre Co.); Bruce Bechdel in Fun Home, Cervantes/Don Quixote in Man of La Mancha (Harlequin Productions); Hector MacQueen in Murder On The Orient Express, Jonathan/Charles Haversham in The Play That Goes Wrong, Gyp DeCarlo in Jersey Boys (Flat Rock Playhouse); Billy Flynn in Chicago!, Aldolpho in The Drowsy Chaperone, Sweeney Todd in Sweeney Todd (Oregon Cabaret Theatre).

Christina Stroup

*

Doralee
(
)
(
)
Pronouns:
She/Her

Regional Credits: Mamma Mia (Donna), The Best Little Whorehouse in Texas (Miss Mona), Annie (Miss Hannigan, twice!), The Little Mermaid (Ursula), Always...Patsy Cline (Patsy Cline), Spamalot (Lady of the Lake), Ragtime (Mother), The Great American Trailer Park Musical (Pippi), The Pirates of Penzance (Ruth), Head Over Heels (Gynecia), The Full Monty (Vicki), The Marvelous Wonderettes: Dream On (Betty Jean; Original Cast Album), Sweet Potato Queens (Floozy Tammy; Original Cast), Bright Star (Alice), Fun Home (Helen), Into The Woods (The Witch), The Addams Family (Alice), Tell Me On A Sunday (Girl), The Wizard of Oz (Wicked Witch), Grease (Rizzo), The Light in the Piazza (Franca), Chicago (Mama Morton), Sweeney Todd(Beggar Woman), Company (Marta), Smokey Joes Cafe (3 times!), Pump Boys & Dinettes (Rhetta Cupp), I Love You, You're Perfect, Now Change, Guys And Dolls (Sarah). Marc, thank you for believing in me, I love you, I can't wait to marry you. Oscar & Sonia, thank you for making me the happiest bonus mom there is. You make the gloomiest day shine.

Amanda Tong

*

Judy
(
)
(
)
Pronouns:

Amanda Tong is thrilled to be back at MMT. Some of her past regional credits include:THE PLAY THAT GOES WRONG (Sandra); WAITRESS(Jenna); MURDER ON THE ORIENT EXPRESS (Greta); JERSEY BOYS (Lorraine); A CHORUS LINE (Judy); STEEL MAGNOLIAS (Annelle); CABARET (Lulu); FlatRock Playhouse Christmas; Regional Premiere FLASHDANCE (Gloria);  INTO THE WOODS (Cinderella); ESCAPE TO MARGARITAVILLE (Rachel); MAN OF LA MANCHA (Antonia);  SATURDAY NIGHT FEVER (Stephanie)*Winner for Most Impressive Actress in a Lead Role; GODSPELL (Robin); MARVELOUS WONDERETTES (Cindy Lou); Regional Premiere ROCK OF AGES (Constance, u/s Sherrie); CRAZY FOR YOU(Polly); I LOVE YOU, YOU'RE PERFECT NOW CHANGE (Woman 1); DAUGHTER OF SOCIETY (Herself) *New York SummerFest Winner for Best Vocalist in a New Musical. Amanda was a member of the USO Show Troupe where she had the honor and privilege to travel all over the world performing for our troops.To Sean, I love you. Galatians 6:9

Meet the Team

Jimmy Ray Ward

*

Scenic Designer
(
)
Pronouns:
he/him

With an MFA in Design from UNC-Greensboro, his credits include work at many theatre companies along the East coast such as Spoleto Festival USA, Williamstown Theatre Festival, Seaside Music Theatre, Flatrock Playhouse, and the Gainesville Theatre Alliance.  Locally, Jimmy designs for Opera Roanoke, Roanoke Children's Theatre, and Mill Mountain Theatre, where he worked as resident designer for its last nine seasons.  Some favorite designs over the years include scenery for Il Trovatore, The Flying Dutchman, The Adventures of Frog and Toad, If You Give a Mouse a Cookie, Seussical, and Grease, costumes for Hamlet, Beauty and the Beast, Joseph…Technicolor Dreamcoat, and lighting for Driving Miss Daisy, Wit, and Rapunzel, among many others. Despite years of working in a field he loves, Jimmy feels that his best productions to date are his children, Henry and Lily, Gracie and Frank.

Cindy Blevins

*

Musical Director
(
)
Pronouns:
she/her

Cindy Blevins is a local musician and performer in both the classical and musical theatre realms and a lifelong theatre enthusiast and performer.  After studying piano for 14 years and earning a BA in Music she went on to teach voice and piano both privately and in public school systems and also sing with different groups in and around Richmond, VA, her hometown.  After moving to the New River Valley she continued performing  with Opera Roanoke, Summer Musical Enterprise, Mill Mountain Theatre, Blacksburg Master Chorale, Virginia Children’s Theatre and Virginia Tech School of Performing Arts.  She stays busy as a collaborative pianist/accompanist with individuals and groups, and as a director and coach with music makers of all ages. She has been the Chairperson for Summer Musical Enterprise, headquartered in Blacksburg,  since 2009 and has led the organization through the last 15 musicals, two relocations (2010 and 2011) due to electrical issues at Haymarket Theatre,  and COVID.  During her tenure with SME she has performed on stage, and also served as Vocal Director, Stage Director, Musical Director and Executive Producer.  She was slated to be the Musical Director for Radford University Department of Theatre and Cinema’s 2020 production of Urinetown which was canceled due to COVID; however was thrilled to serve as Musical Director for their 2024 production of Bat Boy the Musical!    She is excited to be returning to Mill Mountain Theatre in support of this production of Annie.  Other MMT productions include: Jersey Boys, Elf the Musical, 60th Anniversary Concert (Keyboard 1) and Cabaret (Musical Director); Sound of Music (Nun, 2019) Timeless Twenties (Zelda Fitzgerald, 2020), To Kill A Mockingbird (Mrs.Dubose/Townsperson, 2024).     In addition to her musical life, Cindy is also a Licensed Professional Counselor with Life In Balance Counseling Center in Christiansburg.  Cindy wishes to thank her family for their unending love, and their support of her musical passions! 

K. Shaly Farmer

*

Lighting Designer
(
)
Pronouns:
she/her

Erin Alexis Markham

*

Production Stage Manager
(
)
Pronouns:
her/ she

Erin Markham is a Roanoke native with a lifelong passion for the theatre. She graduated summa cum laude from Radford University with a B.S. in Theatre and an emphasis in Stage Management. Along with stage managing several productions and student projects at Radford, Erin worked as a House Manager, Box Office Assistant, and an Assistant to the Chair. Her most recent work includes Assistant Stage Manager for Mill Mountain Theatre’s productions of Waitresss, Annie, Cabaret, Escape to Margaritaville, and Elf

Matt Shields

*

Managing Director
(
)
Pronouns:
he/him

Matt Shields is a native of Virginia. Having grown up in Loudoun County, he first moved to the region in 2013 to attend school at Radford University where he graduated with a BS in theatre. After working for a few other companies, Matt is happy to call MMT his artistic home. In the past few years Matt has served in a variety of jobs around Mill Mountain, including Props Master, Costumes Manager, Teaching Artist, Scenic Designer, and Company Manager. Matt is very happy to now be serving MMT as the Production Manager and is grateful to MMT for all the faith they have put in him over the years.

Kennedy Swineford

*

Assistant Costume Designer
(
)
Pronouns:
she/her

Kennedy is a junior at Roanoke College, working toward her degree in Theatre. Previously, she was assistant costume designer and hair and makeup designer for multiple productions, including Machinal and Cabaret at Roanoke College. This is her first professional design project and she is so excited for audiences to see everyones incredible work on stage!

Samuel Wood

*

Sound Designer
(
Carpenter
)
Pronouns:
He/Him

I am a sound designer and engineer based in Lynchburg, Virginia with extensive experience in theatrical audio and live production. I graduated from Radford University, where I designed and engineered sound for every main-stage production produced by the university while I was there. I also worked on many regional productions, building a strong foundation in mixing, wireless microphone systems, cueing software, and both digital and analog soundboards. For the past two years, I have worked at Mill Mountain Theatre, where I have built sets for every show and run the sound board for all performances. I am known for being reliable, detail-oriented, and collaborative, and I bring a practical, well-rounded approach to creating clear, impactful sound and supporting high-quality live theatre.

Savannah Woodruff

*

Director of Production
(
Lighting Designer
)
Pronouns:
They/she

Savannah was born and raised in Southern Pines, North Carolina but is happy to now consider Roanoke, Virginia their home. They are a graduate of The University of North Carolina at Greensboro, where they recieved a BFA in Technical Production. Since joining the staff of Mill Mountain Theatre, Savannah has served in a variety of roles, most recently becoming the Director of Production. Savannah is grateful for the never-ending support of their partner and their family (and their cats) in their endeavors, and for the trust placed in them by MMT. 

Media

No items found.
2021 National Touring Cast

Pre-Show Snack or
Post-Show Dinner?

Don’t let the evening end when the curtain comes down. With The Marquee Local, you can find the perfect place for a pre-show snack, an evening meal, or a post-show cocktail. Enjoy exclusive deals from our local partners as you catch up, discuss the show, and create memories to last a lifetime.

Grab a Bite
Pre-show or post-show, our local partners have your dining needs covered
Raise a Glass
Settle into that post-show glow with a stellar drink in hand

Grab a Bite

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Marquee Deal!

The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

Marquee Deal!

Get 15% off your meal when you show your ticket stub or ticket from your phone for any Mill Mountain Theatre production.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Marquee Deal!

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Marquee Deal!

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Marquee Deal!

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Marquee Deal!

Raise a Glass

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Marquee Deal!

‍Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Marquee Deal!

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Marquee Deal!

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Marquee Deal!

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Marquee Deal!

While You Wait

With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.

New App Stage Door Pass Allows Fans To Engage With Artists
Emily Wyrwa
February 12, 2026

We’ve all been there: it’s a cold New York City day, and you’re standing outside, bundled up, cheering at the top of your lunges every time a little door opens, waiting to see if your favorite star has a moment to say hello. You’re talking with the people next to you — from all corners of the world — about this love you share for the show. It’s the magic of the stage door, and it’s just gone digital. 

Stage Door Pass is a new software that allows Broadway fans to track the shows they see with immense detail (down to what swings and understudies they saw), leave their thoughts, connect with other fans, and interact with their favorite artists. It’s all your favorite parts of the stage door without having to brave the elements after a show.

“I'm a big Letterboxd fan, and so it's essentially a Letterboxd, but for live theater,” founder Jeff Whiting told Theatrely in an interview.

Whiting is a director-choreographer and theatre entrepreneur who runs Open Jar Studios. Whiting is often looking for “digital solutions to little industry gaps,” as he put it. 

He founded Stage Write Software — a platform where directors and choreographers can track blocking and technical elements — about 14 years ago. He later added the Stage Door Network, where industry professionals can post job opportunities and network. Stage Door Pass is the latest addition to his network, and his first fan-facing platform. 

The idea came about when Whiting’s business partner, Mike Wheeler, stopped by one of Open Jar Studios’ weekly Friday afternoon tours. When he got home, Wheeler sent Whiting an email with the idea for a granular way to track the shows he saw digitally, and allow audiences to connect with their favorite stars. 

For Whiting, the idea also presented an opportunity to give artists a new way to engage with fans. 

“Having done a lot of Broadway shows myself, I just know there's always discussion about what happens at the stage door, the real stage door when you're leaving the theater,” Whiting said. “Do the artists have an obligation to their fans? Do the fans have the expectation? And so there's been a lot of discussion around how you want to thank your fans, but I've always been very aware of that challenge. In doing this, I thought, ‘well, this is an opportunity for the artists who are aware of and of course are grateful for their fans but allows them to kind of manage the way that they engage.’” 

Through the app, fans can share their opinions on the shows they see, earn badges as they continue to share, and artists can engage with them through the platform. It’s a way to share mutual appreciation for the work. Each time a fan logs a show, they get a souvenir video created by the production that is easily shareable to social media, as well. The system is easily flexible for both iPhone and Android devices. 

“Word of mouth is so key,” Whiting said. “Any artists, particularly the young artists who are coming, fans of shows, who come and wanna share with their friends, their thoughts about the show, we're trying to make these tools super easy for them to be able to share these stories with their fans and followers.”

To learn more about Stage Door Pass, visit here.

Come Celebrate BURNOUT PARADISE And Win A Free Treadmill
Kobi Kassal
February 10, 2026

Where else on earth can you get special preview pricing for an awesome new production, and possibly win a new treadmill? The Astor Place Theatre Box Office, that’s where. 

The hilarious global hit Burnout Paradise, which landed on our Best Of List for 2024, has announced a special, in-person giveaway event on Thursday, February 12 from 12-4pm at the famed Astor Place Theatre Box Office.  All preview tickets will be available for an endorphin pumping $26.20 and one lucky purchaser will walk (or run) away with a free, brand-new Echelon Stride 6s Auto-Fold Treadmill (valued at $1999.99), in addition to other on-site giveaways – including gift cards for free lemonade at Raising Cane’s.

The special ticket price applies exclusively to preview performances running February 18 – March 4 and is available in person only, while supplies last or until the Box Office closes at 4:00 PM. Tickets are limited to two per person, with seating based on availability at the discretion of the Box Office. The treadmill winner will be randomly selected from eligible entrants, and shipping will be coordinated directly with the winner.

Created and performed by the award-winning Australian theater collective Pony Cam, the show begins previews on February 18, and opening night is set for March 5, 2026, for a limited engagement through June 28, 2026. Tickets are on sale at burnoutparadise.com.

Five performers. Four treadmills. One chance to beat the clock. The theatrical phenomenon from award-winning Australian collective Pony Cam is taking Off-Broadway by storm. It’s a live show you’ll never forget, as the people onstage make a desperate attempt to complete a series of escalating tasks, like cooking a three-course meal and filling out a grant application... all while running on treadmills. And if they don’t complete their to-do list in one hour’s time? You can get your money back. Burnout Paradise is part comedy, part endurance feat, part theatrical explosion – but more than anything, it’s a euphoric, visceral celebration of our tendency to run full tilt towards life’s endless challenges.

Acclaimed for their experimental works that subvert well-known forms in non-traditional performance spaces, and for inviting audiences into their work in unexpected ways, Pony Cam is comprised of Claire Bird, Ava Campbell, William Strom, Dominic Weintraub and Hugo Williams. They began developing Burnout Paradise in 2024 as part of Melbourne Fringe Festival and with seasons at Sydney's Bondi Festival and Melbourne's international arts festival, RISING, prior to debuting to rave reviews at Edinburgh Fringe Festival. The five-star reviews there included The Scotsman, who deemed the show “magnificently chaotic, breathlessly frenetic fun.” Time Out declared it to be “one of the most uproarious shows you will ever experience… unravelling wildly differently every night…sheer bedlam in the most magnificent way.” After catching it at the Fringe, the renowned St. Ann’s Warehouse in Brooklyn programmed the show into their season five weeks later, in November 2024. 

The production is produced by No Guarantees. 

Come Celebrate BURNOUT PARADISE And Win A Free Treadmill
Kobi Kassal
February 10, 2026

Where else on earth can you get special preview pricing for an awesome new production, and possibly win a new treadmill? The Astor Place Theatre Box Office, that’s where. 

The hilarious global hit Burnout Paradise, which landed on our Best Of List for 2024, has announced a special, in-person giveaway event on Thursday, February 12 from 12-4pm at the famed Astor Place Theatre Box Office.  All preview tickets will be available for an endorphin pumping $26.20 and one lucky purchaser will walk (or run) away with a free, brand-new Echelon Stride 6s Auto-Fold Treadmill (valued at $1999.99), in addition to other on-site giveaways – including gift cards for free lemonade at Raising Cane’s.

The special ticket price applies exclusively to preview performances running February 18 – March 4 and is available in person only, while supplies last or until the Box Office closes at 4:00 PM. Tickets are limited to two per person, with seating based on availability at the discretion of the Box Office. The treadmill winner will be randomly selected from eligible entrants, and shipping will be coordinated directly with the winner.

Created and performed by the award-winning Australian theater collective Pony Cam, the show begins previews on February 18, and opening night is set for March 5, 2026, for a limited engagement through June 28, 2026. Tickets are on sale at burnoutparadise.com.

Five performers. Four treadmills. One chance to beat the clock. The theatrical phenomenon from award-winning Australian collective Pony Cam is taking Off-Broadway by storm. It’s a live show you’ll never forget, as the people onstage make a desperate attempt to complete a series of escalating tasks, like cooking a three-course meal and filling out a grant application... all while running on treadmills. And if they don’t complete their to-do list in one hour’s time? You can get your money back. Burnout Paradise is part comedy, part endurance feat, part theatrical explosion – but more than anything, it’s a euphoric, visceral celebration of our tendency to run full tilt towards life’s endless challenges.

Acclaimed for their experimental works that subvert well-known forms in non-traditional performance spaces, and for inviting audiences into their work in unexpected ways, Pony Cam is comprised of Claire Bird, Ava Campbell, William Strom, Dominic Weintraub and Hugo Williams. They began developing Burnout Paradise in 2024 as part of Melbourne Fringe Festival and with seasons at Sydney's Bondi Festival and Melbourne's international arts festival, RISING, prior to debuting to rave reviews at Edinburgh Fringe Festival. The five-star reviews there included The Scotsman, who deemed the show “magnificently chaotic, breathlessly frenetic fun.” Time Out declared it to be “one of the most uproarious shows you will ever experience… unravelling wildly differently every night…sheer bedlam in the most magnificent way.” After catching it at the Fringe, the renowned St. Ann’s Warehouse in Brooklyn programmed the show into their season five weeks later, in November 2024. 

The production is produced by No Guarantees. 

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

Connect
Games

Media

No items found.

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

No items found.

Check out this 9 to 5 digital program by @Marquee.Digital.

Waiting for the Show to Start?

The Marquee has you covered.

Places in 5
Can you find the winning word in time?
Marquee Match
Find the match & take a bow.

Join the Team

Connect
Games

Media

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Waiting for the Show to Start?

The Marquee has you covered.

Places in 5
Can you find the winning word in time?
Marquee Match
Find the match & take a bow.
At This Performance
Hello! Please use portrait mode when viewing Marquee Digital Programs on a mobile device, in order to ensure the best user experience.
Event Date has Passed

Hello! It appears your event date has passed. You  can view the archived Event Marquee for 5 minutes before this pop up gets activated.

Event Preview

Hello! This is the Preview limit for your Event until the show's Opening Day. You will be able to view the Marquee for 5 minutes before this pop up gets activated. Simply refresh the page to restart the timer.