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Grantors

Sponsors

Donors

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Meet Our Donors

Tributes

Tributes

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Our Tributes

Performers

Garrett Fox Adams

*

Ralphie

Lorenzo Garcia Albuquerque

*

Schwartz

Paige Baako

*

Ensemble

Gabriel Cundiff

*

Flick

Corrina Drew

*

Helen

Isaiah Alan Garganta Helton

*

Ensemble

Rob Hancock

*

Ralph

Amanda Lea Mason

*

Mother

Bo Jack McNamara

*

Randy

Keeley Morgan

*

Miss Shields

Brent Saunders

*

Scut Farkus

Paisley Ann Smart

*

Ester Jane

Scott Watson

*

Old Man

Setting

Christmas in Hohman, Indiana
There will be a 15 minute intermission.

Songs & Scenes

No items found.

Production Staff

Producing Managing Director
Matthew Shields
Director
Ginger Poole
Production Stage Manager
Erin Alexis Markham
Assistant Stage Manager
Mohin Riego de Dios
Scenic Designer
Jimmy Ray Ward
Costume Designer
Jessica Gaffney
Lighting Designer
Bill Webb
Director of Production/Sound Designer
Savannah Woodruff
Spotlight
Walker Johnson
Wardrobe/Deck Crew
Eli Riederich Alaya Lewis Kamryn Cox
MMT Production Videographer
Richard Maddox
MMT Production Photographer
Richard Clompus
Master Carpenter
Joey Neighbors
Carpenters
Trenten Woods Samuel Wood
Sound Engineer
Samuel Wood
Electricians
Jacob Wadstrom Aidan Hilton Connor Pero
Stitchers
Jacob Wiant Mary Williams

Venue Staff

School Administration Staff

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Musicians

No items found.

Board Members

Student Advisory Board

Credits

Lighting equipment from PRG Lighting, sound equipment from Sound Associates, rehearsed at The Public Theater’s Rehearsal Studios. Developed as part of Irons in the Fire at Fault Line Theatre in New York City.

Special Thanks

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

United Scenic Artists ● Local USA 829 of the I.A.T.S.E represents the Designers & Scenic Artists for the American Theatre

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers, and Theatre Managers employed on this production.

Cast
Creatives

Meet the Cast

Garrett Fox Adams

*

Ralphie
(
)
(
)
Pronouns:
He/Him

Garrett Adams is a 7th grader at North Cross School.  His love for the theatre began in the 4th grade when he auditioned for The Wizard of Oz and was cast as The Wizard.  He went on to play Daddy Warbucks in Annie and Niles in Matilda under the direction of Thomas Costello at NCS.  Garrett is thrilled to join the Mill Mountain Community this year.  When he is not on stage, you'll find him on the baseball field, the basketball court or singing in the choir.  

Lorenzo Garcia Albuquerque

*

Schwartz
(
)
(
)
Pronouns:
he/his

Lorenzo Albuquerque is a 7th grader at James Madison Middle School and is so excited to perform in the Trinkle Stage for the first time! He began his stage journey with Mill Mountain Theatre, where he played one of the Moles in A YEAR WITH FROG AND TOAD. Since then, Lorenzo has brought energy and heart to every performance, including his unforgettable portrayal of Donkey in SHREK Jr. THE MUSICAL with The Stock Academy. Most recently, he took on the role of Jack in INTO THE WOODS Jr. with the James Madison Middle School theater program, showcasing his talent for both comedy and emotion on stage. When he’s not performing, Lorenzo enjoys spending time with friends, playing the guitar, soccer and discovering stories that inspire him to keep growing as an actor. He’s excited for the many adventures—on and off the stage—that lie ahead!

Paige Baako

*

Ensemble
(
)
(
)
Pronouns:

Paige Baako (Ensemble) is a sixth grader from Roanoke, Virginia, who loves singing, dancing, and acting. A Christmas Story is her very first production, and she couldn’t be more excited to bring some holiday magic to the stage. Offstage, Paige enjoys playing lacrosse, hanging out with her friends, traveling the world with her family, and baking up sweet treats. She’s an avid young baker with a growing collection of favorite recipes! When she grows up, she dreams of exploring the ocean as a marine biologist.

Gabriel Cundiff

*

Flick
(
)
(
)
Pronouns:
He/Him

Gabriel is super excited to be on the Main Stage at MMT in A Christmas Story! His previous appearances include Shrek Jr. (Thelonius, Dwarf, and Puppeteer). He also performed on the Waldron Stage in Aristocats (Thomas O'Malley). He also enjoyed performing with Virginia Children's Theatre in Junie B. Jones (Mr. Woo and Ensemble), Willy Wonky Jr. (Grandpa George) and in Finding Nemo Jr. (Breeze and Ensemble).

Gabriel would like to thank everyone at MMT for always supporting him and encouraging him to grow as young actor!

Gabriel wants to wish all a Merry Christmas AND "Make sure to Sleigh in everything you do!"

Corrina Drew

*

Helen
(
)
(
)
Pronouns:

Corrina is in 5th grade, and she is overjoyed to make her MMT debut in A Christmas Story!  She has performed in various productions around the Roanoke Valley over the last two years.  Her favorite previous role was Lucy in The Lion, The Witch, and The Wardrobe at Attic Productions.  Corrina is a voracious reader, plays piano and takes dance class. She loves to collect odds and ends and turn them into whimsical creations.  She can also be found chasing down anything that flies with a butterfly net!  Corrina thanks the whole staff at MMT and especially Ms. Ginger and Ms. Francesca for this amazing opportunity.  Happy Holidays!  Enjoy the show!!!

Isaiah Alan Garganta Helton

*

Ensemble
(
)
(
)
Pronouns:
he/him

Isaiah Alan Garganta Helton (Age 11) is thrilled to make his Trinkle Main Stage debut at Mill Mountain Theatre in A Christmas Story! A fifth grader at North Cross School, Isaiah has a passion for both history and musical theatre. When he’s not performing, he enjoys building with Legos, exploring the world of Star Wars, and traveling—especially to his favorite destination, New York City! Isaiah also trains in karate and has earned his pre-black belt. He is thankful for his amazing theatre instructors at Mill Mountain Theatre, Virginia Children's Theatre and North Cross School. He would like to thank his mom, Nana, and Ms. Lori for their constant love, encouragement, and support of his acting journey.

Rob Hancock

*

Ralph
(
)
(
)
Pronouns:

London: Daddy Long Legs National Tour: Mamma Mia! Off-Broadway: Deadly Stages Mill Mountain Theatre: Bright Star Regional Theater: Utah Shakespeare Festival, Court Theatre, Cincinnati Playhouse, Cleveland Play House, Northlight Theatre, Milwaukee Repertory Theater, Westport Country Playhouse, Great River Shakespeare Festival, Theatreworks, Arizona Theatre Company, Rubicon Theatre, Royal Manitoba Theatre, La Mirada, Skylight Music Theatre, Delaware Theatre Company, Hangar Theatre, Laguna Playhouse TV/Film: The Marvelous Mrs. Maisel, Royal Pains, True Blood: Postmortem, Guiding Light, and the leading role in Greenport (Best Actor - NYC Independent Film Festival) Other: soloist with Tokyo Philharmonic Orchestra, Orchestra Japan, Metropolitan Festival Orchestra - Singapore, Evergreen Symphony.  Also serves as Associate Stage Director of Disney on Classic in Japan

Amanda Lea Mason

*

Mother
(
)
(
)
Pronouns:
she/her

Amanda is thrilled to return to MMT to be part of this magical company! Select Theatre: The Elephant Man (Broadway/West End/Williamstown), The Servant of Two Masters (Lanes Coven Theatre Co), The Diary of Anne Frank (MMT), leaves (59E59/Edinburgh Fringe), Hot Fun in the Wintertime (Cherry Lane). Select TV/Film: Three Women (Starz), Paul Schrader’s Oh, Canada. Thanks to Scott for playing my onstage husband and real life fiancé, and thanks to Peanut for joining us in Roanoke! This one is for my very own “mother” and “old man.” www.amandaleamason.com @curlymanders

Bo Jack McNamara

*

Randy
(
)
(
)
Pronouns:
he/him

Bo Jack is so excited he can’t put his arms} down!!

Bo Jack can’t wait to ring in the holiday season with you as Randy for MMT’s A Christmas Story! He is a fourth grader and a lover of music and soccer. You may have seen Bo Jack in Shrek, Jr. in MMT’s Summer 2025 production as Baby Bear/Young Shrek. Bo Jack would like to thank the Mill Mountain Theatre education team, his teachers, mentors and family, especially his inspiration, big sis Belle.

Merry Christmas and Happy Holidays!!!

Keeley Morgan

*

Miss Shields
(
)
(
)
Pronouns:
She/Her

Keeley Morgan is a performer from Panama City, FL and a graduate of the University of West Florida with her BFA in Musical Theatre. She is currently the Company Manager and Social Media Coordinator for MMT. She recently performed with Mill Mountain in their productions of Cabaret (Frenchie), The Musical Adventures of Flat Stanley (Mrs. Lambchop), To Kill A Mockingbird (Mayella Ewell), The Complete Works of William Shakespeare Abridged (Daniel), Annie (Grace Farrell), and Waitress (Choreographer/Ensemble). She is so excited to be back on MMT's stage this holiday season and hopes to bring a little extra joy to everyone in the audience!

Brent Saunders

*

Scut Farkus
(
)
(
)
Pronouns:
He/him

Brent Saunders is a sophomore at Lord Botetourt High School and is thrilled to be returning to the Trinkle Mainstage! Favorite Mill Mountain Theatre credits include Shrek, the musical (Big Bad Wolf), Finding Nemo, Jr. (Grouper/Reef Kid/Moonfish), Matilda, the musical (Eric), and Peter and Wendy (Tootles). Other recent roles include Beetlejuice, Jr. (Adam Maitland), The Little Mermaid (Flounder), Legally Blonde (Chad/Aaron Schultz), Junie B. Jones, Jr. (Herb), Lost in Yonkers (Arty), and Willy Wonka, Jr. (Mike Teavee). Brent would like to thank his friends, family, and everyone at Mill Mountain Theatre for their continuous support! Enjoy the show, and happy holidays!

Paisley Ann Smart

*

Ester Jane
(
)
(
)
Pronouns:
She/her

Paisley Smart is a determined and passionate 6th grader who lives her life as if she’s on one big stage. She looks forward to her first role in the production of A Christmas Story  

She has participated in dance classes with the YMCA and acting classes with Mill Mountain Theater. She is a current member of the worship team at Grace Covenant Church.

Her skills include art and drawing, quick memorization, physical expression, singing, and leadership skills.

Scott Watson

*

Old Man
(
)
(
)
Pronouns:
He/Him

Brooklyn, NY based actor Scott Watson is delighted to return to the stage for the 10th time at his artistic home-away-from-home Mill Mountain Theatre, and for his third time playing The Old Man in A Christmas Story at MMT. 

This production and Mill Mountain Theatre would not be possible without the talent, dedication, and heart of the small but mighty MMT creatives and staff. You make MMT and Southwestern Virginia brighter by keeping professional theatre alive.

Previous shows at Mill Mountain: Waitress, Mamma Mia!, A Christmas Story (2017, 2021), To Kill A Mockingbird, The Diary Of Anne Frank, The Christians, The Putnam County Spelling Bee and The Odd Couple. 

Off-Broadway: Drunk Shakespeare (Brass Jar Prod), Taming of the Shrew & Henry V (New York Classical Theatre), Going Once, Laughing Twice (St Luke’s Theatre)

Regional: Othello, Much Ado About Nothing (Hudson Valley Shakespeare Festival), Twefth Night, Hamlet, Two Gentlemen of Verona, Midsummer Night’s Dream (Shakespeare on the Sound) Julius Caesar (Teatro Delle Due, prod in Italy.) 

Other Credits: Scott Watson and his mustache can be spotted in numerous national commercials currently running including Grammarly, Trolli Gummi Worms, Redfin and Ticketmaster Commercials co-starring his lovely and talented partner Amanda Lea Mason (playing Mom in this production!) and many more. 

All my love to my better half and brilliant partner, Amanda, who I’m honored to share the stage with again in this show and to our adorable son Peanut who is weird, wonderful and also a Chihuahua.

Scott holds a BA from Grand Valley State University in his home state of Michigan and *appears courtesy of Actor's Equity Association.

Follow me at @scottymwatson on instagram / tiktok or @scottwatsonactor on Youtube. www.scottymwatson.com 

Meet the Team

Bill Webb

*

Lighting Design
(
)
Pronouns:

Bill is thrilled to be returning to Mill Mountain Theatre as the Lighting Designer for Million Dollar Quartet.  Bill is a native of Alfred, NY, where he received his Bachelor of the Arts in Theatre from Alfred University in 1988.  He continued training at The University of North Carolina School of the Arts where he earned his Master of Fine Arts in Scenic Technology in 1994.  Since 1996 Bill has been on faculty at Elon University in North Carolina where he serves as the Lighting Designer/Production Manager for the Performing Arts Department. Bill has been designing lights at Mill Mountain since the MMT production of Swing in 2014 with 30  MMT Lighting design credits.  In addition to his work at Mill Mountain Theatre,  Bill has worked throughout the United States for companies such as Cirque Du Soliel, I Weiss, Bungalow Scenic Studios and  Arkansas Repertory Theatre.

Jimmy Ray Ward

*

Scenic Designer
(
)
Pronouns:
he/him

With an MFA in Design from UNC-Greensboro, his credits include work at many theatre companies along the East coast such as Spoleto Festival USA, Williamstown Theatre Festival, Seaside Music Theatre, Flatrock Playhouse, and the Gainesville Theatre Alliance.  Locally, Jimmy designs for Opera Roanoke, Roanoke Children's Theatre, and Mill Mountain Theatre, where he worked as resident designer for its last nine seasons.  Some favorite designs over the years include scenery for Il Trovatore, The Flying Dutchman, The Adventures of Frog and Toad, If You Give a Mouse a Cookie, Seussical, and Grease, costumes for Hamlet, Beauty and the Beast, Joseph…Technicolor Dreamcoat, and lighting for Driving Miss Daisy, Wit, and Rapunzel, among many others. Despite years of working in a field he loves, Jimmy feels that his best productions to date are his children, Henry and Lily, Gracie and Frank.

Jessica Gaffney

*

Costume Designer
(
)
Pronouns:
she/her

Jessica Gaffney (Costume Designer) earned her Master of Fine Arts in costume design at New York University’s Tisch School of the Arts.  Ms. Gaffney has designed costumes for over eighty theatrical productions for a variety of Off-Broadway, Off-Off-Broadway, and Regional Theatre companies. Favorite Mill Mountain Theatre credits include costume designs for Cabaret, Next to Normal and Fun Home.  In addition to theatre Ms. Gaffney has served as costume designer and/or production designer for several award-winning film projects, having most recently designed the video Decades of Fashion for Reeds Jewelers.  Ms. Gaffney is currently on the faculty at Radford University in the Department of Theatre and Cinema.

Walker Johnson

*

Spotlight
(
)
Pronouns:

Walker is excited to once again be spotlighting another great show at MMT. Previous tech roles include Annie, Finding Nemo, and Little Mermaid Jr. Walker was recently seen on the stage as Smee in MMT's production of Peter and the Starcatcher and as the Duke of Weselton in Roanoke Catholic School's production of Frozen Jr. 

Erin Alexis Markham

*

Production Stage Manager
(
)
Pronouns:
her/ she

Erin Markham is a Roanoke native with a lifelong passion for the theatre. She graduated summa cum laude from Radford University with a B.S. in Theatre and an emphasis in Stage Management. Along with stage managing several productions and student projects at Radford, Erin worked as a House Manager, Box Office Assistant, and an Assistant to the Chair. Her most recent work includes Assistant Stage Manager for Mill Mountain Theatre’s productions of Waitresss, Annie, Cabaret, Escape to Margaritaville, and Elf

Erin Alexis Markham

*

Production Stage Manager
(
)
Pronouns:
Her / She

Erin Markham is a Roanoke native with a lifelong passion for the theatre. She graduated summa cum laude from Radford University with a B.S. in Theatre and an emphasis in Stage Management. Along with stage managing several productions and student projects at Radford, Erin worked as a House Manager, Box Office Assistant, and an Assistant to the Chair. Her most recent work includes Assistant Stage Manager for Mill Mountain Theatre’s productions of Million Dollar Quartet, Waitress, and Annie. Erin is honored to be earning her first Equity Production Stage Manager credit with this returning production, marking her 4th season with Mill Mountain. Starting her Mill Mountain career as Run Crew for A Christmas Story in 2021, this process has been her dream come true.

Ginger Poole

*

Director
(
)
Pronouns:
She/Her

Ginger Poole Avis has been in the non-profit sector for over 25 years. She was the Producing Artistic Director for the professional regional theatre, Mill Mountain Theatre, for 18 years and is still involved with them as a guest director, season casting and a resource. She has served on many Boards locally and nationally including: Past President of the Junior League of Roanoke Valley, Past President of the Southeastern Theatre Conference (National), Past President of Crystal Spring Elementary School PTA, Roanoke Valley Garden Club (Associate Member of 10 years), MS Society Dinner of Champions (Co-Chair and Past Honoree), Burton Performing Arts Advisory Board, The Roanoke City Public Schools Education Foundation, and she has served on the Review Panel for the Virginia Commission for the Arts. Ginger currently serves on the following Boards of Directors: Junior League of Roanoke Valley (VP of Fund Development), The Shenandoah Club (Current President), Second Presbyterian Church Session Member, James Madison Middle School PTA (Current President), Southeastern Theatre Conference (Current VP of Finance), and The Tudor House.

She has studied, taught, choreographed, and performed throughout the U.S. Originally from South Carolina and growing up in Atlanta, she has worked with the N.F.L. and The Atlanta Falcons as their director and choreographer, and The Atlanta Opera. Before coming to Mill Mountain Theatre, she was based out of North Carolina, where she has worked with Flat Rock Playhouse, the State Theatre of North Carolina in over 25 productions. Ginger has taught at The University of Southern Mississippi, Western Carolina University, William Carey College, Mississippi University for Women, and currently teaches at Hollins University. Ginger holds her M.F.A. in Acting Performance from the University of Southern Mississippi and continues to teach acting and dance. Ginger has worked in commercials, voice-overs, film, stage, and the classroom, and was profiled in the book FIRESTARTERS as “the actor”.

She was the recipient of DePaul’s Women of Achievement Award in the Arts in 2013 and was named the 2016 Kendig Award recipient for Individual Artist. Ginger was the 2022 honoree at the MS Dinner of Champions event. Ginger was also a guest host with WSLS, the NBC affiliate, Daytime Blue Ridge television show, and was the host of the Mill Mountain Theatre Podcast, Meet Me at Mill Mountain. Her home was featured in the Historic Garden Week tour of homes in 2023. Ginger was also a featured portrait in the Whitney Brock portrait series, A Thread Through Roanoke, in 2024-2025

She is thrilled to be back and playing with the fabulous creative team, cast, and crew of A Christmas Story!

Mohin Riego de Dios

*

Assistant Stage Manager
(
)
Pronouns:
He/Him

Mo Riego de Dios is very excited to be back at Mill Mountain Theatre in his first Equity production! Previous credits include Don't Let the Pigeon Drive the Bus! and Flat Stanley at MMT as Touring Stage Manager and Shrek the Musical (TYA) as Production Stage Manager. Big thank you to the Production/Creative Team, Cast, and Crew for all of their work and for making this experience so enjoyable! And special thank you to his friends and family for their boundless support and encouragement! Happy Holidays!

Samuel Jude Wood

*

Sound Engineer
(
)
Pronouns:
He/him

Samuel Wood is from West Monroe Louisiana and is a graduate of Radford University. Throughout his studies, he designed sound for several productions at Radford University including recent productions like Rainbow Fish: The Musical, Much Adoand Silent Sky. He also designed scenic for productions like Red Light Winter and Cows Don’t Fly and Other Known Facts. He is currently working as a production assistant, as well as, a sound and set designer. He would like to thank all his family and friends who have supported him in pursuing his passion for theatre.

Savannah Woodruff

*

Director of Production
(
)
Pronouns:
They/she

Savannah was born and raised in Southern Pines, North Carolina but is happy to now consider Roanoke, Virginia their home. They are a graduate of The University of North Carolina at Greensboro, where they recieved a BFA in Technical Production. Since joining the staff of Mill Mountain Theatre, Savannah has served in a variety of roles, most recently becoming the Director of Production. Savannah is grateful for the never-ending support of their partner and their family (and their cats) in their endeavors, and for the trust placed in them by MMT. 

Media

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2021 National Touring Cast

Pre-Show Snack or
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Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

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The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

Marquee Deal!

Get 15% off your meal when you show your ticket stub or ticket from your phone for any Mill Mountain Theatre production.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

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Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

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Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

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Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

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Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

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Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

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Japanese
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214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

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Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Marquee Deal!

‍Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

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Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

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American
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102 Market St SE

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American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

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American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

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Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

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While You Wait

With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.

EXCLUSIVE: New Musical LIKE FATHER Will Have World Premiere At Alliance Theatre This Fall
Kobi Kassal
February 3, 2026

Looks like we will be packing our bags for Atlanta! Today, it was announced that the bold new musical Like Father from Theatrely31 alum Jacob Ryan Smith and Caroline Pernick will have its world premiere production at Georgia’s Alliance Theatre. 

Directed by Tinashe Kajese-Bolden (The Preacher’s Wife), Like Father will run on the Hertz Stage beginning in October of this year. Tickets will be available as part of a season ticket package in March and individually beginning in May. 

This coming-of-age musical is set against America’s true-crime obsession. After her father’s arrest, seventeen-year-old Chris moves in with her estranged mother, Michelle, and stepfather, Ben. When a hit true-crime podcast exposes their family's disturbing past to the world, they are forced to face the truth of what brought them together, or risk being undone by its consequences. 

Driven by a bold, innovative folk-pop score, Like Father explores legacy, identity, and the cost of obsession, inspired by the loved ones left in the wake of infamous serial killers—and by the true-crime industry’s meteoric rise to over 250 million listeners worldwide.

“At its core, Like Father is about learning to live beyond the shadows we inherit—a journey through grief, forgiveness, and the radical act of reclaiming your own name,” said Kajese-Bolden. “It’s a surprising, darkly funny, deeply human story that speaks to so many of us reckoning with the weight of our histories and the hope of transformation. New work like this needs room to take risks, and regional theaters are where those stories are given oxygen; I’m thrilled to work alongside artists and producing partners with an unflinching belief in bold, emotionally intelligent storytelling, and proud that the Alliance is a national home where artists are trusted to push boundaries, deepen our empathy, and imagine what’s possible.”

The show was a semi-finalist at the Eugene O’Neill New Music Theater Festival and emerged as the winner of the inaugural Open Jar Musical Shark Tank.

Additional creative team members include Dell Howlett as choreographer, Alejandro Senior as music director. Rachel Sabo-Hedges as assistant director, Adam Beskind as associate music director. Casting is by Kevin Metzger-Timson, CSA and Frankie Ramirez, CSA from the TRC Company. 

Casting details and specific performance dates will be announced in the coming months. The musical’s commercial producers are Howard Alter, Zachary Hausman, and Madison Thompson.  Co-producers include Caryl & Kendrick Smith, City Cowboy Productions, Fahs Productions, Happy Recap Productions, Jonathan & Rae Corr, Kerri Mandelbaum, and Steven N. Lerner.  

THE ROCKY HORROR PICTURE SHOW Announces Full Cast
Emily Wyrwa
February 3, 2026

This cast is out of this world! The full company of the Sam Pinkleton-directed Broadway revival of The Rocky Horror Picture Show has been announced.

Rachel Dratch will play the Narrator, with Andrew Durand and Stephanie Hsu as Brad and Janet. Amber Gray will play Riff Raff. Making their broadway debuts will be Harvey Guillén as Eddie/Dr. Scott, Juliette Lewis will play Magenta, Josh Rivera will play Rocky, and Michaela Jaé Rodriguez as Columbia. The ensemble will include Renée Albulario, Anania, Boy Radio, Caleb Quezon, Andres Quintero, Larkin Reilly, Paul Soileau, and John Yi.   

The Rocky Horror Show begins previews on March 26 ahead of an opening on April 23 at Studio 54 on West 54th Street in New York City. This is a limited engagement through June 21. For tickets and more information, visit here.

DOG DAY AFTERNOON Announces Full Company
Emily Wyrwa
February 2, 2026

This cast is as hot as summer 1972. Broadway’s Dog Day Afternoon has announced its full cast and company. Taking the stage alongside Emmy Award-winners Jon Bernthal and Ebon Moss-Bachrach — along with Jessica Hecht, John Ortiz, and Spenser Garrett — are Michael Kostroff, Elizabeth Canavan, Brian. D. Coats, Esteban Andres Cruz, Alex. J. Gould, Danny Johnson, Paola Lázaro, Dom Martello, Wilemina Olivia-Garcia, Michael Puzzo, Christopher Sears, Jeff Still, Andrea Syglowski, and Carmen Zilles.

The new play written by Pulitzer Prize winner Stephen Adly Guirgis is directed by Rupert Goold. It will feature scenic design by David Korins, costume design by Brenda Abbandandolo, lighting design by Isabella Byrd, sound design by Tony Award winner Cody Spencer, hair design by Leah J. Loukas, and dialect coaching by Kate Wilson. Casting is by the Telsey Office and Barclay Stiff will serve as the Production Stage Manager. 

Set in the sweltering summer of 1972 New York City, Dog Day Afternoon tells the story of a Brooklyn bank hold up gone wrong. Against the backdrop of the Vietnam War and Watergate, the play serves as a reminder of what happens when passion and desperation collide. 

Dog Day Afternoon begins performances on March 10, with official opening set for March 30, at the August Wilson Theatre on West 52nd Street in New York City. For tickets and more information, visit here.

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

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