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Grantors

Sponsors

Donors

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Meet Our Donors

Tributes

Tributes

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Our Tributes

Performers

Reilly Blevins

*

Vocalist

Alexia Buckner

*

Vocalist

Matthew Carter

*

Vocalist

Sarah Paige Coleman

*

Vocalist

Suzanne W. Cresswell

*

Vocalist

Larry Kufel

*

Vocalist

Francesca Reilly

*

Vocalist

Setting

There will be a 15 minute intermission

Songs & Scenes

Act I
Beatles Medley
"Twist and Shout" "I Want to Hold Your Hand" "Hey Jude" "All You Need Is Love"
Solos Medley
"Brown Eyed Girl" - Van Morrison "You Don't Own Me" - Lesley Gore "Piece of My Heart" - Janis Joplin "Stand By Your Man" - Tammy Wynette
Beach Boys Medley
"House of The Rising Son"
The Animals
"Leaving on a Jet Plane"
Peter, Paul & Mary
"These Boots Are Made For Walking"
Nancy Sinatra
"Satisfaction"
The Rolling Stones
"You Really Got Me"
The Kinks
"Born to Be Wild"
Steppenwolf (From Easy Rider)
Act II
"Dancing in the Street"
Martha & The Vandellas
Women's Medley
"Be My Baby" - The Ronettes "Will You Love Me Tomorrow" - The Shirelles "Son of a Preacher Man" - Dusty Springfield "Leader of the Pack" - The Shangri-Las "Both Sides Now" - Joni Mitchell
"Unchained Melody"
The Righteous Brothers
"Aquarius/Let the Sunshine In"
The 5th Dimension (from Hair)
"I Got You Babe"
Sonny & Cher
"My Girl"
The Temptations
A Salute to the Queen of Soul
"Ain't No Mountain High Enough"
Marvin Gaye & Tammi Terrell
"What the World Needs Now Is Love"
Jackie DeShannon (from Bob & Carol & Ted & Alice)
"Come Together"
The Justice League Version feat. Gary Clark Jr. and Junkie XL

Production Staff

Producing Managing Director
Matthew Shields
Director
Ginger Poole
Music Director
Cindy Blevins
MMT Production Photographer
Richard Clompus
MMT Production Videographer
Richard Maddox
Sound Engineer
Samuel Wood
Spot Operator
Trenten Woods
Spot Operator
Keeley Morgan

Venue Staff

School Administration Staff

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Musicians

Keys
Cindy Blevins
Keys
Jonathan Barker
Drums
JT Fauber
Guitar
Michael Havens
Bass
Jeff Hoffman

Board Members

Student Advisory Board

Credits

Lighting equipment from PRG Lighting, sound equipment from Sound Associates, rehearsed at The Public Theater’s Rehearsal Studios. Developed as part of Irons in the Fire at Fault Line Theatre in New York City.

Special Thanks

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

United Scenic Artists ● Local USA 829 of the I.A.T.S.E represents the Designers & Scenic Artists for the American Theatre

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers, and Theatre Managers employed on this production.

Cast
Creatives

Meet the Cast

Reilly Blevins

*

Vocalist
(
)
(
)
Pronouns:
she/her

Reilly Blevins first got bitten by the acting bug when she performed in her first musical at the age of six right in Blacksburg, Virginia! Since then, she has done plays and musicals across the U.S., all the way from Virginia to California! Some of her favorite roles are: Laura Wingfield (The Glass Menagerie), Belle (Beauty and the Beast), and Sheldon Potts (Junie B. Jones, The Musical.) Reilly would like to thank her parents, sister, and friends for their endless support. If you’d like to follow along her artist journey, you can follow her on instagram @reiiiiilllllyy or check out her website at reillyblevins.com :) Enjoy the show!

Alexia Buckner

*

Vocalist
(
)
(
)
Pronouns:
she/her

Alexia Buckner is excited to return to the Mill Mountain stage in the Hits of the 60s Concert. This native Memphian joined Mill Mountain Theatre for the first time as Lily Polkadot in Polkadots: The Cool Kids Musical. She was also a featured vocalist in the totally tubular Ladies of the 80s Concert. She is a B.F.A. graduate of the Dobbins Conservatory at Southeast Missouri State University. During her time in school, some of her favorite performances were as Deloris Van Cartier in Sister Act, Beneatha Younger in A Raisin in the Sun, and the ferocious Dragon in Shrek the Musical. When she is not onstage, she loves to spend her time running, traveling, and watching far too many cooking competition shows.

Matthew Carter

*

Vocalist
(
)
(
)
Pronouns:
he/him

Matthew Carter received a Bachelor of Music from the University of Nebraska-Lincoln. Regional: You’re a Good Man, Charlie Brown (Schroeder, Prima Theatre), Crazy for You (Moose, Ogunquit Playhouse), RENT (Theatre Aspen), In The Heights (u/s Benny, Pennsylvania Shakespeare Festival), The Pirates of Penzance (New York Gilbert and Sullivan Players), RENT (Tom Collins, San Antonio Broadway Theatre), Sister Act (Eddie, Crane River Theater), Pippin (Lewis) and Avenue Q (Princeton, Nebraska Repertory Theatre). Concert: Good And Evil: The Music of Dracula and Jekyll and Hyde and Louder than Words (Michael Anthony Theatrical), Boy Bands Through the Ages and The Best of Broadway (Mill Mountain Theatre). Matthew would like to thank his fiancé, Mollie, and his family for their endless love and support. Matthew-v-carter.com @matthew_v_carte 

Sarah Paige Coleman

*

Vocalist
(
)
(
)
Pronouns:
she/her
Sarah Coleman is so thrilled to be back once again on the MMT stage! Sarah is from the small town of Tazewell, VA and holds a bachelors in Theatre from Radford University. You may remember her from The Ladies of the 80s, Best of Broadway, and last years 60th Anniversary Concert. This is her favorite part of every year and she's so happy to get asked back. Special shoutout to her family, Lou, the cast for rocking, the band for slaying the house down every night, and YOU for supporting live theatre! 

Suzanne W. Cresswell

*

Vocalist
(
)
(
)
Pronouns:
she/her

Suzanne W. Cresswell is the Development Director at Mill Mountain Theatre, bringing over 15 years of experience in nonprofit fundraising and a lifelong love of the performing arts. She began her theatre journey at MMT as a Stage and Company Management Intern after earning her BA in Drama from the University of North Carolina at Asheville. Suzanne went on to work as a professional stage manager with Actor’s Equity Association, with credits at The O’Neill Theatre Center, Olney Theatre, and others across the Northeast.

After transitioning into fund development in 2008, she returned to Roanoke and held roles with the Alzheimer’s Association, Roanoke Valley SPCA, and Carilion Clinic Foundation. In 2024, Suzanne came full circle by joining MMT’s leadership team.

She is thrilled to once again be on stage—this time as a performer—and honored to perform at the theatre where her professional journey began.

Larry Kufel

*

Vocalist
(
)
(
)
Pronouns:

Francesca Reilly

*

Vocalist
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Pronouns:

Francesca Reilly is a Virginia-based performer and educator whose love for theatre began at 9 years old after seeing the Broadway musical, Wonderful Town.

A Northern Virginian turned Roanoke native Francesca moved to the star city after graduating from Hollins University where she received her Bachelor’s in Music with a focus in Vocal Performance. Last year Francesca decided to continue her studies and is currently working to complete her Master’s of Music Education from Shenandoah University. Other accolades include a certificate in Music Theatre Performance.

Francesca has been a member of choir for over 10 years and has sung in select ensembles at the county, district, and state levels. A few of her favorite acting credits include Mouse from Goodnight Moon the Magical Musical, and Junie from Junie B. Jones the Musical. Off the stage, Francesca likes to get her Zen on as a certified yoga instructor, extending her love of the arts and teaching to the yoga studio and specializing in children’s yoga instruction.

Francesca is excited to be a part of the MMT family as the Director of Education!
francescareilly.com

Meet the Team

Cindy Blevins

*

Musical Director
(
)
Pronouns:
she/her

Cindy Blevins is a local musician and performer in both the classical and musical theatre realms and a lifelong theatre enthusiast and performer.  After studying piano for 14 years and earning a BA in Music she went on to teach voice and piano both privately and in public school systems and also sing with different groups in and around Richmond, VA, her hometown.  After moving to the New River Valley she continued performing with Opera Roanoke, Summer Musical Enterprise, Mill Mountain Theatre, Blacksburg Master Chorale, Virginia Children’s Theatre and Virginia Tech School of Performing Arts.  She stays busy as a collaborative pianist/accompanist with individuals and groups, and as a director and coach with music makers of all ages. She was the Chairperson for Summer Musical Enterprise, headquartered in Blacksburg, starting in 2009. During her tenure with SME she performed on stage, and also served as Vocal Director, Stage Director, Musical Director and Executive Producer.  Cindy works with Radford University for their Audition Classes/Workshops and Year End Review and served as Musical Director for their 2024 production of Bat Boy the Musical!    She is excited to be Musical Director of Music of the 60’s!   Other MMT productions include: Jersey Boys, Elf the Musical, 60th Anniversary Concert (Keyboard 1) ; Cabaret, Annie and Waitress (Musical Director); Sound of Music (Nun, 2019) Timeless Twenties (Zelda Fitzgerald, 2020), To Kill A Mockingbird (Mrs.Dubose/Townsperson, 2024).  Cindy also is a Teaching Artist with MMT teaching Musical Theatre 1 and 2.  In addition to her musical life, Cindy is also a Licensed Professional Counselor with Life In Balance Counseling Center in Christiansburg.

JT Fauber

*

Drummer
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Pronouns:

’84 degree in Music Management from JMU

Professional experience playing at Kings Dominion and Commodore Cruise Lines.

Currently playing percussion with the Bedford Community Orchestra, Winds of the Blue Ridge, Valley Chamber Orchestra, First Baptist orchestra, Salem Choral Society

I own and run Sun Tan City, Buff City Soap, and My Salon Suite

My family and I have been a part of over 25 shows at MMT

Mike Havens

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Guitarist
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Pronouns:

Havens regularly performs with professional ensembles as an acoustic guitar soloist, rock guitarist in local groups, is heard as a member of the classical guitar and flute duo Con Eleganza with Julee Hickcox, and often appears as guitarist and bassist for Roanoke's professional Mill Mountain Theater.  Mike Havens also performs as the “Electric Santa” for the popular Roanoke Symphony Orchestra Holiday Pops and its musical tour of Virginia’s Blue Ridge.

Born and raised in Roanoke, Havens received his first guitar at the age of 12 and began studies with guitarist Tim Martin and later classical training with Craig Sams. He attended Radford University, studying classical guitar under the direction of Dr. Robert Trent. Havens was awarded a full scholarship toward a M.M. in classical guitar performance with Clare Callahan at the prestigious University of Cincinnati College Conservatory of Music. 

In 2001, Havens returned to Roanoke and began teaching guitar studies at Radford University, Emory and Henry College, Sweet Briar College, Randolph-Macon College, and Lynchburg College. 
In 2008, he was offered a full-time position at Patrick Henry High School in Roanoke where he continues to teach guitar class/studies for all levels, as well as Electronic Music/Audio Production.

Jeff Hofmann

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Bassist
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Pronouns:

Jeff has become a regular with the MMT orchestra, playing upright and electric bass.

Jeff also teaches bass at Hollins Univeristy.

His playing can be heard on over 70 albums, as well as TV and movie soundtracks, and with a host of varying music groups in the region.

Media

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2021 National Touring Cast

Pre-Show Snack or
Post-Show Dinner?

Don’t let the evening end when the curtain comes down. With The Marquee Local, you can find the perfect place for a pre-show snack, an evening meal, or a post-show cocktail. Enjoy exclusive deals from our local partners as you catch up, discuss the show, and create memories to last a lifetime.

Grab a Bite
Pre-show or post-show, our local partners have your dining needs covered
Raise a Glass
Settle into that post-show glow with a stellar drink in hand

Grab a Bite

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Marquee Deal!

The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

Marquee Deal!

Get 15% off your meal when you show your ticket stub or ticket from your phone for any Mill Mountain Theatre production.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Marquee Deal!

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Marquee Deal!

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Marquee Deal!

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Marquee Deal!

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Marquee Deal!

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Marquee Deal!

Raise a Glass

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Marquee Deal!

‍Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Marquee Deal!

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Marquee Deal!

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Marquee Deal!

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Marquee Deal!

While You Wait

With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.

Exclusive First Listen to "Finale" From JOHN CASSAVETES' OPENING NIGHT
Emily Wyrwa
September 11, 2025

Center Stage Records announced the release of the live West End cast recording of John Casssavetes’ Opening Night on CD and digital outlets on Sept. 12. The show features music and lyrics by three-time Grammy Award-nominated singer/songwriter Rufus Wainwright.

John Cassavetes’ Opening Night is the first stage musical with music, lyrics, and orchestrations by Rufus Wainwright. It premiered in London at the Gielgud Theatre in the spring of 2024. The book and direction were by Ivo van Hove and is based on the 1977 movie Opening Night by American avant-garde director John Cassavetes. 

The live album features Wainwright’s songs written for the original London West End production performed by the cast including Sheridan Smith, Nicola Hughes, and Benjamin Walker, recorded over the last four performances of the play at London’s Gielgud Theatre. 

Theatrely has an exclusive first listen to the show’s finale performed by Sheridan Smith and company. 

John Cassavetes’ Opening Night tells the story of an actress, Myrtle Gordon, who is premiering a play written for her that is about a woman coming to terms with aging. Myrtle does not come to terms with her own aging and rebels against the play and throws the entire production into jeopardy. A young female fan asking her for an autograph at the stage door gets killed by a car as she runs off onto the street. Myrtle is being haunted by the ghost of the young girl. On opening night, she arrives completely drunk but ultimately does what she does best: act and improvise. 

To pre-save the album, click here.

Exclusive First Listen to "Finale" From JOHN CASSAVETES' OPENING NIGHT
Emily Wyrwa
September 11, 2025

Center Stage Records announced the release of the live West End cast recording of John Casssavetes’ Opening Night on CD and digital outlets on Sept. 12. The show features music and lyrics by three-time Grammy Award-nominated singer/songwriter Rufus Wainwright.

John Cassavetes’ Opening Night is the first stage musical with music, lyrics, and orchestrations by Rufus Wainwright. It premiered in London at the Gielgud Theatre in the spring of 2024. The book and direction were by Ivo van Hove and is based on the 1977 movie Opening Night by American avant-garde director John Cassavetes. 

The live album features Wainwright’s songs written for the original London West End production performed by the cast including Sheridan Smith, Nicola Hughes, and Benjamin Walker, recorded over the last four performances of the play at London’s Gielgud Theatre. 

Theatrely has an exclusive first listen to the show’s finale performed by Sheridan Smith and company. 

John Cassavetes’ Opening Night tells the story of an actress, Myrtle Gordon, who is premiering a play written for her that is about a woman coming to terms with aging. Myrtle does not come to terms with her own aging and rebels against the play and throws the entire production into jeopardy. A young female fan asking her for an autograph at the stage door gets killed by a car as she runs off onto the street. Myrtle is being haunted by the ghost of the young girl. On opening night, she arrives completely drunk but ultimately does what she does best: act and improvise. 

To pre-save the album, click here.

Exclusive First Listen to Donna Lynne Champlin singing "The Fabulous Miss Lila Morae" From GET WHAT YOU WANT: THE SONGS OF MICHAEL FINKE
Emily Wyrwa
September 11, 2025

Center Stage Records has announced the release of Get What You Want: The Songs of Michael Finke in streaming and digital formats on Sept. 12. The album showcases the rise of Finke, a rising musical theatre composer and lyricist who is heralded for his soaring ballads and unconventional story songs. 

Get What You Want features an all-star cast, including Emily Afton, Ari Axelrod, Donna Lynne Champlin, Alex Goley, Alan H. Green, F. Michael Haynie, Tommy Kaiser, Sarah Naughton, Kyle Taylor Parker, Jelani Remy, Kate Rockwell, Analise Scarpaci, Justin David Sullivan, Talia Suskauer, and Matt Wood.

Theatrely has an exclusive first listen to  “The Fabulous Miss Lila Morae” performed by Donna Lynne Champlin. 

“Whenever I feel the need to write a new trunk song or musical project, I'll turn to the headlines,” Finke said of the song. “And of course a month before a concert at the Green Room, the Anna Delvey trial wrapped up and I was obsessed with her statement, ‘I'd be lying if I said I was sorry for anything.’ So Lila is my take on Anna. And it's worth mentioning this song might have my first and last "Simpsons-esque" prediction with the Shonda Rhimes/Netflix series.”

Finke has written the book, music, and lyrics for full-length musicals such as Reporting Live, Caroline and George, Surrounded By the Water, and Powerline Road, which recently completed a developmental Off-Broadway production at the ART/New York Gural Theater.

Produced by Robbie Rozelle and Michael Finke, and co-produced by Yasuhiko Fukuoka, the album features arrangements and orchestrations by Nils-Petter Ankarblom. The album features liner notes by Grammy and Tony Award nominee Nathan Tysen.

To pre-save the album, click here.

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

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