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Donors

Mill Mountain Theatre would like to thank the generous gifts from our Donors. We would not be here without you!

Meet Our Donors

Tributes

Mill Mountain Theatre is honored to acknowledge gifts made in tribute or memory of special friends. To make such a gift please contact John Levin at (540) 342-5761 or development@millmountain.org.

Our Tributes

Performers

Juliana Andrea Betancur

*

Yolanda/Ensemble

Noah Blessing

*

Jose/Ensemble/Dance Captain

Chris Carranza

*

Sonny

Gara Roda Cendra

*

Camila Rosario

Lillian Andrea De León

*

Nina Rosario

Brenda Ortiz Flores

*

Vanessa

Robert Spence Gabriel

*

Piragua Guy/Ensemble

Tauren Hagans

*

Abuela Claudia

Keith Johnson

*

Graffiti Pete

Kianna Price Marshall

*

Yesenia/Ensemble

Osmar Martinez

*

Domingo/Ensemble

Khalid Rivera

*

Carla

Eliette Rogers

*

Daniela

Sean Royal

*

Usnavi de la Vega

Ben Tostado

*

Kevin Rosario

Evan Walker

*

Benny

Setting

One block of Washington Heights, Manhattan.
There will be one 15-minute intermission

Songs & Scenes

Act I
“IN THE HEIGHTS”
Usnavi & Company
“BREATHE”
Nina & Company
“BENNY’S DISPATCH”
Benny & Nina
“IT WON’T BE LONG NOW”
Vanessa, Usnavi & Sonny
“INÚTIL” (Unless)
Kevin
“NO ME DIGA”
Daniela, Carla, Vanessa & Nina
“96,000”
Usnavi, Benny, Sonny, Vanessa, Daniela, Carla & Company
“PACIENCIA Y FE” (Patience and Faith)
Abuela Claudia & Company
“WHEN YOU’RE HOME”
Nina, Benny & Company
“PIRAGUA”
Piragua Guy
“SIEMPRE” (Always)
Camila & Bolero Singer
“THE CLUB”
Company
“BLACKOUT”
Company
Act II
“SUNRISE”
Nina, Benny & Ensemble
“HUNDREDS OF STORIES”
Abuela Claudia & Usnavi
“ENOUGH”
Camila
“CARNAVAL DEL BARRIO”
Daniela & Company
“ATENCIÓN”
Kevin
“ALABANZA”
Usnavi, Nina & Company
“EVERYTHING I KNOW”
Nina
“NO ME DIGA” (REPRISE)
Daniela, Carla & Vanessa
“PIRAGUA” (REPRISE)
Piragua Guy
“CHAMPAGNE”
Vanessa & Usnavi
“WHEN THE SUN GOES DOWN”
Nina & Benny
“FINALE”
Usnavi & Company

Production Staff

Producing Artistic Director
Ginger Poole
Director/Choreographer
Héctor Flores Jr.
Associate Choreographer/Director
Michael Anthony Sylvester
Music Director
John Daniels
Production Stage Manager
Eric Montesa*
Assistant Stage Manager
Kailey Absher*
Lighting Designer
Bill Webb
Director of Production/Props Master
Matt Shields
Dance Captains
Noah Blessing‍ Juliana Andrea Betancur
Dialect Coach
Gara Roda Cendra
Sound Designer
Savannah Woodruff
Deck Chief
Drew Callahan
Spot Operators
Merlin Frazier‍ Elise Legault
Wardrobe
James Moledor
House Managers
Tom Fitzpatrick‍ Larry Kufel‍ Richard Maddox‍ Josh Polk‍ Ian Ridgway‍ Matt Shields‍ Jeff Taback‍ Tiffany Waters

Venue Staff

School Administration Staff

Producing Artistic Director
Ginger Poole
Director of Development
John Levin
Business Manager
Larry Kufel
Director of Education
Victoria Buck
Production Manager/Props/Scenic Designer
Matt Shields
Creative Director of Public Relations
Ian Ridgway
Resident Musical Director
Seth Davis
ATD/Lighting & Sound Supervisor
Savannah Woodruff
Education Associate & Community Engagement Coordinator
Francesca Reilly
Teaching Artist
Josh Polk
Spot Operators‍
Drew Callahan Trenten Woods

Musicians

Conductor & Keyboardist
John Daniels
Guitar/Bass
Mike Havens
Reeds
Teresa Hedrick
Drums
J.T. Fauber‍ Travis Schmidt

Board of Directors

President

Macel H. Janoschka

Vice President

J. Lee E. Osborne

Treasurer

Lori D. Cauley

Secretary

Nathaniel L. Bishop

Board Members

  • David K. Allen
  • Lauren Ellerman
  • Linda Garbee
  • Nancy O. Gray
  • Dr. Robyn Hakanson
  • Laurence E. Kufel
  • Dr. Anthony-Samuel LaMantia
  • Cynthia Lawrence
  • William L. Lee
  • Reynolds Lynch III
  • Dr. Elizabeth Rice Martin
  • Laura McKeage
  • Nancy Ruth Patterson
  • Gary S. Powers
  • Doris Rogers
  • Edward M. Smith
  • Judy Tenzer
  • Will Trinkle
  • Maxwell Huddleston Wiegard

Student Advisory Board

Credits

Lighting equipment from PRG Lighting, sound equipment from Sound Associates, rehearsed at The Public Theater’s Rehearsal Studios. Developed as part of Irons in the Fire at Fault Line Theatre in New York City.

Special Thanks

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

United Scenic Artists ● Local USA 829 of the I.A.T.S.E represents the Designers & Scenic Artists for the American Theatre

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers, and Theatre Managers employed on this production.

Letter from the Director

Firstly, thank you for joining us this evening. In The Heights is a story about a tight-knit community living in New York City’s Washington Heights. This beautiful story and soaring score explore the generational experience of what it means to be an immigrant, to follow your dreams, to find love, and the indelible power of home. Buckle up, buttercups, because we are about to take you on quite the ride!

Cast
Creatives

Meet the Cast

Juliana Andrea Betancur

*

Yolanda/Ensemble
(
)
(
)
Pronouns:

Juliana is over the moon about making her regional theatre debut in In The Heights! This show began her love of musical theatre, and she can't think of a better show to be a part of post-pandemic. Juliana would like to thank her family, friends, and Mill Mountain Theatre for making this happen.

Noah Blessing

*

Jose/Ensemble/Dance Captain
(
)
(
)
Pronouns:

Noah (he/him) is thrilled to be a part of this production! He is a San Antonio native currently residing in New York City. He recently performed with Disney Cruise Lines in Tangled, Disney Dreams, and Twice Charmed. Noah was also seen in 9 to 5 (Joe), Joseph…Technicolor Dreamcoat (Simeon), and You’re…Charlie Brown (Snoopy) at Cedar Summerstock. He graduated from Sam Houston State University with his BFA in Musical Theatre in 2020. Noah would like to thank God, his family, and his friends for their endless support!

Chris Carranza

*

Sonny
(
)
(
)
Pronouns:

Chris is so excited to be bringing some heat all the way from Southern California! Favorite past credits include: Newsies & West Side Story (Rocky Mountain Rep.), Altar Boyz (Short North Stage), Sister Act (Town Hall Arts Center), and Joseph & the Amazing Technicolor Dreamcoat (Candlelight Dinner Pavilion). A proud graduate of the University of Northern Colorado’s Musical Theatre program and a very proud Mexican/Samoan! Chris is so grateful to finally be fulfilling this dream show/role and would like to thank you for supporting live theatre. “¡Muchas gracias y Dios te bendiga!”

Gara Roda Cendra

*

Camila Rosario
(
)
(
)
Pronouns:

Gara is overjoyed to be invited to the Barrio to tell this story with this incredible group of people! Roda is a proud graduate of Aules, School of Performing Arts. Her most recent credits include the new version of A Funny Thing Happened on the Way to the Forum where she had the pleasure of being the Resident Director of the Spanish company as well as understudying the role of Philia; Cabaret (Rosie & Kost Alt.), Sister Act (Sister Mary Roberts), Bare, a Pop Opera, Cyrano de Bergerac (Roxanne), Our Class (Dora), amongst others. Gara has choreographed several shows around the world, like Side by Side and The Last 5 Years (Grassroots Theatre, Switzerland) or Legally Blonde and West Side Story (La Coupole, France). She is also the Co-founder and the Artistic Director of MyssTic Rooms, an immersive theatrical escape room experience in Brooklyn, NY.

Lillian Andrea De León

*

Nina Rosario
(
)
(
)
Pronouns:

A singer, actor, and songwriter, Lillian (she/her/hers) is a New York City-based artist from Texas. She is incredibly grateful to be playing her dream role in this beautiful show! NY CREDITS: (Michelle) Aztec Pirates Part 1 & 2 by David Davila - Playwrights Horizons, (Leonora) Promesa - Musical Theatre Factory, NY FEATURED PERFORMANCES: 54 Below, Green Room 42, City Winery, Laurie Beechman Theatre. REGIONAL: Les Miserables - Dallas Theater Center (dir. by Liesl Tommy), Creep - WaterTower Theatre, Sweeney Todd - Uptown Players. This show is dedicated to my late “adopted father” Phillip Samuel Brown.

Brenda Ortiz Flores

*

Vanessa
(
)
(
)
Pronouns:

All the way from Mexico, Brenda is a versatile actor and athlete who came to the USA to pursue a career in the theatre. A joyful storyteller and a runner. Recent credits include Mimi in Act 3 Rent concert, and Los Pochos with Teatro Vivo. Proud Ball State graduate and thankful to her family.

Robert Spence Gabriel

*

Piragua Guy/Ensemble
(
)
(
)
Pronouns:

Robert Spence Gabriel is a Hispanic actor from Tampa, FL. He attended the theatre conservatory at Chicago College of Performing Arts before returning home to Tampa in 2016. Since then he has been seen on Floridian stages in shows such as Jobsite Theatre’s Threepenny Opera (Crookfinger Jake), Hir (Isaac), and Romeo and Juliet (Paris), and Freefall theatre’s The Lion in Winter (John) and War of the Worlds. Chicago credits include: Elegies for Angels, Punks, and Raging Queens (Soloist) and Ext Think You Know (Luke). Robert is grateful to tell a story that means so much to him as In the Heights does, and wishes his immensely talented cast broken legs! Special thanks to his family, parents, and mentors for their unwavering, inexhaustible support.

Tauren Hagans

*

Abuela Claudia
(
)
(
)
Pronouns:

Tauren is excited to be back in the barrio after performing in the National Tour of In the Heights in 2011-12.  She also sang in the vocal ensemble of the movie version that was in theaters last summer. Some of her other favorite credits include Mamma Mia (Rosie), 9 to 5 the Musical (Roz) and The Dixie Swim Club (JeriNeal) all at Flat Rock Playhouse, the premiere of Far From Canterbury (Oracle) at The Barnstormers and Pride and Prejudice (Mrs. Bennet) at Greenbrier Valley Theatre. Proud PANK (Professional Aunt No Kids) to Jaimie, Kori, Bea, Beck, Miles and Baxter.

Keith Johnson

*

Graffiti Pete
(
)
(
)
Pronouns:

Keith is excited to make his Mill Mountain debut! He hails from Central Illinois with a BFA in Musical Theatre from Southeast Missouri State, Masters in Teaching Physical Education from Lindenwood University, and a graduate of Stella Adler Studio of Acting Summer Conservatory in NYC. Regional Credits: Bring It On (Cameron - HSVPA), Cats (Plato/Macavity - San Diego Music Theatre), A Chorus Line (Don - Rocky Mountain Repertory), Grease (Kenickie - HSVPA). Keith would not be where he is today without God’s guidance, the unshakeable support from his family, the absolute best son he could ever ask for, his Champaign brothers, Judith, Jenna, Gary, Mrs. McGraw and Michelle! BBDD Phil 4:8

Kianna Price Marshall

*

Yesenia/Ensemble
(
)
(
)
Pronouns:

After a long hiatus from theatre, Roanoke native Kianna Price Marshall is excited to return back to the Mill Mountain stage. At the age of 9 she appeared in her first MMT theater production, The Wiz. In the Heights makes her 12th Mill Mountain production and she is thrilled to be part of this empowering musical celebrating the Latinx culture. Always a supporter of the performing arts, recently she appeared in Southwest VA Ballet's Nutcracker, was Mrs. Little in Stuart Little at the VA Children's Theatre and volunteers with the Roanoke Valley Children's Choir.  The last four years Kianna has greeted you every weekday morning on the local Fox affiliate as the Host of lifestyle show Living Local. In 2020 and 2021 Readers of Roaonoker Magazine has voted her as the Female Star of the Star City. Kianna says, "The real stars are those you are about to see on stage today."

Osmar Martinez

*

Domingo/Ensemble
(
)
(
)
Pronouns:

Osmar Martinez is a proud Mexican American performer. He is a first generation immigrant and is not easy, he often misses home, friendships, family and his dog Luna. He first immigrated the country when he was 18, right away he started doing theatre. Being part of In the Heights is exciting because he get to find his home away from home. This will be his Mill Mountain Theatre debut and is excited to share this heartwarming story to Roanoke’s audiences. His favorite credits include: West Side Story (Chino), In the Heights (Jose), Luchadora (El Hijo), Evita (Buenos Aires dancer/Military/Ensemble), West Side Story (Luis). He holds a B.F.A. in Musical Theatre from Sam Houston State University. To follow his journey as a performer follow him on Instagram.

Khalid Rivera

*

Carla
(
)
(
)
Pronouns:

Khalid is thrilled to finally be doing In the Heights and debuting at Mill Mountain Theatre. As a Puerto Rican New Yorker (Nuyorican), this story holds a special place in his heart. Enjoy the show! He is an Actor, Recording Artist, and Media Personality. Follow him @KhalidRivera. TV: Russian Doll, Pose, Unbreakable Kimmy Schmidt, Broad City. FILM: Milkwater (Netflix), Poultrygeist. BROADWAY: Paul Simon's The Capeman, Julie Taymor's Juan Darien. THEATRE: The Buddy Holly Story (Ritchie Valens), Seussical the Musical (National Tour), Fly Guy... (National Tour), Cocoadios (House Of Yes, NY), Cool Yule Christmas (Carowinds, NC). Proud AEA and Sag-Aftra member.

Eliette Rogers

*

Daniela
(
)
(
)
Pronouns:

Eliette Rogers is a singer/actress living in the Florida Panhandle. She graduated from the University of South Florida with a BA in Theatre Performance. This is Eliette's first time working with the Mill Mountain Theatre Company, and is ecstatic to be here! Her most recent roles were Dancer/Actor in Unto These Hills Outdoor Drama, Anita in West Side Story, and a Dynamite in Hairspray! She would love to thank her church, family & friends for all the support!  “Whatever you do, do it with love.”

Sean Royal

*

Usnavi de la Vega
(
)
(
)
Pronouns:

Sean is so so so excited to be able to tell the story of the barrio and portray Usnavi De La Vega! Sean is based right outside of Austin, TX but has moved around a bunch of places recently. Previous roles include Indio in West Side Story, Jimmy Winters in Nice Work if You Can Get It, Eddie Birdlace in Dogfight and so much more. He hopes you enjoy the powerful, fiery fiesta you’re about to witness. Special thanks to Ginger and Paul for giving him this amazing opportunity. A BIG THANK YOU to all the production and technical crew members that made this beast of a show happen. We wouldn’t be here with y’all. Mom, Jack, Ariel, and Liliana thank you for inspiring him to follow his dreams.

Ben Tostado

*

Kevin Rosario
(
)
(
)
Pronouns:

Originally from Burbank, California, Ben is an actor-director-producer based in New York City. He recently co-starred with Queen Latifah on her It’s Bigger Than Me Campaign. Theatre: Seussical (original Off-Broadway cast), Life of Galileo (workshop at Tectonic Theatre Project), The Giant Hoax (Theatre Row, NYC), Hair (Gallery Players), Joseph…Dreamcoat (Hangar Theatre), Bye Bye Birdie (Music Theatre of Southern California). Television: General Hospital, Port Charles. Ben has worked as a teaching artist in the NYC area and has co-authored several children’s musicals and plays over the past 20 years. His family-friendly comedy The Great Pie Robbery…or, We Really Knead the Dough opened at the NYC Fringe Festival in 2012 and later had a four-week run off-Broadway in 2017. He is the artistic director of Playlight Theatre Company. Thank you to the cast and to Christian, as always. This show is dedicated to my beautiful mother and our Mexican ancestors.

Evan Walker

*

Benny
(
)
(
)
Pronouns:

Evan is beyond excited to be making his Mill Mountain debut. After a 4 year hiatus from the stage, he is ecstatic to return with the role of Benny. National Tours: Hairspray and You're a Good Man, Charlie Brown. Other Favorite credits include  Aladdin (Omar u/s), Little Mermaid (Sebastian), and Once on this Island (Papa Gay). Evan thanks his parents, Drew, and especially his partner Michael for his endless support and love.

Meet the Team

Ginger Poole

*

Producing Artistic Director
(
)
Pronouns:
She/Her

Ginger Poole is a proud member of Actor’s Equity Association and an Associate member of the Stage Directors and Choreographers Union. She has studied, taught, choreographed, and performed throughout the U.S. She has worked in GA, HI, FL, MS, SC and VA with, Theatre in the Square, The Alliance City Series, Theatre Gael, Synchronicity Performance Group-GA, Mill Mountain Theatre-VA and SC Children’s Theatre. Originally from Atlanta, she has worked with the N.F.L. and The Atlanta Falcons as their director and choreographer and The Atlanta Opera. Prior to coming to Mill Mountain Theatre, she was based out of North Carolina where she has worked with Flat Rock Playhouse, the State Theatre of North Carolina, in over 25 productions. She was a part of the Education program at Flat Rock Playhouse for 5 years where she taught for their Apprentice Companies and their Conservatory Program in Acting, Dance, and Musical Theatre. Ginger has taught at The University of Southern Mississippi, Western Carolina University, William Carey College, Mississippi University for Women, and currently teaches at Hollins University. With Ginger’s strong background in dance she finds herself not only acting and dancing on stage but also directing the choreography and classroom skills for her students. Ginger holds her M.F.A. in Acting Performance from the University of Southern Mississippi and continues to teach acting and dance.  She has worked with students that range in age from kindergarten through professionals.

Ginger has worked in commercials, voice-overs, film, stage, and the classroom, and was profiled in the book FIRESTARTERS as “the actor”.

Ginger serves on the following Board of Directors: South Eastern Theatre Conference (SETC Secretary, Second Term), Junior League of the Roanoke Valley (Past President and Current Nominating Committee, Second Term), Burton Performing Arts Advisory Board, The Roanoke City Public Schools Education Foundation, and she has served on the Review Panel for theVirginia Commission for the Arts. She was the recipient of the DePaul’s Women of Achievement Award in the Arts in 2013 and was named the 2016 Kendig Award recipient for Individual Artist. Ginger is also a guest host with WSLS, the NBC affiliate, Daytime Blue Ridge television show, and is the host of the new Mill Mountain Theatre Podcast, Meet Me at Mill Mountain. She is very proud to be a member of the Mill Mountain Theatre team and looks forward to its continued growth, success, and artistic influence in the region.

Héctor Flores Jr.

*

Director/Choreographer
(
)
Pronouns:

Héctor Flores Jr. (Director/Choreographer) is a multi-hyphenate theatre professional.  Producer credits include Sueños: Our American Musical (Concept EP), Xena: Warrior Musical (Cast Album). Dir./Chor. credits include, In The Heights (MMT, OCT & PSF), Westside Story (Flatrock Playhouse), Matilda (MMT) and Elf: The Musical (MMT).  Performance credits include US Spanish Premiere of In The Heights (Gala Hispanic Theatre), Sol of el Barrio (Jacob’s Pillow), On Your Feet (Gateway Playhouse), Urinetown (FIPAP), Mamma Mia! (Flatrock Playhouse), Kiss Me Kate (St. Petersburg Opera) and is coming back to Direct and Choreograph, Cabaret at MMT fresh off originating a role in the world premiere of, Mad Hatter, The Musical. You can follow @HectorFloresJr35 and/or @NewYorkTheatreBarn on instagram for more info and the latest news on the musicals of tomorrow. 

Michael Anthony Sylvester

*

Associate Director/Choreographer
(
)
Pronouns:

Michael Anthony Sylvester is a Puerto Rican American Actor, Singer, Dancer, Choreographer and Instructor from Fort Worth, TX now living in New York City. Performance Credits include: TV: MTV Movie Awards (2015) BET Soul Train Awards Commercial feat. Eryka Badu, Season 1 of Todrick on MTV (Dancer, Vocalist) and Dance Moms!!! STAGE: Guys and Dolls (Rusty Charlie), Theatre Under The Stars; In the Heights (Graffiti Pete, Dance Captain), Dallas Theatre Center; In the Heights (Man 2), Walnut Street Theatre; West Side Story (Chino), Lyric Theatre of Oklahoma; and many more!

Michael has also worked as an Instructor and Choreographer for Casa Manana Performing Arts Conservatory, as well as the 2017 Tony Award-Winning Dallas Theatre Centers Project Discovery and Summer Stage Program and Salgado Production's ICONOS KIDS located in the heart of Washington Heights, NYC!

Choreography Credits: Seven Brides for Seven Brothers, Footloose, Joseph and the Amazing Technicolor Dreamcoat (Artisan Center Theatre); Beauty and the Beast (Plaza Company Theatre); Rudolph the Red Nosed Reindeer, World Premiere (Casa Manana Theatre); Little Women Dallas (LIFETIME NETWORK); and is a Recipient of the 2011 Dallas Column Awards for Best Choreography for All Shook Up (Plaza Company Theatre). He also choreographed the family friendly movie Rising Stars, starring Kyle Riabko (Spring Awakening), Leon Thomas III (Victorious, August Rush) and recording artist Rebecca St. James, now available on Amazon Prime Video!!

Thank you to Mill Mountain Theatre for welcoming us into your Familia!
No Pare Sigue Sigue!

John Daniels

*

Music Director
(
)
Pronouns:

John most recently concluded his tenure as Music Director at the Walnut Street Theatre in Philadelphia, where some of his favorite credits include South Pacific, Miss Saigon and the American premiere of the West End hit, Love Story. For their annual gala, John has had the opportunity to play for some of Broadway’s finest performers including Tony nominee Rob McClure, Phantom of the Opera’s Hugh Panaro, and The Lion King’s Ben Lipitz. Outside of Philadelphia, John’s favorite regional credits include Gypsy, starring Karen Mason, The Hot Mikado with Tony nominee B.J. Crosby and Elton John’s Aida with Adrian Zmed. On the road, he was a keyboardist with the National Tours of Camelot starring Michael York and was the Music Director for the National Tour of Cabaret. John is originally from Wilkes-Barre, PA and holds a Bachelor’s Degree from Temple University’s Boyer College of Music.

Francis Eric Montesa

*

Production Stage Manager
(
)
Pronouns:

Francis ERIC Montesa is happy to return to MMT as Production Stage Manager for In the Heights, previously with MMT–Driving Miss Daisy and Greater Tuna. Coming out of lockdown, ERIC stage managed Twelfth Night twice for The Acting Company and Shakesperience Production, Inc. ERIC's other credits include Romeo & Juliet & Ain’t Suppose to Die a Natural Death (Tour) for The Classical Theatre of Harlem, Hong Kong for Blueberry Pond Ensemble Theatre, Hamlet, A Midsummer Night’s Dream, The Rules Of Charity for Theatre By The Blind, Romeo & Juliet for Princeton Rep Shakespeare Festival , The Tempest for the Arkansas Repertory Theatre; Falstaff for The Shakespeare Project; Driving Miss Daisy and Charley's Aunt for the Pennsylvania Shakespeare Festival; Welcome to Our City for Mint Theatre Company; Awake & Sing! w/ Anne Jackson and Dark Laughter for The Actors’ Studio; Murder in Mind at Ubu Rep. and Regionally for the Wayside Theatre (Va.), Source Theatre Co., Arena Stage, The Shakespeare Theatre (Washington, DC) and the Centenary Stage (Pa.). He has directed scenes from A Raisin in the Sun, A Centennial Celebration of Langston Hughes, and stage managed A Cultural Celebration for Actors Equity.  ERIC has done National Tours of Porgy & Bess, How to Suceed in Business Without Really Trying, Singin’ In the Rain, Titanic, and Crazy for You. When New York went on lockdown due to the pandemic in March 2020, he was in the middle of teching his first dance concert, Princess Yaa, produced by The Gloria Eve Performing Arts Foundation. The day after finishing Act I, he got the call that the performances were cancelled. Regardless, he still went to the theatre and finished a paper tech of Act II with the director and lighting designer in the hope of rescheduling the performances in June, which never happened. ERIC has been a member of Actors Equity since 1997.

Bill Webb

*

Lighting Design
(
)
Pronouns:

Bill is thrilled to be returning to Mill Mountain Theatre as the Lighting Designer for Million Dollar Quartet.  Bill is a native of Alfred, NY, where he received his Bachelor of the Arts in Theatre from Alfred University in 1988.  He continued training at The University of North Carolina School of the Arts where he earned his Master of Fine Arts in Scenic Technology in 1994.  Since 1996 Bill has been on faculty at Elon University in North Carolina where he serves as the Lighting Designer/Production Manager for the Performing Arts Department. Bill has been designing lights at Mill Mountain since the MMT production of Swing in 2014 with 30  MMT Lighting design credits.  In addition to his work at Mill Mountain Theatre,  Bill has worked throughout the United States for companies such as Cirque Du Soliel, I Weiss, Bungalow Scenic Studios and  Arkansas Repertory Theatre.

Matt Shields

*

Production Manager/Props Designer
(
)
Pronouns:
he/him

Matt Shields is a native of Virginia. Having grown up in Loudoun County, he first moved to the region in 2013 to attend school at Radford University where he graduated with a BS in theatre. After working for a few other companies, Matt is happy to call MMT his artistic home. In the past few years Matt has served in a variety of jobs around Mill Mountain, including Props Master, Costumes Manager, Teaching Artist, Scenic Designer, and Company Manager. Matt is very happy to now be serving MMT as the Production Manager and is grateful to MMT for all the faith they have put in him over the years.

Jimmy Ray Ward

*

Scenic Designer
(
)
Pronouns:
he/him

With an MFA in Design from UNC-Greensboro, his credits include work at many theatre companies along the East coast such as Spoleto Festival USA, Williamstown Theatre Festival, Seaside Music Theatre, Flatrock Playhouse, and the Gainesville Theatre Alliance.  Locally, Jimmy designs for Opera Roanoke, Roanoke Children's Theatre, and Mill Mountain Theatre, where he worked as resident designer for its last nine seasons.  Some favorite designs over the years include scenery for Il Trovatore, The Flying Dutchman, The Adventures of Frog and Toad, If You Give a Mouse a Cookie, Seussical, and Grease, costumes for Hamlet, Beauty and the Beast, Joseph…Technicolor Dreamcoat, and lighting for Driving Miss Daisy, Wit, and Rapunzel, among many others. Despite years of working in a field he loves, Jimmy feels that his best productions to date are his children, Henry and Lily, Gracie and Frank.

Kailey Absher

*

Assistant Stage Manager
(
)
Pronouns:

Kailey Absher is so excited for live theatre to be back! She was seen most recently at Mill Mountain as Assistant Stage Manager for Million Dollar Quartet and Production Stage Manager for Tomás and the Library Lady. She is a Virginia native, growing up nearby in the New River Valley and is a 2020 graduate of Radford University. Kailey is a member of the Southeastern Theatre Conference as well as the Stage Managers’ Association.

Antonio Consuegra

*

Costume Designer
(
)
Pronouns:

Antonio Consuegra is thrilled to make his MMT debut! Some credits include: TV: CBS' 70th, 72nd and 73rd Tony Awards (Assistant Costume Designer) Broadway: Hamilton (Assistant Costume Designer), Funny Girl (Assistant Costume Designer). Off-Broadway: Can Do Duck–The Musical (Costume Designer), Daddy Issues (Costume Designer), All Aboard–The Musical (Costume Designer).

Savannah Woodruff

*

Lead Electrician & Sound Engineer
(
)
Pronouns:
she/they

Savannah Woodruff was born and raised in Southern Pines, North Carolina, where she was encouraged to become involved in technical theatre in high school. Savannah is a graduate of The University of North Carolina at Greensboro, and received a BFA in Technical Production. Prior to joining the Mill Mountain Theatre staff, she worked as a member of Weston Playhouse Theatre Company’s Intern Company. Savannah is grateful for the support of her family (and especially her cats) in her endeavors, and is thrilled to be able to continue working and growing with Mill Mountain Theatre.

Media

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2021 National Touring Cast

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|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

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Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

While You Wait

With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.

Carl Holder's New Solo Show OUT OF ORDER Brings New Form To East Village Basement
Emily Wyrwa
July 3, 2025

Carl Holder really wasn’t sure whether or not he could do this anymore. 

This is write plays, work in theatre, and live in New York doing it. It was late 2023 — a teaching job was about to end, and had they kept him on any longer, he would have qualified for insurance. A friend from graduate school was opening up her family home in Los Angeles for artists to come in and do a residency, but none of his ideas were really clicking with him. 

Except one. 

“The only thing I knew about the idea was, ‘what if there was something that you made that was pulled out of a bowl, and every time you did it, it was different?’” Holder told Theatrely. 

The result? His play Out of Order is now running at East Village Basement through July 22. In the play, Holder picks index cards out of a bowl with tasks varying from random acts of kindness and audience participation, to discussions about the realities of art making, to narratives about farm animals from a childhood story. If he fails to complete every card, he vows to quit theatre forever. 

The stakes are high — and for Holder, confronting. He’s been doing theatre since he was five years old. He holds a BFA in Acting from SUNY Purchase, an MFA Dramatic Writing from NYU/Tisch, and won the Goldberg Play Prize in 2020 and was a Finalist for the 2019 Neukom Literary Arts Playwriting Award. 

“I've been doing this in some ways for a long time, and by certain conventional standards, there are benchmarks I have not achieved,” Holder said. “A lot of those are financial and then there are these other things that have happened. In some ways, yes, I really am doing the thing I've always wanted to do, but in some ways, I feel so far from actually being where I wanted to be.” 

This is the longest period Holder is performing the marathon of a show, but it is far from the first. After the first iteration at his friend’s Los Angeles residency, he did the show in 16 living rooms in nine states. 

“I was interested in the contrast of ambition and intimacy,” Holder said. “Like, I'm gonna go to all these states, but it’s always gonna be a max of 20 people. The sort of playful questioning of, ‘why can't that be a tour? Why can't the tour be me going to all these places to perform for, you know, eight to 15 people.’” 

The index card form style presented Holder with a creative challenge that was exciting to him. He knew he had to be precise enough in the structure and story that if he showed audiences the piece in any order at all, it would somehow land. It bonds the small audience; they’re the only people who have seen this particular show in this particular order, and have gone on this ride together.  

At East Village Basement, he’s collaborating with director and writer Skylar Fox, which he said has made the theme feel sharper and clearer. He hopes to “see how long [he] can keep this up,” after the East Village run, but he isn’t sure what form, exactly, the future of the show will take. 

In asking himself the central question — does he really want to do this theatre thing? — every night, he’s learned a lot about himself. Key among the lessons: he can’t pretend he doesn’t love making art. 

“I love this to a degree that is comedic and tragic,” Holder said. “Doing this through all the different iterations and all the different challenges each iteration threw at me also gave me a bit of pep in my step, with regard to what I had left in me, what I what I was still capable of, It gave me a new trust in what's possible for me.” 

Out of Order is running at East Village Basement on tk in New York City through July 22. For tickets and more information, visit here

Editor’s note: Editor-in-Chief Kobi Kassal serves as a consulting producer on Out of Order. He was not involved in the reporting, writing, or editing of this article. 

ROMY & MICHELE: THE MUSICAL To Debut Off-Broadway This Fall
Emily Wyrwa
July 2, 2025

“High school never ends!” Romy & Michele: The Musical will debut Off-Broadway at Stage 42 this fall. Previews will begin on Oct. 14, with an official opening set for Oct. 28. 

The show, based on the cult classic film Romy & Michele’s High School Reunion, features a book by the film’s screenwriter Robin Schiff. The music and lyrics to the 80s and 90s-inspired score will be written by Gwendolyn Sanford and Brandon Jay, with orchestrations by Keith Harrison Dworkin. Kristin Hanggi will serve as director. The cast and additional creative team will be announced at a later date.

“Romy and Michele have been icons of friendship, fashion, and individuality from the moment we first met them,” producers Barry Kemp and Stephen Soucy said in a statement. “Bringing their story to the New York Stage is the perfect home for their bold and quirky spirit to be reborn. We can’t wait for audiences to enjoy this hilarious and heart-filled new musical.”

Romy & Michele tells the story of a lot of our worst nightmares: reliving high school. When the titular characters are invited to their ten year high school reunion, Michele envisions the experience as a fun road trip. Romy, on the other hand, very reluctantly agrees to go — but only if they come up with something to impress their classmates. 

Romy & Michele: The Musical begin its run at Stage 42 on Oct. 14, with official opening on Oct. 28. Tickets go on sale to the public later this month. For more information, visit here

HEATHERS Extends Through January At New World Stages
Emily Wyrwa
July 1, 2025

How very! Heathers has extended its run at New World Stages for four additional months. The production has amassed the largest advance sale in New World Stages history. Originally scheduled to play through Sept. 28, Heathers will now run through Jan. 25, 2026. 

 “The love from our amazing fans is nothing short of very,” director Andy Fickman said in a statement. “This show has always been about defying expectations, and thanks to our incredible cast, crew, and die-hard supporters, we get to keep telling this twistedly heartfelt story. So get out your scrunchies and break out the Corn Nuts — Westerberg High isn’t going anywhere just yet!”

The Off-Broadway revival is currently in previews, with an official opening on July 10. Heathers features book, music and lyrics by Kevin Murphy and Laurence O’Keefe, and is based on the 1989 film of the same name. It tells the story of Veronica Sawyer as she tries to navigate the most lethal place in the world: high school. While she dreams of a better day, she is taken under the wing of the Heathers — three cruel and beautiful classmates who are the most popular girls in school. Just as her dreams of popularity start to come true, she meets J.D., a mysterious teen rebel, who shows her it might kill to be a nobody. 

Lorna Courtney and Casey Likes star in the production as Veronica Sawyer and J.D. The Heathers are portrayed by McKenzie Kurtz as Heather Chandler, Olivia Hardy as Heather Duke, and Elizabeth Teeter as Heather McNamara. Broadway veteran Kerry Butler plays Ms. Fleming/Veronica’s Mom, with viral TikTok sensation Erin Morton as Martha Dunnstock.

The cast also features Xavier McKinnon as Ram Sweeney, Cade Ostermeyer as Kurt Kelly, Ben Davis as Ram’s Dad/Big Bud Dean/Coach Ripper, and Cameron Loyal as Kurt’s Dad/Veronica’s Dad/Principal Gowan. Sara Al-Bazali is the standby for Veronica Sawyer and Heather Chandler. The ensemble includes Emma Benson, James Caleb Grice, Louis Griffin, Devin Lewis, Kiara Michelle Lee, Brian Martin, Lav Raman, Syd Sider, and Cecilia Trippiedi. 

Heathers runs at New World Stages on West 50th Street in New York City through Jan. 25, 2026. For tickets and more information, visit here

Theatrely News
Carl Holder's New Solo Show OUT OF ORDER Brings New Form To East Village Basement
Theatrely News
ROMY & MICHELE: THE MUSICAL To Debut Off-Broadway This Fall
Theatrely News
HEATHERS Extends Through January At New World Stages
Carl Holder's New Solo Show OUT OF ORDER Brings New Form To East Village Basement
By: Emily Wyrwa
July 3, 2025

Carl Holder really wasn’t sure whether or not he could do this anymore. 

This is write plays, work in theatre, and live in New York doing it. It was late 2023 — a teaching job was about to end, and had they kept him on any longer, he would have qualified for insurance. A friend from graduate school was opening up her family home in Los Angeles for artists to come in and do a residency, but none of his ideas were really clicking with him. 

Except one. 

“The only thing I knew about the idea was, ‘what if there was something that you made that was pulled out of a bowl, and every time you did it, it was different?’” Holder told Theatrely. 

The result? His play Out of Order is now running at East Village Basement through July 22. In the play, Holder picks index cards out of a bowl with tasks varying from random acts of kindness and audience participation, to discussions about the realities of art making, to narratives about farm animals from a childhood story. If he fails to complete every card, he vows to quit theatre forever. 

The stakes are high — and for Holder, confronting. He’s been doing theatre since he was five years old. He holds a BFA in Acting from SUNY Purchase, an MFA Dramatic Writing from NYU/Tisch, and won the Goldberg Play Prize in 2020 and was a Finalist for the 2019 Neukom Literary Arts Playwriting Award. 

“I've been doing this in some ways for a long time, and by certain conventional standards, there are benchmarks I have not achieved,” Holder said. “A lot of those are financial and then there are these other things that have happened. In some ways, yes, I really am doing the thing I've always wanted to do, but in some ways, I feel so far from actually being where I wanted to be.” 

This is the longest period Holder is performing the marathon of a show, but it is far from the first. After the first iteration at his friend’s Los Angeles residency, he did the show in 16 living rooms in nine states. 

“I was interested in the contrast of ambition and intimacy,” Holder said. “Like, I'm gonna go to all these states, but it’s always gonna be a max of 20 people. The sort of playful questioning of, ‘why can't that be a tour? Why can't the tour be me going to all these places to perform for, you know, eight to 15 people.’” 

The index card form style presented Holder with a creative challenge that was exciting to him. He knew he had to be precise enough in the structure and story that if he showed audiences the piece in any order at all, it would somehow land. It bonds the small audience; they’re the only people who have seen this particular show in this particular order, and have gone on this ride together.  

At East Village Basement, he’s collaborating with director and writer Skylar Fox, which he said has made the theme feel sharper and clearer. He hopes to “see how long [he] can keep this up,” after the East Village run, but he isn’t sure what form, exactly, the future of the show will take. 

In asking himself the central question — does he really want to do this theatre thing? — every night, he’s learned a lot about himself. Key among the lessons: he can’t pretend he doesn’t love making art. 

“I love this to a degree that is comedic and tragic,” Holder said. “Doing this through all the different iterations and all the different challenges each iteration threw at me also gave me a bit of pep in my step, with regard to what I had left in me, what I what I was still capable of, It gave me a new trust in what's possible for me.” 

Out of Order is running at East Village Basement on tk in New York City through July 22. For tickets and more information, visit here

Editor’s note: Editor-in-Chief Kobi Kassal serves as a consulting producer on Out of Order. He was not involved in the reporting, writing, or editing of this article. 

ROMY & MICHELE: THE MUSICAL To Debut Off-Broadway This Fall
By: Emily Wyrwa
July 2, 2025

“High school never ends!” Romy & Michele: The Musical will debut Off-Broadway at Stage 42 this fall. Previews will begin on Oct. 14, with an official opening set for Oct. 28. 

The show, based on the cult classic film Romy & Michele’s High School Reunion, features a book by the film’s screenwriter Robin Schiff. The music and lyrics to the 80s and 90s-inspired score will be written by Gwendolyn Sanford and Brandon Jay, with orchestrations by Keith Harrison Dworkin. Kristin Hanggi will serve as director. The cast and additional creative team will be announced at a later date.

“Romy and Michele have been icons of friendship, fashion, and individuality from the moment we first met them,” producers Barry Kemp and Stephen Soucy said in a statement. “Bringing their story to the New York Stage is the perfect home for their bold and quirky spirit to be reborn. We can’t wait for audiences to enjoy this hilarious and heart-filled new musical.”

Romy & Michele tells the story of a lot of our worst nightmares: reliving high school. When the titular characters are invited to their ten year high school reunion, Michele envisions the experience as a fun road trip. Romy, on the other hand, very reluctantly agrees to go — but only if they come up with something to impress their classmates. 

Romy & Michele: The Musical begin its run at Stage 42 on Oct. 14, with official opening on Oct. 28. Tickets go on sale to the public later this month. For more information, visit here

HEATHERS Extends Through January At New World Stages
By: Emily Wyrwa
July 1, 2025

How very! Heathers has extended its run at New World Stages for four additional months. The production has amassed the largest advance sale in New World Stages history. Originally scheduled to play through Sept. 28, Heathers will now run through Jan. 25, 2026. 

 “The love from our amazing fans is nothing short of very,” director Andy Fickman said in a statement. “This show has always been about defying expectations, and thanks to our incredible cast, crew, and die-hard supporters, we get to keep telling this twistedly heartfelt story. So get out your scrunchies and break out the Corn Nuts — Westerberg High isn’t going anywhere just yet!”

The Off-Broadway revival is currently in previews, with an official opening on July 10. Heathers features book, music and lyrics by Kevin Murphy and Laurence O’Keefe, and is based on the 1989 film of the same name. It tells the story of Veronica Sawyer as she tries to navigate the most lethal place in the world: high school. While she dreams of a better day, she is taken under the wing of the Heathers — three cruel and beautiful classmates who are the most popular girls in school. Just as her dreams of popularity start to come true, she meets J.D., a mysterious teen rebel, who shows her it might kill to be a nobody. 

Lorna Courtney and Casey Likes star in the production as Veronica Sawyer and J.D. The Heathers are portrayed by McKenzie Kurtz as Heather Chandler, Olivia Hardy as Heather Duke, and Elizabeth Teeter as Heather McNamara. Broadway veteran Kerry Butler plays Ms. Fleming/Veronica’s Mom, with viral TikTok sensation Erin Morton as Martha Dunnstock.

The cast also features Xavier McKinnon as Ram Sweeney, Cade Ostermeyer as Kurt Kelly, Ben Davis as Ram’s Dad/Big Bud Dean/Coach Ripper, and Cameron Loyal as Kurt’s Dad/Veronica’s Dad/Principal Gowan. Sara Al-Bazali is the standby for Veronica Sawyer and Heather Chandler. The ensemble includes Emma Benson, James Caleb Grice, Louis Griffin, Devin Lewis, Kiara Michelle Lee, Brian Martin, Lav Raman, Syd Sider, and Cecilia Trippiedi. 

Heathers runs at New World Stages on West 50th Street in New York City through Jan. 25, 2026. For tickets and more information, visit here

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Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

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