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Grantors

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Special Thanks

Donors

Mill Mountain Theatre would like to thank the generous gifts from our Donors. We would not be here without you!

Donors

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Meet Our Donors

Tributes

Mill Mountain Theatre is honored to acknowledge gifts made in tribute or memory of special friends. To make such a gift please contact John Levin at (540) 342-5761 or development@millmountain.org.

Tributes

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Our Tributes

Performers

(in alphabetical order)

Ben Armstrong

*

Doctor/Ensemble

Alivia Brown

*

Ensemble

Carter Cecil

*

Sergei/Ensemble

Drew D'Alessandro

*

Tommy

Rory Grant

*

Bruce Bogtrotter

Emma Harvey

*

Ensemble

Elise LeGault

*

Ensemble

Sylvia MacNab

*

Acrobat/Ensemble

Ann Marie Thorell

*

Ensemble

Eve McLoney

*

Alice

Belle McNamara

*

Amanda Thripp

Caroline Moledor

*

Mrs. Wormwood

James Moledor

*

Rudolpho/Ensemble

Riley Parks

*

Ensemble

Ruth Parsons

*

Lavender

Amelia Raring

*

Matilda

Jadyn Rhodes

*

Ensemble

Will Richardson

*

Ensemble

Ellen Riegger

*

Mrs. Phelps

Brent Saunders

*

Eric

Ruby Spence

*

Miss Trunchbull

Jack Swank

*

Nigel

Natalie Thorell

*

Hortensia/Ensemble

Lilah Vanke

*

Miss Honey

Holden White

*

Michael Wormwood

DeMarion Williams

*

Escapologist/Ensemble

Cameron Wimbish

*

Mr. Wormwood

Setting

England

There will be one 15-minute intermission

Songs & Scenes

Act I
"Miracle"
Company
"Naughty"
Matilda
School Song
Company
"Pathetic"
Miss Honey
"The Hammer"
Miss Trunchbull, Miss Honey and Children
“The Chokey Chant”
Company
“Loud”
Mrs. Wormwood and Rudolpho
"This Little Girl"
Miss Honey
"Bruce"
Children
Act II
“Telly”
Mr. Wormwood and Michael Wormwood
“When I Grow Up”
Company
“I’m Here”
Matilda and the Escapologist
“The Smell of Rebellion”
Miss Trunchbull, Miss Honey and Children
“Quiet”
Matilda
“My House”
Miss Honey
“Revolting Children”
Company

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

Production Staff

Producing Artistic Director
Ginger Poole
Director/Choreographer
Héctor Flores Jr.
Music Director/Keys
Bethany Costello
Production Stage Manager
Will Farris
Rehearsal Stage Manager
Tyler Osgood
Assistant Stage Manager
Ashlinn Blevins
Director of Production
Matt Shields
Scenic Designer
Jimmy Ray Ward
Lighting Designer
Addie Pawlick
Costume Designer
Jessica Gaffney
Sound Designer
Savannah Woodruff
Dance Captains
Elise LeGault Ann Marie Thorell
Wardrobe
Sydney Poole
Run Crew
Spencer Wade Jackson Yowell
Spot Ops
Will McLoney Charles Medlinger
Production Photography
Ian Ridgway RIchard Maddox

Venue Staff

School Administration Staff

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Musicians

Music Director/Keys
‍Seth Davis‍
Drums
‍J.T. Fauber‍
Reeds
‍Teresa Hedrick‍
Guitar/Bass
‍‍Mike Havens
Keys 2
‍‍Caroline Moledor

Board of Directors

President

Macel H. Janoschka

Vice President

J. Lee E. Osborne

Treasurer

Lori D. Cauley

Secretary

Nathaniel L. Bishop

Board Members

David K. Allen, Lauren Ellerman, Linda Garbee<, Nancy O. Gray, Dr. Robyn Hakanson, Laurence E. Kufel, Dr. Anthony-Samuel LaMantia, Cynthia Lawrence, William L. Lee, Reynolds Lynch III, Dr. Elizabeth Rice Martin, Laura McKeage, Nancy Ruth Patterson, Gary S. Powers, Doris Rogers, Edward M. Smith, Judy Tenzer, Will Trinkle, Maxwell Huddleston Wiegard

Student Advisory Board

Cast
Creatives

Meet the Cast

Ben Armstrong

*

Doctor/Ensemble
(
)
Pronouns:
He/Him

Ben Armstrong is in 11th grade and excited to be returning to Mill Mountain Theatre. His favorite credits include: Cinderella (Prince Topher), The Secret Garden (Dickon), The Addams Family (Lucas Beineke), at Virginia Children's Theatre, and High School Musical (Chad Danforth) at Mill Mountain Theatre. You may remember Ben from “Best of Broadway” where he was a featured vocalist here at MMT.  Ben is this year's Sarabeth Hammond Scholarship recipient at Virginia Children's Theatre. He is also a part of the conservatory here at MMT.  Ben would like to thank his mom, the cast, and the entire Mill Mountain Theatre staff for their continued love and support.

Alivia Brown

*

Ensemble
(
)
Pronouns:
she/her

Alivia Brown is a sixteen-year-old rising junior. She has participated in several productions with Virgina Children's Theater, including Mary Poppins, Jr., The Addams Family, Rodgers and Hammerstein's Cinderella, Madagascar: A Musical Adventure, and The Secret Garden. Most recently, she was Aunt Spiker in VCT's production of James and the Giant Peach. Alivia is beyond excited to make her debut on MMT's mainstage and would like to thank the cast and creative team, as well as her family and friends, for their continuous support! 

Carter Cecil

*

Sergei/Ensemble
(
)
Pronouns:
He/him

Carter Cecil is a rising 7th grader at Read Mountain Middle School. He most recently appeared in James and the Giant Peach. Other performances include Willie Wonka (Phineas Trout), Neleus/ Von Hussler (Mary Poppins Jr), Horse/ Townsperson (Cinderella), and John Darling (Mary Poppins Jr). Carter participated in the Kevin Jones Performing Arts Studio Summer Intensive in 2022. He was in the Spring 2023 cast of Youth Performance Ensemble: Rising at VCT. Carter thanks his family for their support and encouragement.

Drew D'Alessandro

*

Tommy
(
Dancer/Ensemble
)
Pronouns:

Drew is 13 years old and has been acting for about 8 years. His most recent stage performance was James and the Giant Peach (James). Other favorite performances have been: Willy Wonka Jr. (Charlie), Shrek Jr. (Lord Farquaad), The Secret Garden (Colin Craven), Madagascar (Rico/Lars), A Christmas Story (Schwartz), Peter and Wendy (Slightly), The Addams Family (Pugsley), and Mary Poppins Jr. (Michael Banks). Drew is very excited to be a part of Matilda. He would like to thank all his family, friends, and MMT for all of their love and support.

Rory Grant

*

Bruce Bogtrotter
(
)
Pronouns:
He/Him

Rory Grant is a rising 6th grader and is very excited to have the opportunity to perform on the Trinkle MainStage again. His most recent shows were Treasure Island (Jim Hawkins) at Attic Productions and Holiday Inn (Charlie Winslow) at MMT. He enjoys reading, playing Minecraft, and golfing. Rory would like to thank his family, friends, his director, and all the hard-working MMT staff for making this show happen.

Emma Harvey

*

Ensemble
(
)
Pronouns:
she/they

Emma Harvey is a junior at Blacksburg High School, where she is a member of the Madrigal Singers. Favorite credits include Cinderella (Gabrielle) with BHS; Write Stuff, High School Musical (Kelsi), and The Sound of Music (Marta) with Mill Mountain Theatre; and The Secret Garden (Dreamer), Cinderella (Fox Puppeteer/Footman), The Addams Family (Ancestor), and Annie (ensemble, Annie u/s) with Virginia Children’s Theatre. Emma is also a member of MMT’s Musical Theatre Conservatory. When not performing, she enjoys playing guitar and ukulele, reading, creative writing, not watching Netflix, and cat watching.

Elise LeGault

*

Ensemble
(
Dance Captain
)
Pronouns:
She/her

Elise is so excited to be returning to the Trinkle MainStage this summer! Elise trained in the MMT conservatory throughout high school and was the 2022 recipient of the Jack Avis Leadership Award. Most recent credits include Beauty and the Beast (Silly Girl), The Diary of Anne Frank (Anne), and High School Musical (Gabriella). She is a recent graduate of Cave Spring High School and will be attending George Mason University in the fall to pursue a degree in Theater Performance. Special thanks to her friends and family for always supporting and encouraging her. Enjoy the show!!

Sylvia MacNab

*

Acrobat/Ensemble
(
)
Pronouns:
she/her

Sylvia MacNab is a senior at Blacksburg High School. She is excited to be returning to Mill Mountain Theatre. Her favorite credits include Cinderella (Ella), Fun Home (Small Alison), The Sound of Music (Brigitta), and A Midsummer Night’s Dream (Helena). In her free time, Sylvia enjoys going into the woods to sleep in tents on foam mats and eat rehydrated meals, climbing rock faces most people would avoid, and knitting. She would like to thank her friends and family for their support and encouragement. Enjoy the show!

Ann Marie Thorell

*

Ensemble
(
Co-Dance Captain
)
Pronouns:
she/her

Ann Marie Thorell, a recent graduate of Hidden Valley High School, has been performing in the Roanoke Valley for over ten years. Her favorite productions include Cinderella, Beauty and the Beast, The Secret Garden (Virginia Children’s Theatre), and Romeo and Juliet (Mill Mountain Theatre). She is a member of the Conservatory here at MMT and a student of the Kevin Jones Performing Arts Studio. Ann Marie is excited to be attending SUNY Cortland in the fall to study Musical Theatre. She is very grateful for everything her MMT family has done for her over the past ten years and hopes you enjoy the show!

Eve McLoney

*

Alice
(
)
Pronouns:
She/Her

Eve is honored to return to the MMT Trinkle Mainstage for Matilda! Eve is a rising 6th grader and started her journey in theatre at age 5. Past MMT performances include Peter and Wendy (Michael Darling, u/s Tinkerbell) and A Christmas Story (Randy). Other credits: Once Upon a Mattress (Ensemble/Soft Shoes Dancer), Brand New Day! (Youth Singer), Peter Pan Jr. (Tinkerbell), Mary Poppins Jr. (Ensemble/Kite Flyer), The Sound of Music (Gretl), Babes in Toyland (Jill). Eve also enjoys playing the flute, violin, and piano, swimming, and taking art and dance classes. Eve would like to thank Victoria Buck and Bethany Costello for all of their support this summer. She hopes you enjoy the show! 

Belle McNamara

*

Amanda Thripp
(
)
Pronouns:
she/her

Belle McNamara is thrilled to be returning to the Mill Mountain Theatre stage! Belle is 11 years old, and a rising 6th grader at North Cross School. You may have seen Belle recently in local productions, including Dorothy in The Wizard of Oz, Anna in Frozen, Jr.,  Esther Jane in MMT’s A Christmas Story, Chip in VCT's Beauty and the Beast,  and most recently in Showtimers' The Women and VCT's Willy Wonka, Jr. Belle is ecstatic to be in Matilda and hopes that you enjoy the show and keep your braids tight!!!! Belle wants to thank her MMT mentors for sharing their talents and allowing her the opportunity to do her favorite things: singing, dancing, acting and entertaining

Caroline Moledor

*

Mrs. Wormwood
(
)
Pronouns:
she/her

MMT: High School Musical Jr. (Sharpay), A Midsummer Night’s Dream (Helena), The Sound of Music (Louisa), The Tempest (Miranda), The Little Mermaid (Chef Louis), Let’s Go To The Movies, A Christmas Story, Best of Broadway (2017), Shrek the Musical TYA, Willy Wonka Jr., My Fatal Valentine, The Legend of Sleepy Hollow, The Velveteen Rabbit, A Simple Gift. Caroline is a multi-instrumentalist and has played in theatre productions around the Roanoke valley, including Best of Broadway (2023), Jersey Boys, The Addams Family, Oz: A Staged Concert, and Songs of the Past. She writes and produces her own music, which is available on all major music streaming platforms. Caroline will be attending Berklee College of Music in the Fall as a piano principal. A million thanks to Ginger Poole and everyone at MMT for many lessons and memories!

James Moledor

*

Rudolpho/Ensemble
(
)
Pronouns:
he/him

James Moledor is a rising senior who is excited to be back on stage at MMT. Some of his favorite credits include The Sound of Music (Friedrich), Shrek Jr. (Pinocchio), A Christmas Story (Ensemble), and A Midsummer Night’s Dream (Snug/Cobweb). He loves performing and plans on pursuing acting professionally. He studies dance at Star City School of Ballet, and this past year he was a member of the Southwest Virginia Ballet Company. Some of his other interests include photography and playing piano. He looks forward to performing on the MMT stage again in Bright Star this fall. He would like to thank his family for supporting him in all his endeavors.

Riley Parks

*

Ensemble
(
)
Pronouns:

Riley Parks, an 8th grader at Roanoke Catholic School, is excited to return to the Trinkle Main Stage at Mill Mountaim Theatre. Her recent credits include James and the Giant Peach (James), Peter & Wendy (Wendy), Wizard of Oz (Dorothy) and Fun Home (Young Allison). She made her Trinkle Main Stage debut as Gretl in The Sound of Music in 2019. Her training includes MMT Conservatory, VCT YPE, Kevin Jones Performing Arts Studio, Divine Dance Cemter and Brynn Scozzari Studio. She would like to thank everyone who has encouraged her to follow her dreams. Follow her at RileyParksTheatre.com. Enjoy the show! 

Ruth Parsons

*

Lavender
(
)
Pronouns:
she/her

Ruth Parsons, 11, is thrilled to return to the MMT stage to be part of the revolting children! Ruth is a rising 6th grader at Andrew Lewis Middle School. She has received theatre education and training from Mill Mountain Theatre, PB&J Theatre, and Virginia Children’s Theatre as well as private vocal, piano, and acting lessons. Her recent roles include Little Mary in Showtimers' The Women, Curly in Mill Mountain Theatre's Peter & Wendy, and the Little Girl in PB & J's Balloonacy . Ruth would like to thank her coaches, friends, and family for their support in making her theatre dreams come true. Enjoy the show!

Amelia Raring

*

Matilda
(
)
Pronouns:
She/Her

Amelia, a rising 7th grader at Hidden Valley Middle School and a Mill Mountain Theatre Conservatory student, is delighted to share the magic of Matilda with you today! You may recognize Amelia from her performances in MMT's Write Stuff (2022 and 2023) and Peter and Wendy (Master Panther). She has also showcased her talent in StageCenter Louisiana's productions of Matilda (Lavender), The Little Mermaid Jr. (Flounder), and Annie Jr. (Tessie). Much like Matilda, when Amelia isn't on stage she can be found immersed in a good book. She also enjoys writing, drawing, exploring nature, and honing her skills in Ninja Trix. She extends her heartfelt appreciation to the MMT Staff, her family, and friends, and invites you to be a little bit naughty as you sit back, relax, and enjoy the show!

Jadyn Rhodes

*

Ensemble
(
)
Pronouns:
she/her

Jadyn Rhodes will be a senior at William Fleming High School in Fall 2023.  She has been doing theatre for 6 years. She has been seen previously seen in Peter Pan, Willy Wonka, A Midsummer Night’s Dream, Scrooge, and the One Act Play That Goes Wrong. Her knack for performing arts is not isolated to drama, Jadyn has also been involved in choir and dance for numerous years.  She attributes her love for performing arts to her involvement with her church youth group that led to performances at the Roanoke Civic Center and Jefferson Center with Kimoyo ltd., the UBU awards, and with the Quest Academy. Lastly, Jadyn would like to thank her family for encouraging her to follow her dreams.

Will Richardson

*

Ensemble
(
)
Pronouns:

Will Richardson is a junior at Cave Spring High School and Arnold R. Burton Center for the Performing Arts (CPA). His most recent credits include MMT’s Charlotte’s Webb (Homer Zuckerman), Oceans, a musical revue (Story 1 Lead) with CPA, and High School Musical (Ryan and Coach Bolton) with Cave Spring and Hidden Valley High Schools this past Spring and MMT last summer. Other favorite productions include Godspell (Soloist) with CPA, Into the Woods (Cinderella’s Prince) with Cave Spring and Hidden Valley High Schools, Frozen (Olaf) and Mary Poppins (John Northbrook) both with Cave Spring Middle School. He enjoys being a part of the MMT Conservatory classes and would like to thank the staff for all they have taught him. He would also like to thank his family and friends for their support and encouragement. Enjoy the show!

Ellen Riegger

*

Mrs. Phelps
(
)
Pronouns:
she/her

Ellen is thrilled to be returning to Mill Mountain Theatre this summer! Some of Ellen's previous credits include Charlie and the Chocolate Factory at New River Stage, Brand New Day and Beauty and the Beast with VCT, and As You Like It and Charlottes Web with MMT. Some of Ellen's favorite things include reading, spending time outdoors, being with family, competitive cheer, and performing! Ellen would like to thank her family for their continuous support in her endeavors and hopes you enjoy the magic of Matilda!! 

Brent Saunders

*

Eric
(
)
Pronouns:
he/him

Brent is a rising 8th grader at Read Mountain Middle School. He is thrilled to be doing another production with Mill Mountain Theatre! He has recently performed in the Write Stuff 2023 festival as John in How May I Assist You?, in Peter And Wendy as Tootles, Willy Wonka Jr. as Mike Teavee, and Peter Pan Jr. as Twin #2. Brent has dance training with Floyd Ward School Of Dance, and vocal training with Susan Lewis Music Studio. When Brent isn’t singing, dancing, or acting, he enjoys spending time with family, writing songs, and playing with animals. Brent would like to thank his family and friends for their continuous support and encouragement! Enjoy the show!

Ruby Spence

*

Miss Trunchbull
(
)
Pronouns:
She/Her

Ruby is so excited to be in another show with Mill Mountain Theater! Miss Trunchbull is one of her all-time favorite roles, and she is ecstatic to have the opportunity to play her. Aside from theater, Ruby likes hiking, listening to music, and spending time with her pets. She would like to thank her friends and family for their love and support. Enjoy the show!

Jack Swank

*

Nigel
(
)
Pronouns:

Jack Swank is a rising grader at Hidden Valley Middle School. Jack recently played Peter Pan in Mill Mountain Theatre’s production of Peter and Wendy.  Jack also played Charlie Winslow in Holiday Inn and his favorite role, Flick, in A Christmas Story. He has also acted in several Virginia Children’s Theatre productions. He was the Munchkin Mayor in Oz: A Staged Concert, Iago in Aladdin Jr., Flounder in Songs of the Past, and Bob the Builder in The Velveteen Rabbit. Jack starred in a film in 2021, Omega and Sparks, a Grandin Film Lab Production. In his spare time, he enjoys running on the track team, playing guitar, and wake surfing at the lake. Jack is very excited to join in the revolt against the Trunchbull. 

Natalie Thorell

*

Hortensia/Ensemble
(
)
Pronouns:
she/her

Natalie Thorell, a rising 7th grader at HVMS, is thrilled to be returning to the Mill Mountain stage! Her last MMT performance was as Tinkerbell in Peter and Wendy. Natalie’s favorite MMT production she has ever been in is The Sound of Music as Gretl. She enjoys being a member of the Music Theatre Conservatory here at MMT. Natalie has been a dancer since she was three, is learning the trumpet and French horn, and loves going for burgers at Jack Brown’s any chance she can get! She is grateful for this opportunity and hopes you enjoy the show!

Lilah Vanke

*

Miss Honey
(
)
Pronouns:
she/her

Lilah Vanke is thrilled to be a part of Matilda at MMT! Recent credits include The Diary of Anne Frank (Margot Frank), Grease (Rizzo), and The Drowsy Chaperone (Kitty). She will be attending UNCG in the fall to pursue her BFA in acting. She would like to thank everyone at MMT for making it such a free and welcoming place to pursue her passion. Enjoy the show!

Holden White

*

Michael Wormwood
(
)
Pronouns:

Holden White is a rising 7th grader in Roanoke County Schools. He has most recently had the privilege of performing the roles of Mr. Salt and James in Willy Wonka Jr., Percy the Pirate and Nana in Peter and Wendy, and Tootles in Peter Pan Jr. Holden is very excited to work with the cast and crew of Matilda and would like to thank Mill Mountain Theatre for this wonderful opportunity. 

DeMarion Williams

*

Escapologist/Ensemble
(
Asst. Director
)
Pronouns:
he/him/his

DeMarion Williams is a rising senior at WBHS and an aspiring actor with a passion for bringing stories to life. He’s dedicated to pushing the boundaries of his craft and exploring new ways to connect with audiences. He looks forward to creating something special with every production. He’s been seen in Burton’s Production of Godspell Jr. as John the Baptist, Attic’s Treasure Island as Captain Long John Silver, Attic’s Annie, Get Your Gun as Tommy Keeler and Mill Mountain Theatre's Charlotte's Web as John Arable. DeMarion also appeared as Mike Teavee in William Byrd's production of Willy Wonka Jr. He’s currently on local news channels in YOVASO's PSA on Safe Driving.

Cameron Wimbish

*

Mr. Wormwood
(
)
Pronouns:
he/him

Cameron Wimbish is thrilled to be part of Matilda the Musical! Some of his recent credits include Donkey in Shrek The Musical, Karl Kreator in James and the Giant Peach, The Tin-Man in The Wizard of Oz, Captain Hook in Peter Pan, Dreamer in The Secret Garden, Gentleman of the Court in Cinderella, and Lord Byron in the one-act play, Monster, for which he won an honorable mention actor award. Cameron has been pursuing theatre and music for 7 years and hopes to continue to make magic on stage for years to come! 

Meet the Team

Will Farris

*

Production Stage Manager
(
)
Pronouns:
He/him

Will is very excited to work on Matilda with Mill Mountain Theatre! Will was most recently the Production Stage Manager for Madlibs Live with Mill Mountain Theatre.  He is from Nashville, TN, and studied at Western Kentucky University where he received a BFA in Performing Arts with a concentration in tech and design. Previous stage management credits include Nashville Repertory Theatre, Nashville Children’s Theatre, BG on Stage, and Surflight Theatre. He would like to thank his parents for always supporting him and encouraging him to chase his dreams.

 

Ginger Poole

*

Producing Artistic Director
(
)
Pronouns:
she/her

Ginger Poole is a proud member of Actor’s Equity Association and an Associate member of the Stage Directors and Choreographers Union. She has studied, taught, choreographed, and performed throughout the U.S. She has worked in GA, HI, FL, MS, SC and VA with, Theatre in the Square, The Alliance City Series, Theatre Gael, Synchronicity Performance Group-GA, Mill Mountain Theatre-VA and SC Children’s Theatre. Originally from Atlanta, she has worked with the N.F.L. and The Atlanta Falcons as their director and choreographer and The Atlanta Opera. Prior to coming to Mill Mountain Theatre, she was based out of North Carolina where she has worked with Flat Rock Playhouse, the State Theatre of North Carolina, in over 25 productions. She was a part of the Education program at Flat Rock Playhouse for 5 years where she taught for their Apprentice Companies and their Conservatory Program in Acting, Dance, and Musical Theatre. Ginger has taught at The University of Southern Mississippi, Western Carolina University, William Carey College, Mississippi University for Women, and currently teaches at Hollins University. With Ginger’s strong background in dance she finds herself not only acting and dancing on stage but also directing the choreography and classroom skills for her students. Ginger holds her M.F.A. in Acting Performance from the University of Southern Mississippi and continues to teach acting and dance.  She has worked with students that range in age from kindergarten through professionals.

Ginger has worked in commercials, voice-overs, film, stage, and the classroom, and was profiled in the book FIRESTARTERS as “the actor”.

Ginger serves on the following Board of Directors: South Eastern Theatre Conference (SETC Secretary, Second Term), Junior League of the Roanoke Valley (Past President and Current Nominating Committee, Second Term), Burton Performing Arts Advisory Board, The Roanoke City Public Schools Education Foundation, and she has served on the Review Panel for theVirginia Commission for the Arts. She was the recipient of the DePaul’s Women of Achievement Award in the Arts in 2013 and was named the 2016 Kendig Award recipient for Individual Artist. Ginger is also a guest host with WSLS, the NBC affiliate, Daytime Blue Ridge television show, and is the host of the new Mill Mountain Theatre Podcast, Meet Me at Mill Mountain. She is very proud to be a member of the Mill Mountain Theatre team and looks forward to its continued growth, success, and artistic influence in the region.

Héctor Flores Jr.

*

Director/Choreographer
(
)
Pronouns:

Héctor Flores Jr. Is a queer, Latino Director, Choreographer and Producer based in NYC. Some of his favorite creative team credits in love & yogurt (Off-Broadway), sol of El Barrio (off-broadway showcase), Jerry’s Girls (FIPAP), Sueños: Our American Musical (NYTB), and The Helena Project (NYTB). Flores was ranked top 5 in the world at the Fred Astaire World Ballroom Championships 2016 in Las Vegas and has been seen dancing on TV In episodes of Full Frontal with Samantha Bee. He also serves as the President of Theatre Barn Records, an imprint of Broadway Records dedicated to the incubation of new musicals. After spending the better part of the last decade as a performer in theatres across the nation, Héctor is excited to be returning to “THE HEIGHTS” for a 5th time and continuing to celebrate our LATINX stories. Thank you to Joe Barros, Maria Torres and Luis Salgado for believing in me and everything you continue to teach me. ¡Pa’ Lante mi gente!

Bethany Costello

*

Music Director/Keys
(
)
Pronouns:
she/her

Bethany Costello is a Roanoke-based Music Director, Teacher and Theatre Artist. She is delighted to be at Mill Mountain this summer, sharing her passion of Theatre for Young Audiences, which has led her to creating regional premiers, national tours and performing with companies such as The REV Theatre Company, The Kennedy Center, Florida Repertory Theatre, Virginia Children’s Theatre, CentreStage and Lexington Children’s Theatre.  Favorite creative team credits include Junior Stars (The REV Theatre Company), She Loves Me, Sister Act (SC School of the Arts), Finding Nemo: The Musical (Virginia Children’s Theatre) and Alice in Wonderland (Missoula Children’s Theatre).

Jessica Gaffney

*

Costume Designer
(
)
Pronouns:
She/her

Jessica Gaffney (Costume Designer) earned her Master of Fine Arts in costume and scenery design at New York University’s Tisch School of the Arts. Ms. Gaffney has designed costumes for over seventy-five theatrical productions for a variety of Off-Broadway, Off-Off-Broadway, and Regional Theatre companies.  Favorite Mill Mountain Theatre credits include Costume Design for Disney’s The Little Mermaid Jr. and A Christmas Story. In addition to theatre Ms. Gaffney has designed costumes and scenery for several award-winning film projects, having most recently designed the video "Decades of Fashion" for Reeds Jewelers.

Addie Pawlick

*

Lighting Designer
(
)
Pronouns:
she/her

Addie is delighted to be returning to Mill Mountain Theatre for her third education show! Recent MMT credits include High School Musical and Legally Blonde. Addie is a lighting designer based in West Palm Beach Florida. She currently works for Palm Beach Dramaworks as the Head Electrician. Upcoming lighting deisgn projects include: Trying at Palm Beach Dramaworks. Website: addiepawlick.com

Tyler B. Osgood

*

Rehearsal Stage Manager
(
)
Pronouns:
He/him

This is Tyler’s first time with Mill Mountain, and while it wasn’t for long, he can’t wait to come back! Normally Tyler can be found in West Palm Beach as Palm Beach Dramaworks’ Resident Assistant Stage Manager, where he has been since fall of 2021. Select regional credits include: The Sound of Music, Songs Under the Stars, The Very Hungry Caterpillar ShowHoliday Heroes 2019, A Christmas Carol 2019, and Sunday in the Park with George at ZACH Theatre and A Wrinkle in Time, A Christmas Carol 2018, Detroit ’67, and The Age of Innocence at McCarter Theatre. Tyler is a proud graduate of Texas State University, where he earned his BFA in theatre technology and production.  

Media

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2021 National Touring Cast

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Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

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Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

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The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

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Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

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Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

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Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

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Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

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Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

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Raise a Glass

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Marquee Deal!

‍Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

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Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

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Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Marquee Deal!

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Marquee Deal!

While You Wait

With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

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