Mill Mountain Theatre
The Story of Frankie Valli & The Four Seasons
Book by Marshall Brickman & Rick Elice
Music by Bob Gaudio
Lyrics by Bob Crewe
“Original Broadway Stage Production by Dodger Theatricals (Michael David, Edward Strong, Rocco Landesman, Des McAnuff); Joseph J. Grano; Tamara and Kevin Kinsella; Pelican Group in association with Latitude Link Rick Steiner/Osher/Staton/Bell/Mayerson Group World Premiere Produced by La Jolla Playhouse, La Jolla, CA Des McAnuff, Artistic Director & Steven B. Libman, Managing Director”
Grantors
Special Thanks
Donors
Mill Mountain Theatre would like to thank the generous gifts from our Donors. We would not be here without you!
Donors
Tributes
Mill Mountain Theatre is honored to acknowledge gifts made in tribute or memory of special friends. To make such a gift please contact John Levin at (540) 342-5761 or development@millmountain.org.
Tributes
Performers
Jarrett Alfred Yoder
*
Tommy DeVito
Darren Cementina
*
Others/Hank/Yannick/Barry
Carson Collins
*
Bob Crewe
Sarah Colt
*
Lorraine/Others
Katelyn Crall
*
Mary/Ensemble
Nate Gilanyi
*
Swing
Hannah Hunt
*
Francine
Burke Hutchinson
*
Joey Pechi
Makenzie Martin
*
Ensemble
Jeffrey McGullion
*
Gyp DeCarlo
Jeffrey McGullion
*
Gyp, Cop, Priest, Finney
Kenneth Quinney Francoeur
*
Bob Gaudio
Lake Wilburn
*
Frankie Valli
Rhys Williams
*
Nick Massi
Peter Williams
*
Swing
Setting
There will be one 15-minute intermission
Songs & Scenes
*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
“Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org
Production Staff
Venue Staff
School Administration Staff
Musicians
Board of Directors
President
Macel H. Janoschka
Vice President
J. Lee E. Osborne
Treasurer
Lori D. Cauley
Secretary
Nathaniel L. Bishop
Board Members
David K. Allen, Lauren Ellerman, Linda Garbee<, Nancy O. Gray, Dr. Robyn Hakanson, Laurence E. Kufel, Dr. Anthony-Samuel LaMantia, Cynthia Lawrence, William L. Lee, Reynolds Lynch III, Dr. Elizabeth Rice Martin, Laura McKeage, Nancy Ruth Patterson, Gary S. Powers, Doris Rogers, Edward M. Smith, Judy Tenzer, Will Trinkle, Maxwell Huddleston Wiegard
Student Advisory Board
Meet the Cast
Jarrett Alfred Yoder
*
Darren Cementina
*
Carson Collins
*
Sarah Colt
*
Sarah is delighted to be returning to Mill Mountain after appearing in Holiday Inn this past December! Other recent regional credits include: Scranton Shakespeare Festival's Sweet Charity and Love’s Labour’s Lost, South Pacific (Broadway Plaza), Beauty and the Beast (Moonlight Amphitheater), Matilda and Vanya...and Spike (Weathervane Theatre), A Christmas Carol (WestChester Broadway), and more. She holds a BFA in Acting from Marymount Manhattan College, and is a company member of Thistle Dance in New York City, who she recently performed with in their immersive production Haus of Haunts, and most recent workshop of Sinderella. Thank you to her wonderful rep, FSE Talent. Endless gratitude to Kristen, Ginger and the entire team here at MMT! Enjoy the show!
Katelyn Crall
*
Nate Gilanyi
*
Hannah Hunt
*
Burke Hutchinson
*
Makenzie Martin
*
Jeffrey McGullion
*
Jeffrey McGullion
*
Kenneth Quinney Francoeur
*
Lake Wilburn
*
Lake is thrilled to be making his Mill Mountain Theatre Debut! A proud graduate of the University of Michigan. Selected credits include Mark in RENT, Melchior in Spring Awakening (Short North Stage), Mordred in Camelot (Sierra Repertory Theatre), and Pippin in Pippin (Summer Repertory Theatre). His gratitude abounds for his family, Maggie, Meg and Violet at PMA, and everyone at Mill Mountain. Your support is monumental.
Rhys Williams
*
RHYS WILLIAMS is a New Jersey-raised, New York-based actor and musician. Mill Mountain debut! National Tour: A Bronx Tale; Other Credits: Tony in West Side Story, Joseph…Dreamcoat (Tibbits Opera House); Jersey Boys (White Plains PAC); Sound of Music (Alabama Shakespeare); Million Dollar Quartet, Almost Heaven (Infinity Theatre Co.). Love to Mom, Dad, Renee, Caroline, Sam, and Matty.
Peter Williams
*
Meet the Team
Peppy Biddy
*
Cindy Blevins
*
Cindy Blevins is a local musician and performer in both the classical and musical theatre realms. After studying piano for 14 years and earning a BA in Music she went on to teach voice and piano both privately and in public school systems and also sing with different groups in and around Richmond, VA, her hometown. After moving to the New River Valley she continued performing with Opera Roanoke, Summer Musical Enterprise, Mill Mountain Theatre, Blacksburg Master Chorale and Virginia Children’s Theatre. She stays busy as a collaborative pianist/accompanist with individuals and groups, and as a director and coach with music makers of all ages. Cindy is the Chairperson for Summer Musical Enterprise headquartered in Blacksburg, and the Assistant Director of Music at Blacksburg United Methodist Church. She is also a Licensed Professional Counselor with Life in Balance Counseling Center in Christiansburg. Cindy is thrilled to be supporting Jersey Boys with her Mill Mountain Theatre family!
Evin Bowman
*
J.T. Fauber
*
J.T. has been playing drums at Mill Mountain since 2008. His favorite show was "My Son Pinocchio" which included his wife Rachel on piano and both kids, Kyle and Caroline, on stage. Early in his career J.T. performed in the country show at Kings Dominion and on the La Boheme cruise ship. Currently he plays with The Boogie Kings, a ragtime / dixieland group that has been together since 1986. He also plays with the 1st Baptist Roanoke orchestra, The Winds of the Blue Ridge, and the Let's Dance big band. J.T. is the owner of Sun Tan City and Buff City Soap, both supporters of Mill Mountain Theatre.
Peyton Gentry
*
Michael Havens
*
Mike Havens was born and raised in Roanoke, VA and has been involved in music and playing guitar since the age of 12. He received his Bachelors’ degree in classical guitar performance from Radford University and was awarded a full scholarship to study for a Masters’ degree at the University of Cincinnati College-Conservatory of Music. In 2001, he taught guitar studies at local colleges and universities including, Radford University, Emory and Henry College, Sweet Briar College, Randolph-Macon Woman’s College, and Lynchburg College. In 2008, he was offered and continues, a full-time position teaching guitar and electronic music at Patrick Henry High School in Roanoke, VA. Mike performs regularly as an acoustic and classical guitar soloist, is a member of the classical guitar and flute duo Con Eleganza, as a guest guitarist for the Roanoke Symphony Orchestra, and is the guitar and bassist for Roanoke’s Mill Mountain Theatre.
Steve Hedrick
*
Steve is delighted to be playing trumpet and flugel horn in MMT’s production of Jersey Boys. The first musical he played in was My Fair Lady in 1978, and he still remembers the goosebumps during the I Could Have Danced All Night, Finale. That was dramatic! After a number of other productions, his first show at MMT was 42nd Street in 1993, and since then, there have been many others. Steve enjoys making music with his friends in the Roanoke Chamber Brass which he helped co-found in 2001. He spends most of his time working at Hedrick Music which is the music education company owned by him and his wife, Teresa. Steve is the author of the Band Fundamentals Book Series which is used in hundreds of schools for teaching young bands.
Caroline Moledor
*
Alan Plado
*
Jackson Yowell
*
Ginger Poole
*
Ginger Poole is a proud member of Actor’s Equity Association and an Associate member of the Stage Directors and Choreographers Union. She has studied, taught, choreographed, and performed throughout the U.S. She has worked in GA, HI, FL, MS, SC and VA with, Theatre in the Square, The Alliance City Series, Theatre Gael, Synchronicity Performance Group-GA, Mill Mountain Theatre-VA and SC Children’s Theatre. Originally from Atlanta, she has worked with the N.F.L. and The Atlanta Falcons as their director and choreographer and The Atlanta Opera. Prior to coming to Mill Mountain Theatre, she was based out of North Carolina where she has worked with Flat Rock Playhouse, the State Theatre of North Carolina, in over 25 productions. She was a part of the Education program at Flat Rock Playhouse for 5 years where she taught for their Apprentice Companies and their Conservatory Program in Acting, Dance, and Musical Theatre. Ginger has taught at The University of Southern Mississippi, Western Carolina University, William Carey College, Mississippi University for Women, and currently teaches at Hollins University. With Ginger’s strong background in dance she finds herself not only acting and dancing on stage but also directing the choreography and classroom skills for her students. Ginger holds her M.F.A. in Acting Performance from the University of Southern Mississippi and continues to teach acting and dance. She has worked with students that range in age from kindergarten through professionals.
Ginger has worked in commercials, voice-overs, film, stage, and the classroom, and was profiled in the book FIRESTARTERS as “the actor”.
Ginger serves on the following Board of Directors: South Eastern Theatre Conference (SETC Secretary, Second Term), Junior League of the Roanoke Valley (Past President and Current Nominating Committee, Second Term), Burton Performing Arts Advisory Board, The Roanoke City Public Schools Education Foundation, and she has served on the Review Panel for theVirginia Commission for the Arts. She was the recipient of the DePaul’s Women of Achievement Award in the Arts in 2013 and was named the 2016 Kendig Award recipient for Individual Artist. Ginger is also a guest host with WSLS, the NBC affiliate, Daytime Blue Ridge television show, and is the host of the new Mill Mountain Theatre Podcast, Meet Me at Mill Mountain. She is very proud to be a member of the Mill Mountain Theatre team and looks forward to its continued growth, success, and artistic influence in the region.
Kristen Brooks Sandler
*
Kristen is an award-winning director/choreographer whose work can be seen on screen and on stage. Purple-haired & proudly queer, she is committed to physical storytelling, believing in movement as the universal language that bridges the gap between audience and artistry. Her dance company, Thistle Dance, blooms at the intersection of theater and concert dance and employs narrative in tandem with an avant-garde aesthetic to refocus our histories and lore for artists and audiences alike.
Seth Davis
*
Seth Davis is a Georgia native who is very excited to be a part of the Mill Mountain family after first serving as Associate Music Director for Mill Mountain’s 2013 production of The Sound of Music. Seth is a music director and musician in both the musical theater and classical music realms, in addition to being a teacher, clinician, and coach for performers and musicians of all ages. Regional credits include Kiss of the Spiderwoman, Spring Awakening, See What I Wanna See (Actor’s Express), Illyria: A Twelfth Night Musical (Georgia Shakespeare), Time Between Us, A Diva’s Christmas, Hair (Serenbe Playhouse) and The Andrews Brothers (Stage Door Players). Seth has also served as musical director for Georgia Tech and Oglethorpe University in addition to teaching at The Alliance Theatre, Aurora Theatre and judging many regional music and theater festival competitions.
Erin Markham
*
Matt Shields
*
Matt Shields is a native of Virginia. Having grown up in Loudoun County, he first moved to the region in 2013 to attend school at Radford University where he graduated with a BS in theatre. After working for a few other companies, Matt is happy to call MMT his artistic home. In the past few years Matt has served in a variety of jobs around Mill Mountain, including Props Master, Costumes Manager, Teaching Artist, Scenic Designer, and Company Manager. Matt is very happy to now be serving MMT as the Production Manager and is grateful to MMT for all the faith they have put in him over the years.
Savannah Woodruff
*
Savannah Woodruff was born and raised in Southern Pines, North Carolina, where she was encouraged to become involved in technical theatre in high school. Savannah is a graduate of The University of North Carolina at Greensboro, and received a BFA in Technical Production. Prior to joining the Mill Mountain Theatre staff, she worked as a member of Weston Playhouse Theatre Company’s Intern Company. Savannah is grateful for the support of her family (and especially her cats) in her endeavors, and is thrilled to be able to continue working and growing with Mill Mountain Theatre.
Michael Havens
*
Mike Havens was born and raised in Roanoke, VA and has been involved in music and playing guitar since the age of 12. He received his Bachelors’ degree in classical guitar performance from Radford University and was awarded a full scholarship for study towards a Masters’ degree at the University of Cincinnati College Conservatory of Music. In 2001, he taught guitar studies at local colleges and universities including, Radford University, Emory and Henry College, Sweet Briar College, Randolph-Macon Woman’s College, and Lynchburg College. In 2008, he was offered, and continues, a full-time position teaching guitar and electronic music at Patrick Henry High School in Roanoke, VA. Mike performs regularly as an acoustic and classical guitar soloist, is a member of the classical guitar and flute duo Con Eleganza, as a guest guitarist for the Roanoke Symphony Orchestra, and is the guitar and bassist for Roanoke’s Mill Mountain Theater.
Teresa Hedrick
*
Teresa is excited to be marking her 53rd show in the Mill Mountain Theatre pit! Other theatre work includes Hollins University Theatre Department and Columbia, South Carolina's Town Theatre and Workshop Theatre where her very first show was Sweeney Todd. Teresa has been playing woodwinds since age 12, and was a member of the Dennis Reaser Orchestra, Roanoke Jazz Orchestra, founder of Star City Swing for the Salem Jazz Festival, and is in the Sway Katz Big Band. She performs regularly for area churches and special occasions, and has performed extensively around Southwest VA including concerts with Gladys Knight, The Temptations, Shirley Jones and Maureen McGovern. Teresa teaches woodwinds at Hollins University and Roanoke College, and taught at Bluefield University from 2009-2019. She also teaches woodwinds and her husband Steve teaches brass at Hedrick Music Studios. They own Hedrick Music, Inc., which publishes the Band Fundamentals Book Series.
Pre-Show Snack or
Post-Show Dinner?
Don’t let the evening end when the curtain comes down. With The Marquee Local, you can find the perfect place for a pre-show snack, an evening meal, or a post-show cocktail. Enjoy exclusive deals from our local partners as you catch up, discuss the show, and create memories to last a lifetime.
Grab a Bite
Fortunato
Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.
Fortunato
Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.
Marquee Deal!
Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.
Martin's
Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.
Martin's
Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.
Marquee Deal!
The Pine Room
From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.
The Pine Room
From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.
Marquee Deal!
Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.
The Regency Room
Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!
The Regency Room
Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!
Marquee Deal!
Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.
Awful Arthur's
Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.
Awful Arthur's
Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.
Marquee Deal!
Corned Beef & Co
Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.
Corned Beef & Co
Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.
Marquee Deal!
Crescent City Bourbon and Barbecue
The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.
Crescent City Bourbon and Barbecue
The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.
Marquee Deal!
Jack Brown's Beer & Burger Joint
Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.
Jack Brown's Beer & Burger Joint
Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.
Marquee Deal!
Nawab Indian Cuisine
Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.
Nawab Indian Cuisine
Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.
Marquee Deal!
Raise a Glass
Sidecar
Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.
Sidecar
Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.
Marquee Deal!
Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.
Three Notch'd Brewing Co.
The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.
Three Notch'd Brewing Co.
The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.
Marquee Deal!
Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.
Twisted Track Brewpub
In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.
Twisted Track Brewpub
In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.
Marquee Deal!
Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.
Benny Marconi's
Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.
Benny Marconi's
Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.
Marquee Deal!
Billy's
Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.
Billy's
Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.
Marquee Deal!
Fork in the Market
Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.
Fork in the Market
Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.
Marquee Deal!
Texas Tavern
Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.
Texas Tavern
Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.
Marquee Deal!
While You Wait
With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today.
The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma.
The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park.
Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.
You can purchase tickets to the new film from our friends at Hollywood.com here.
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out.
Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:
The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.
The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.
During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.
Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.
Yeah, right.
Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.
Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.
One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”
They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.
When they leave, I hold my breath as I take their bill.
Sure enough, no tip.
“What the fuck?” I mutter under my breath.
“Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.
[She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.
I rest my arms on the counter and try not to look as exhausted as I feel.
“Excuse me!” an old lady screeches, making me jump.
Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.
“Yes?” I say trying to suppress my annoyance.
“Could you be bothered to serve us?”
Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”
And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”
Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.
“Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.
“Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”
Honestly, at least the serial killers wouldn’t care about my jump shot.
It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”
Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.
“Pickup order?” I ask.
“You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”
And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”
I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.
I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]
Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”
She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”
For more information, and to purchase your copy of Time Out, click here.
Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.
“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”
For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”
While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.
“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.
When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.
Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”
Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.
Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”
One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”
During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”
“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.
“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”
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