The Cypress Center for the Arts
ICONIC
WIndermere Preparatory School
Dance Department
Winter Dance Show
December 14th & 15th, 2023
Choregraphers
Allison Barron, Ryan Lingle, Lisa Renee Johnson & Madison Shortle
Grantors
Sponsors
Special Thanks
Thank you to all of our WPS Administration, Teachers and Staff for their continued support. Thank you to the dancers in tonight's performance for their hours of dedication to this process of creating an Iconic Dance Show.
Donors
Donors
Tributes
Tributes
Performers
Proud Mary
MS Advanced, IB Year 1 & 2, Choreography & Performance, Adv Choreography & Performance
Choreographed by: Allison Barron & Ryan Lingle
Dancers: Lilyana Basinger, Isabela Bardi Silva, Samantha Beears, Catherine Cole, Elliott Davidoff, Anderson Davies, Bella Davis, Felecia Deodat, Rachel Dowling, Madeline Dyke, Julie Falino, Kamden Feth, Natalia Ferdandez, Elena Fujinaga, Sophia Gegg, Sofia Guerrero, Margarita Guzman, Kamilah Hamdan, Katie Hollingshead, Bianca Hunt, Sophie Jackson,Sasha Keller, Brooke Kenny, Lianna Lo, Braelyn MacGregor-Schultz, Veronica Marrero, Nattalie Merk, Chloe Morris, Noor Nawaz, Lindsey Naylon, Tatum Nguyen, Taylor Ort, Madeleine Park, Lily Parker ,Analise Peralta, Victoria Pullen, Lily Redman, Luiza Russo, Caroline Schools, Maya Siddiqui, Monica Soriano, Alexa Stewart, Dominic Tarantino, Lorrin Taylor, Samantha Taylor, Sakshi Trivedi, Samantha Wellington, Hayden Wilcox, Kara Wipfler, Ruting (Taylor) Ye
Always Be My Baby
6th Grade Dance 2
Choreography by: Ryan Lingle
Dancers: Reyah Abbas, Francesca Attwood, Reece Barcellona, Bella Bass, Jemma Blunk, Daliah Damon, Dasha Damon, Sofia Freyre Goncalves, Ella Ionelli, Isabella Jiang, Arya Mohan, Melissa Oliveira, Sonali Ramlall, Natalie Motta, Sophia Rosemeier, Sahana Shah, Jackson Wipfler, Mia Wojcik, Allison Yu
Let it Be
Dance Technique 1 & Dance Technique 3
Choreographed by: Allison Barron & Madison Shortle
Dancers: Charlotte Black, Daniel Goebel Guzman, Yinan Jiang, Sarah Jordan, Kingsley Magruder, Emily Messersmith, Bernice Pan, Ava Pickles, Sydney Walcott, Jiayue (Aliya) Wang
You Can Count on Me
Lakerettes Dance Team
Choreography by: Lisa Rene’e Johnson
Dancers: Samantha Beears, Isabella Christenson-Lozjuan, Elena Fujinaga, Aliana Victoria Perez Cardenales, Ella Ramphal, Sahana Shah
If I Could Dream
IB Dance Year 2
Choreographed by: Allison Barron
Dancers: Anderson Davies, Sophia Gegg, Margarita Guzman, Sophie Jackson, Lily Redman
I Feel Love / Last Dance
8th Grade Dance
Choreography by: Ryan Lingle
Dancers: Saira Bhanji, Celine Cortes, Shauna Cresse, Larissa Dos Santos Amaral, Beatriz Zanin, Maria Meireles, Kylie Niederst, Olivia Shenkman, Alyssa Weiner, Fiona Yi, Catherine Zhang, Cynthia Zhou
One
IB Dance Year 1
Choreographed by: Madison Shortle
Dancers: Catherine Cole, Felecia Deodat, Lianna Lo, Nattalie Merk, Noor Nawaz, Lindsey Naylon,Madeleine Park, Victoria Pullen, Luiza Russo, Caroline Schools, Dominic Tarantino, Ruting (Taylor) Ye
Barbie World
7th Grade Dance
Choreography by: Ryan Lingle
Dancers: Isabella Bakker, Alexander Bhagwandin, Sophia Birchenall, Josh Bjerken, Camilla Cerione, Luca Chen, Isabella Christenson, Jade Doleh, Angelina Dulay, Emiliana Expinosa Lombana, Azra Farid, Lexi Feintuch, Sophia Hashish, Sofie Millender, Caden Plegge, Zahra Shah, Laruen Spurlock, Menaal Syed, Ana Luiza Wellisch, Chloe Yeo
The Chain
Advanced Choreography & Performance
Choreographed by: Class composition facilitated by Allison Barron
Dancers: Elliott Davidoff, Kamilah Hamdan, Katie Hollingshead, Brooke Kenny, Veronica Marrero, Chloe Morris, Lorrin Taylor, Sakshi Trivedi , Hayden Wilcox
I Did Something Bad
Middle School Dance & Choreography Study 1
Choreography by: Ryan Lingle
Dancers: Aviva Braun, Mason Crocetti, Viktoria Isaksson, Harper Jackson, Gaby Juron, Nayibe Marlowe-Dao, Teagan McKenzie, Anna Maria Padoan, Lucy Transue
When Doves Cry
6th Grade Dance 1
Choreography by: Ryan Lingle
Dancers: Nailah Al-Husaini, Eduarda Auler Schucman, Sophia Blimline, Clara Cresciani, Benjamin Brunette, Brooklyn Davies, Amanda Doval Quirindongo, Zoey Ehrhard, Samantha Barsky, Riley Hilliard, Hope Katen, Hemma Khela, Charlize Mangin, Elisa Paes de Barros, Ella Ramphal, Olivia Richter, Althea Ruggieri, Julia Saft, Sienna Stewart, Hanna Walther
Paint it Black
Choreography & Performance
Choreographed by: Allison Barron
Dancers: Lilyana Basinger, Isabela Bardi Silva, Rachel Dowling, Julie Falino, Kamden Feth, Natalia Ferdandez, Lily Parker, Maya Siddiqui, Alexa Stewart, Samantha Taylor, Samantha Wellington
What a Wonderful World
Repertoire Dance Company
Choreographed by: Allison Barron
Dancers: Margarita Guzman, Chloe Morris, Lorrin Taylor, Hayden Wilcox, Ruting (Taylor) Ye
Separate Ways (Worlds Apart)
Middle School Dance & Choreography Study 2
Choreography by: Ryan Lingle
Dancers: Samantha Beears, Bella Davis, Madeline Dyke, Elena Fujinaga, Sofia Guerrero, Bianca Hunt, Sasha Keller, Braelyn MacGregor-Schultz, Tatum Nguyen, Taylor Ort, Analise Peralta, Monica Soriano, Kara Wipfler
Setting
Various
Please keep the aisles clear at all times as our Dancers will need access to the entire theatre during the Dance Show.
Songs & Scenes
*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
“Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org
Production Staff
Venue Staff
School Administration Staff
Musicians
Board Members
Student Advisory Board
Meet the Cast
Proud Mary
MS Advanced, IB Year 1 & 2, Choreography & Performance, Adv Choreography & Performance
Choreographed by: Allison Barron & Ryan Lingle
Dancers: Lilyana Basinger, Isabela Bardi Silva, Samantha Beears, Catherine Cole, Elliott Davidoff, Anderson Davies, Bella Davis, Felecia Deodat, Rachel Dowling, Madeline Dyke, Julie Falino, Kamden Feth, Natalia Ferdandez, Elena Fujinaga, Sophia Gegg, Sofia Guerrero, Margarita Guzman, Kamilah Hamdan, Katie Hollingshead, Bianca Hunt, Sophie Jackson,Sasha Keller, Brooke Kenny, Lianna Lo, Braelyn MacGregor-Schultz, Veronica Marrero, Nattalie Merk, Chloe Morris, Noor Nawaz, Lindsey Naylon, Tatum Nguyen, Taylor Ort, Madeleine Park, Lily Parker ,Analise Peralta, Victoria Pullen, Lily Redman, Luiza Russo, Caroline Schools, Maya Siddiqui, Monica Soriano, Alexa Stewart, Dominic Tarantino, Lorrin Taylor, Samantha Taylor, Sakshi Trivedi, Samantha Wellington, Hayden Wilcox, Kara Wipfler, Ruting (Taylor) Ye
Always Be My Baby
6th Grade Dance 2
Choreography by: Ryan Lingle
Dancers: Reyah Abbas, Francesca Attwood, Reece Barcellona, Bella Bass, Jemma Blunk, Daliah Damon, Dasha Damon, Sofia Freyre Goncalves, Ella Ionelli, Isabella Jiang, Arya Mohan, Melissa Oliveira, Sonali Ramlall, Natalie Motta, Sophia Rosemeier, Sahana Shah, Jackson Wipfler, Mia Wojcik, Allison Yu
Let it Be
Dance Technique 1 & Dance Technique 3
Choreographed by: Allison Barron & Madison Shortle
Dancers: Charlotte Black, Daniel Goebel Guzman, Yinan Jiang, Sarah Jordan, Kingsley Magruder, Emily Messersmith, Bernice Pan, Ava Pickles, Sydney Walcott, Jiayue (Aliya) Wang
You Can Count on Me
Lakerettes Dance Team
Choreography by: Lisa Rene’e Johnson
Dancers: Samantha Beears, Isabella Christenson-Lozjuan, Elena Fujinaga, Aliana Victoria Perez Cardenales, Ella Ramphal, Sahana Shah
If I Could Dream
IB Dance Year 2
Choreographed by: Allison Barron
Dancers: Anderson Davies, Sophia Gegg, Margarita Guzman, Sophie Jackson, Lily Redman
I Feel Love / Last Dance
8th Grade Dance
Choreography by: Ryan Lingle
Dancers: Saira Bhanji, Celine Cortes, Shauna Cresse, Larissa Dos Santos Amaral, Beatriz Zanin, Maria Meireles, Kylie Niederst, Olivia Shenkman, Alyssa Weiner, Fiona Yi, Catherine Zhang, Cynthia Zhou
One
IB Dance Year 1
Choreographed by: Madison Shortle
Dancers: Catherine Cole, Felecia Deodat, Lianna Lo, Nattalie Merk, Noor Nawaz, Lindsey Naylon,Madeleine Park, Victoria Pullen, Luiza Russo, Caroline Schools, Dominic Tarantino, Ruting (Taylor) Ye
Barbie World
7th Grade Dance
Choreography by: Ryan Lingle
Dancers: Isabella Bakker, Alexander Bhagwandin, Sophia Birchenall, Josh Bjerken, Camilla Cerione, Luca Chen, Isabella Christenson, Jade Doleh, Angelina Dulay, Emiliana Expinosa Lombana, Azra Farid, Lexi Feintuch, Sophia Hashish, Sofie Millender, Caden Plegge, Zahra Shah, Laruen Spurlock, Menaal Syed, Ana Luiza Wellisch, Chloe Yeo
The Chain
Advanced Choreography & Performance
Choreographed by: Class composition facilitated by Allison Barron
Dancers: Elliott Davidoff, Kamilah Hamdan, Katie Hollingshead, Brooke Kenny, Veronica Marrero, Chloe Morris, Lorrin Taylor, Sakshi Trivedi , Hayden Wilcox
I Did Something Bad
Middle School Dance & Choreography Study 1
Choreography by: Ryan Lingle
Dancers: Aviva Braun, Mason Crocetti, Viktoria Isaksson, Harper Jackson, Gaby Juron, Nayibe Marlowe-Dao, Teagan McKenzie, Anna Maria Padoan, Lucy Transue
When Doves Cry
6th Grade Dance 1
Choreography by: Ryan Lingle
Dancers: Nailah Al-Husaini, Eduarda Auler Schucman, Sophia Blimline, Clara Cresciani, Benjamin Brunette, Brooklyn Davies, Amanda Doval Quirindongo, Zoey Ehrhard, Samantha Barsky, Riley Hilliard, Hope Katen, Hemma Khela, Charlize Mangin, Elisa Paes de Barros, Ella Ramphal, Olivia Richter, Althea Ruggieri, Julia Saft, Sienna Stewart, Hanna Walther
Paint it Black
Choreography & Performance
Choreographed by: Allison Barron
Dancers: Lilyana Basinger, Isabela Bardi Silva, Rachel Dowling, Julie Falino, Kamden Feth, Natalia Ferdandez, Lily Parker, Maya Siddiqui, Alexa Stewart, Samantha Taylor, Samantha Wellington
What a Wonderful World
Repertoire Dance Company
Choreographed by: Allison Barron
Dancers: Margarita Guzman, Chloe Morris, Lorrin Taylor, Hayden Wilcox, Ruting (Taylor) Ye
Separate Ways (Worlds Apart)
Middle School Dance & Choreography Study 2
Choreography by: Ryan Lingle
Dancers: Samantha Beears, Bella Davis, Madeline Dyke, Elena Fujinaga, Sofia Guerrero, Bianca Hunt, Sasha Keller, Braelyn MacGregor-Schultz, Tatum Nguyen, Taylor Ort, Analise Peralta, Monica Soriano, Kara Wipfler
Meet the Team
Pre-Show Snack or
Post-Show Dinner?
Don’t let the evening end when the curtain comes down. With The Marquee Local, you can find the perfect place for a pre-show snack, an evening meal, or a post-show cocktail. Enjoy exclusive deals from our local partners as you catch up, discuss the show, and create memories to last a lifetime.
Grab a Bite
Raise a Glass
While You Wait
With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today.
The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma.
The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park.
Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.
You can purchase tickets to the new film from our friends at Hollywood.com here.
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out.
Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:
The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.
The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.
During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.
Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.
Yeah, right.
Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.
Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.
One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”
They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.
When they leave, I hold my breath as I take their bill.
Sure enough, no tip.
“What the fuck?” I mutter under my breath.
“Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.
[She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.
I rest my arms on the counter and try not to look as exhausted as I feel.
“Excuse me!” an old lady screeches, making me jump.
Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.
“Yes?” I say trying to suppress my annoyance.
“Could you be bothered to serve us?”
Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”
And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”
Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.
“Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.
“Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”
Honestly, at least the serial killers wouldn’t care about my jump shot.
It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”
Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.
“Pickup order?” I ask.
“You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”
And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”
I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.
I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]
Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”
She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”
For more information, and to purchase your copy of Time Out, click here.
Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.
“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”
For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”
While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.
“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.
When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.
Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”
Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.
Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”
One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”
During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”
“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.
“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”
Media
Let's Connect
Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!
Let's Connect
Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!
Share this Marquee
Waiting for the Show to Start?
The Marquee has you covered.
Media
Let's Connect
Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!
Let's Connect
Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!
Waiting for the Show to Start?
The Marquee has you covered.