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Performers

Aaron Albano

*

William, u/s M. Maboul

Carlyn Connolly

*

Aurélie

Kevin Curtis

*

Colombe

Laura Girard

*

Dorian/Hérissonne

Jacob Hoffman

*

Gryphon

Tracie Elaine Lee

*

Geneviève

David Merten

*

Stéphane

Mike Schwitter

*

Napoléon

Christine Cornish Smith

*

Delphine

Sharrod Williams

*

Coquin/Perruche, u/s Chance

Aaron Albano – Understudy M. Maboul

Setting

1944, Occupied France
There will be one 15-minute intermission

Songs & Scenes

Act I
"Rebellion, Revolution, Paradox"
Full Company
"The Circle’s End"
Aurélie
"Almost Real"
Chance
"Curiosity"
Aurélie
"Long Story Short"
William, Perruche, Hérissonne & Aurélie
"Fantasia"
Chance & Full Company
"The Other Side"
Chenille
"Beyond the Sky"
Aurélie & Colombe
"Visions"
Delphine, Stéphane, & Aurélie
"Where You Want to Go"
Marie-Laure
"A Table for Three"
M. Maboul, Mars, & Dorian
Act II
"Roses In Bloom"
Full Company
"What A Pity"
Chance
"Laughter Through Tears"
Mme. Tortue
"Will You, Won’t You?"
Gryphon, Mme. Tortue, & Aurélie
"Nostalgic Echo"
Marie-Laure
"The Accusation"
Chance, Geneviève, Napoléon & Coquin
"A Table for Three (Reprise)"
M. Maboul, Mars & Dorian
"Nothing Whatever"
Full Company
"Expression More Profound"
Aurélie & Full Company
"To See You Again"
Aurélie & Delphine

Production Staff

Director
Melissa Rain Anderson
Scenic Design
Ann Beyersdorfer
Costume Design
Fabian Fidel Aguilar
Lighting Design
Jamie Roderick
Sound Design
Kevin Heard
Arrangements
Andrew Nielson
Casting
Kate Lumpkin Casting
General Management
EBP Productions
Production Stage Manager
Laura Malseed
Music Supervisor
Andrew Nielson

Board of Directors

President

Carlyn Connolly

Vice President

Pat Linhart

Treasurer

Pat Linhart

Secretary

Joe Chisholm

Board Members

  • Richard Hess
  • Diane Lala
  • Andrew Nielson
  • Jodi Bluestein

Student Advisory Board

Credits

Lighting equipment from PRG Lighting, sound equipment from Sound Associates, rehearsed at The Public Theater’s Rehearsal Studios. Developed as part of Irons in the Fire at Fault Line Theatre in New York City.

Special Thanks

Endless thanks to Islay the Goldendoodle.

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

United Scenic Artists ● Local USA 829 of the I.A.T.S.E represents the Designers & Scenic Artists for the American Theatre

ATPAM, the Association of Theatrical Press Agents & Managers (IATSE Local 18032), represents the Press Agents, Company Managers, and Theatre Managers employed on this production.

Message From The Theatre

Welcome to Parkside Court's inaugural production of the 2021 season, and the first performances on our stage following a devastating pandemic that shook our industry–and the world at large–to its very core.

We have long awaited the chance to welcome our patrons back to their seats and to once again experience and enjoy the innately transcendent and transformative art of theatre.

It is important to us that our audience understand the exhaustive measures we have taken to ensure not only the safety of our audience, but that of our staff, crew, and the cast on stage. From new cleaning protocols, to a new air filtration system, to the contactless program you hold in your hands, we have left no stone unturned in our efforts to ensure a safe and successful return to our theatre.


Gladys Kingston, Artistic Director

A Note From The Dramaturg

A work of art incorporating rebelliousness, revolution, paradox; distortions of space and time, logic, size, and proportion; disbelief in conventional reality; assimilation of dreams, wordplay, and the ineffable nature of childhood: What do we first think of when we hear these words?

Although the outrageousness of Reverend Charles Lutwidge Dodgson was limned within a conventional fairy tale (ostensibly for children), the surrealists deliberately sought outrage and provocation in their art and lives and questioned the nature of reality. For both Dodgson and the surrealists, what some call madness could be perceived by others as wisdom.Surrealism’s initial objective was to make accessible to art the realms of the unconscious, the irrational, and the imaginary, and its influence soon went far beyond the visual arts and literature, embracing music, film, theater, philosophy, and popular culture.*

We welcome you to our modern wonderland--a world of Rebellion, Revolution, and Paradox--and we invite you to ask of yourself the question posed so effortlessly in a rowboat on the Thames:

In a time of unrelenting crisis, who are you?

*Mark Burstein, “Dodgson and Dalì,” 2015

History of the Theatre

Established in 2011, Parkside Court Regional Theatre emerged as a dynamic force in the cultural landscape of its region. Nestled within the vibrant community of Parkside, the theatre swiftly gained acclaim for its dedication to presenting fresh, innovative works that resonated with contemporary audiences. From its inception, Parkside Court distinguished itself by embracing the spirit of experimentation and exploration, continuously pushing the boundaries of traditional theatre.

Starting in a modest venue, Parkside Court quickly expanded its reach, captivating audiences with a diverse repertoire that showcased new and exciting pieces from emerging playwrights alongside reimagined classics. With each production, the theatre fostered an atmosphere of creative collaboration and artistic risk-taking, inviting patrons to immerse themselves in thought-provoking narratives that reflected the complexities of modern life. Today, Parkside Court Regional Theatre stands as a beacon of creativity and ingenuity, enriching its community with a bold and ever-evolving vision for the future of theatre.

Cast
Creatives

Meet the Cast

Aaron Albano

*

William, u/s M. Maboul
(
Dance Captain
)
(
Dance Captain
)
Pronouns:
he/him

Aaron Albano hails originally from the West Coast where he began performing professionally at the age of 15 in San Jose, CA. After attending the University of Cincinnati College-Conservatory of Music (CCM), majoring in musical theatre, he made his Broadway debut in the original company of Bombay Dreams. Since then, Aaron has performed in such Broadway shows as Wicked, A Chorus Line, Mary Poppins, The 25th Annual Putnam County Spelling Bee (where he closed the production as Chip Tolentino), The King and I, Allegiance, Cats, and most notably, as Finch in the original Broadway company of Newsies. Aaron can currently be seen as Samuel Seabury (and on rare occasion King George III) on the national tour of Hamilton.

Carlyn Connolly

*

Aurélie
(
)
(
)
Pronouns:
she/her

Carlyn Connolly is a NYC-based performer and start-up founder. Select regional credits include Cabaret (Fräulein Kost, u/s Sally Bowles; Alabama Shakespeare Festival), Company (Sarah, Arts Center of Coastal Carolina), The Great Gatsby (Jordan Baker, Ivoryton Playhouse), Fun Home (Helen Bechdel, Mill Mountain Theatre), The Sound of Music (Elsa Schraeder, Virginia Opera), Hello, Dolly! (Irene Malloy, Virginia Musical Theatre), and An American in Paris (Milo Davenport, Arts Center of Coastal Carolina). Carlyn has performed as a soloist with orchestras in the US, Canada, and across Asia. Love always to Mom, Dad, Devin, and Melissa, and endless thanks to Andre for this incredible honor.

Kevin Curtis

*

Colombe
(
)
(
)
Pronouns:

Broadway: Moulin Rouge. B’way National Tour: A Chorus Line. Off-Broadway: Invisible Thread (Second Stage). Regional: Paper Mill Playhouse, The MUNY, Steppenwolf Theatre Co., ART, Denver Center,  Geva Theatre, Dallas Theatre Center, PCLO, North Shore Music Theatre, TUTS, Stages St. Louis and many more. TV: Pose (FX), Younger (TVLand), The Other Two (HBO Max), Side Hustle (Nickelodeon). Film: Loulou, Take Care, Newlyweeds. Training: Baltimore School for the Arts, AMDA.

Laura Girard

*

Dorian/Hérissonne
(
)
(
)
Pronouns:

Laura Girard is a proud graduate of the Ball State University BFA Musical Theatre program. She was recently seen dancing at Nationwide Arena with the Tom Sartori Band, and in Lippa's The Wild Party in collaboration with the Yale School of Music. She currently lives in New York with her boyfriend and her cat.

Jacob Hoffman

*

Gryphon
(
)
(
)
Pronouns:

Jacob Hoffman • Actor, Singer, Writer, Teacher • NY/Off-Broadway: Howard Crabtree’s When Pigs Fly (The Actors Fund), I’ll Be Damned (The Vineyard Theatre), Bless You All! (Connelly Theatre), Scary Musical: The Musical (York Theatre), Jacob Hoffman's Kindergarten Thanksgiving Spectacular (The Green Room 42). Select Regional: Geva Theatre Center, Arkansas Rep., ACT of Connecticut, Pioneer Theatre Co., Utah Shakespearean Festival, Bay Street Theatre, Florida Studio Theatre, Arkansas Rep., and Porchlight Music Theatre.  Proud AEA member.

Tracie Elaine Lee

*

Geneviève
(
)
(
)
Pronouns:

Off-Broadway: Safeword. First National tour: Beautiful: The Carole King Musical (Uptown). Select Regional: Dreamgirls (Michelle), Fortress of Solitude (Marilla), Les Miserables (Eponine), Cabaret (Texas), Stagger Lee. Many thanks to Avalon Artists Group & Kate Lumpkin Casting. Endless love to God, Dad, Mom, Janelle & Bop.

David Merten

*

Stéphane
(
)
(
)
Pronouns:

David Merten just completed his first year as an MFA Acting student at Brown University/Trinity Rep. He made his New York Off-Broadway debut with a seven-month run of the hit play Afterglow at The Davenport Theatre. Other New York/regional credits include Sons of the Prophet, The Two Gentlemen Of Verona, And Then There Were None, and the Williamstown Theatre Festival Acting Apprentice program. Catch him in the popular fiction podcasts Gay Future and Meet Cute on iTunes, as well as the web series Queen's English, streaming online now. He is a proud graduate of Ball State University's BFA Acting program as well as a proud member of AEA.

Mike Schwitter

*

Napoléon
(
)
(
)
Pronouns:

Mike Schwitter just finished traveling for two years with the national tour of Les Misérables (covering Marius and Enjolras.) Broadway: Pippin (Lewis, u/s Pippin). National Tour: The Book of Mormon (Swing, u/s Elder Price). Regional: Next to Normal (Regional Premier and elsewhere; Gabe), Jesus Christ Superstar, Love Changes Everything, Chamberlain. Other favorites include HAIR, Urinetown, and Anything Goes. Mike has also performed with dozens of symphonies across the country in shows such as Cirque Musica, "The Spy Who Loved Me" with Sheena Easton, and West Side Story at the Hollywood Bowl with the LA Philharmonic, conducted by Gustavo Dudamel. Mike holds a BFA in Musical Theatre from the College-Conservatory of Music (CCM) and currently resides in New York City.

Christine Cornish Smith

*

Delphine
(
)
(
)
Pronouns:

Christine Cornish Smith was most recently seen on Broadway in the Original Revival Cast of Kiss Me, Kate!, where she was a featured dancer in the ensemble and covered Lois Lane/Bianca. Christine is most well known for her portrayal of Bombalurina in the OBC revival of CATS, where she was nominated for a 2017 Chita Rivera Award for Best female performance in a Broadway Musical. She was also seen in the OBC of My Fair Lady in 2018 at Lincoln Center. A cum laude graduate of the Cincinnati College-Conservatory of Music, other credits include: Laurey Williams in Susan Stroman’s Oklahoma! at the MUNY, Sheila Bryant in A Chorus Line at the Riverside Theater, original revival tour of Joseph and the Amazing Technicolor Dreamcoat helmed by Andy Blankenbuehler, and more. She has also performed as a principal vocalist with the Fort Wayne Philharmonic, the Phoenix Symphony, and the Niagara Symphony Orchestra, as well as was a finalist in Kurt Weill’s Lotte Lenya Vocal Competition in 2014. She appeared in the 25th Anniversary Concert performance of Crazy For You at Lincoln Center and has also appeared on HBO’s “Last Week Tonight” with John Oliver, “Good Morning, America”, “The Today Show”, “The Macy’s Thanksgiving Day Parade”, and “The Tony Awards". Christine is a teacher for Steps on Broadway, Broadway Dance Center, CLI studios, Institute of American Musical Theater, Broadway Workshop, Broadway On Demand, Broadway Classroom, among other programs. She has been featured on Playbill.com, Broadway.com, Inside Dance Magazine, and BroadwayBox as one of the "Incredible Debuts" of the 2016 Broadway season. Catch Christine on the upcoming season of “The Marvelous Mrs. Maisel” on Amazon Prime Video coming fall 2021!

Sharrod Williams

*

Coquin/Perruche, u/s Chance
(
)
(
)
Pronouns:

Broadway: OBC CATS (Pouncival), Tuck Everlasting. Off-Broadway: Grand Hotel (Encores!). Tours: Hamilton (Chicago), A Chorus Line (Richie), Bring It On: The Musical (La Cienega). Regional: Kennedy Center, TUTS, MUNY, Asolo Rep. Dance Companies: The Chase Brock Experience, Life Dance Company, and the Von Howard Project. Film: Happy, Yummy, Chicken. TV: Under The Influence, Macys Thanksgiving Day Parade, GMA, Today Show. Executive Producer, writer, and star of the award-winning web series, NEIGHBORS - now available to stream on YouTube. Sharrod is the CEO of multi-media company, Cocoa Dusted Productions - dedicated to telling stories by queer folx and people of color. “Keep Going”.

Meet the Team

Andre Catrini

*

Music & Lyrics
(
)
Pronouns:

Andre is a composer/lyricist based out of New York City. His musical, The Astonishing Times of Timothy Cratchit (Book by Allan Knee) had its world premiere at the Hope Mill Theatre in Manchester, England in 2019. 

Other works include: A Problem with the Pattersons (Book by Laura Zlatos), The Wolf (Book by Joe Calarco), Thursdays at 4:15, Other Women and Whisper, Love.

Awards include: 2014 ASCAP Foundation Cole Porter Award, given “in recognition for his outstanding talent as a musical theatre composer and lyricist,” as well as a 2015 New Voices Project Merit Award.  

Andre is a member of ASCAP, an alumnus of the ASCAP Johnny Mercer Songwriter’s Workshop, a current member of the BMI-Lehman Engel Advanced Musical Theatre Workshop, and a graduate of the College Conservatory of Music at the University of Cincinnati.

Melissa Rain Anderson

*

Director
(
)
Pronouns:

Melissa Rain Anderson (Director) Regional Premier of The Play that Goes Wrong and The Wolves at The Repertory Theater of St. Louis; A Christmas Carol at Denver Center Theater Company (several years); Macbeth, Big River and The Cocoanuts at Utah Shakespeare Festival; The Wolves at Syracuse Stage and All is Calm- The Christmas Truce of 1914 at Alabama Shakespeare Festival. Melissa is an Affiliate Artist at Geva Theatre Center where she has directed In the Heights, HAIR, La Cage Aux Folles, A Funny Thing…Forum, Spamalot, Spelling Bee among others. Upcoming: RII at Santa Cruz Shakespeare. Melissa lives in New York City with her husband, actor Jim Poulos.

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2024-2025 Broadway Season Is Highest Grossing Season in Recorded History
Emily Wyrwa
May 28, 2025

Dare we say, Broadway is so back? The 2024-2025 Broadway season has become the highest grossing season in recorded Broadway history, with $1.89 billion in grosses, according to The Broadway League.

The season, which began on May 20, 2024 and ended on May 25, 2025, was also the second most-attended season in history, with total attendance reaching 14.7 million. It closely followed the 2018-2019 season, which still holds the record for best attendance.

“There is so much to celebrate about the 2024-2025 season,” Jason Laks, President of The Broadway League said in a statement. “Looking back, it was never a given that audiences would return to their seats or that every theatre’s lights would come back up. It has taken the hard work and imagination of thousands and thousands of dreamers and doers to bring the magic of Broadway back.”

The 2024-2025 season featured 77 productions — 43 of which opened this season — that played a total of 13,404 performances. 91.2% of available seats were filled, according to The League.

Grosses were up 23% from last season, and attendance was up 19.3%.

This season’s shows presented originality to audiences. 43 productions opened — including 21 musicals, 21 plays, and one original special engagement — 33 productions continued from prior seasons, and one production began previews. Of the 21 musicals and plays that opened, 16 were original and five were revivals for both mediums.

While this season appears promising, Laks said there is work to be done as Broadway looks ahead to the 2025-2026 season. “We can’t be satisfied with 2019’s definition of success anymore,” he said. Given rising costs of production, producing live theatre is becoming more and more challenging, and shows have a short window to “get on their feet.”

“As a community and industry, we have a lot of work ahead of us to meet these challenges by growing audiences and addressing costs so we can sustain this cultural treasure and economic engine,” Laks said.

For full Broadway season statistics, visit here.

Darren Criss and Renée Elise Goldsberry Will Host THE TONY AWARDS: ACT ONE
Emily Wyrwa
May 28, 2025

Broadway’s biggest night will kick off with a bang! First-time Tony Award nominee Darren Criss and Tony Award winner Renée Elise Goldsberry will host The Tony Awards: Act One this year: a live pre-show streaming free on Pluto TV. The show will stream June 8 from 6:40 p.m. to 8 p.m. EST.

Criss and Goldsberry will present the first round of Tony Awards during Act One. Viewers can access The Tony Awards: Act One on their smart TV, streaming device, mobile app or online by going to Pluto TV and clicking on the “Live Music” channel, found within the Entertainment category on the service.

After Act One, The 78th Annual Tony Awards will be broadcast live on CBS and streamed on Paramount+ from 8 p.m. to 11 p.m. The show will be hosted by Tony, Emmy, and Grammy Award winner Cynthia Erivo, who recently starred as Elphaba in the film adaptation of Wicked.  

Criss, who is best known for his role in Glee, is up for his first Tony Award this season for his leading performance as Oliver in Maybe Happy Ending. The original musical, which tells the story of two robots falling in love, is tied for the most nominated show of the season. Criss previously performed in the Broadway productions of How to Succeed in Business Without Really Trying, Hedwig and the Angry Inch, and American Buffalo. He’s a founding member of StarKid Productions and the Broadway-inspired music festival Elsie Fest.

Goldsberry won the Tony Award for Best Featured Actress In a Musical for originating the role of Angelica Schulyer in Hamilton in 2016. Her debut solo album, Who I Really Am, comes out this June. She has performed on Broadway in Rent, The Color Purple, All In: Comedy About Love, and The Lion King.

Shaina Taub, Ben Levi Ross, and Colin Donnel join Lincoln Center's RAGTIME
Emily Wyrwa
May 28, 2025

The wheels of Ragtime are turning once again! The upcoming Broadway revival of Ragtime at Lincoln Center has announced additional casting. Alongside previously announced Joshua Hemry, Caissie Levy, and Brandon Uranowitz will be Colin Donnel, Nichelle Lewis, Ben Levi Ross, Shaina Taub, John Clay III, and Rodd Cyrus.

The ensemble will also feature Nicholas Barrón, Briana Carlson-Goodman, Billy Cohen, Rheaume Crenshaw, Charity Angél Dawson, Ta’Nika Gibson, David Jennings, Marina Kondo, Morgan Marcell, Tom Nelis, Kent Overshown, John Rapson, Deandre Sevon, Jacob Keith Watson, and Alan Wiggins. Additional casting to round out the 33-person cast will be announced at a later date.

This production will also feature a 28-piece orchestra, led by music director James Moore with original orchestrations by William David Brohn and vocal arrangements by Stephen Flaherty. It will be directed by incoming Lincoln Center Artistic Director Lear deBessonet and choreographed by Ellenore Scott.

Ragtime is a musical adaptation of E.L. Doctorow’s novel that follows three fictional families in pursuit of the American Dream at the dawn of the 20th Century: Black pianist Coalhouse Walker, Jr. (Joshua Henry) and his beloved Sarah (Nichelle Lewis), Jewish immigrant Tateh (Brandon Uranowitz) and his little girl, and a wealthy white family led by matriarch Mother (Caissie Levy). They are all grasping for the same dream, if only they can hold onto it.

Featuring a lush score by Stephen Flaherty and Lynn Ahrens, a stirring book by Terrence McNally, and original orchestrations by William David Brohn, all of whom won Tony Awards for their work, Ragtime weaves fictional narratives with real historical figures and events, creating a rich tapestry that blurs the line between personal struggle and national identity, making history feel both intimate and epic.

Ragtime will begin previews on Sept. 26, and open on Oct. 16 at the Vivian Beaumont Theater on West 65th Street in New York City. It will play a limited engagement of 14 weeks through Jan. 4, 2026. For tickets and more information, click here.

Theatrely News
2024-2025 Broadway Season Is Highest Grossing Season in Recorded History
Theatrely News
Darren Criss and Renée Elise Goldsberry Will Host THE TONY AWARDS: ACT ONE
Theatrely News
Shaina Taub, Ben Levi Ross, and Colin Donnel join Lincoln Center's RAGTIME
2024-2025 Broadway Season Is Highest Grossing Season in Recorded History
By: Emily Wyrwa
May 28, 2025

Dare we say, Broadway is so back? The 2024-2025 Broadway season has become the highest grossing season in recorded Broadway history, with $1.89 billion in grosses, according to The Broadway League.

The season, which began on May 20, 2024 and ended on May 25, 2025, was also the second most-attended season in history, with total attendance reaching 14.7 million. It closely followed the 2018-2019 season, which still holds the record for best attendance.

“There is so much to celebrate about the 2024-2025 season,” Jason Laks, President of The Broadway League said in a statement. “Looking back, it was never a given that audiences would return to their seats or that every theatre’s lights would come back up. It has taken the hard work and imagination of thousands and thousands of dreamers and doers to bring the magic of Broadway back.”

The 2024-2025 season featured 77 productions — 43 of which opened this season — that played a total of 13,404 performances. 91.2% of available seats were filled, according to The League.

Grosses were up 23% from last season, and attendance was up 19.3%.

This season’s shows presented originality to audiences. 43 productions opened — including 21 musicals, 21 plays, and one original special engagement — 33 productions continued from prior seasons, and one production began previews. Of the 21 musicals and plays that opened, 16 were original and five were revivals for both mediums.

While this season appears promising, Laks said there is work to be done as Broadway looks ahead to the 2025-2026 season. “We can’t be satisfied with 2019’s definition of success anymore,” he said. Given rising costs of production, producing live theatre is becoming more and more challenging, and shows have a short window to “get on their feet.”

“As a community and industry, we have a lot of work ahead of us to meet these challenges by growing audiences and addressing costs so we can sustain this cultural treasure and economic engine,” Laks said.

For full Broadway season statistics, visit here.

Darren Criss and Renée Elise Goldsberry Will Host THE TONY AWARDS: ACT ONE
By: Emily Wyrwa
May 28, 2025

Broadway’s biggest night will kick off with a bang! First-time Tony Award nominee Darren Criss and Tony Award winner Renée Elise Goldsberry will host The Tony Awards: Act One this year: a live pre-show streaming free on Pluto TV. The show will stream June 8 from 6:40 p.m. to 8 p.m. EST.

Criss and Goldsberry will present the first round of Tony Awards during Act One. Viewers can access The Tony Awards: Act One on their smart TV, streaming device, mobile app or online by going to Pluto TV and clicking on the “Live Music” channel, found within the Entertainment category on the service.

After Act One, The 78th Annual Tony Awards will be broadcast live on CBS and streamed on Paramount+ from 8 p.m. to 11 p.m. The show will be hosted by Tony, Emmy, and Grammy Award winner Cynthia Erivo, who recently starred as Elphaba in the film adaptation of Wicked.  

Criss, who is best known for his role in Glee, is up for his first Tony Award this season for his leading performance as Oliver in Maybe Happy Ending. The original musical, which tells the story of two robots falling in love, is tied for the most nominated show of the season. Criss previously performed in the Broadway productions of How to Succeed in Business Without Really Trying, Hedwig and the Angry Inch, and American Buffalo. He’s a founding member of StarKid Productions and the Broadway-inspired music festival Elsie Fest.

Goldsberry won the Tony Award for Best Featured Actress In a Musical for originating the role of Angelica Schulyer in Hamilton in 2016. Her debut solo album, Who I Really Am, comes out this June. She has performed on Broadway in Rent, The Color Purple, All In: Comedy About Love, and The Lion King.

Shaina Taub, Ben Levi Ross, and Colin Donnel join Lincoln Center's RAGTIME
By: Emily Wyrwa
May 28, 2025

The wheels of Ragtime are turning once again! The upcoming Broadway revival of Ragtime at Lincoln Center has announced additional casting. Alongside previously announced Joshua Hemry, Caissie Levy, and Brandon Uranowitz will be Colin Donnel, Nichelle Lewis, Ben Levi Ross, Shaina Taub, John Clay III, and Rodd Cyrus.

The ensemble will also feature Nicholas Barrón, Briana Carlson-Goodman, Billy Cohen, Rheaume Crenshaw, Charity Angél Dawson, Ta’Nika Gibson, David Jennings, Marina Kondo, Morgan Marcell, Tom Nelis, Kent Overshown, John Rapson, Deandre Sevon, Jacob Keith Watson, and Alan Wiggins. Additional casting to round out the 33-person cast will be announced at a later date.

This production will also feature a 28-piece orchestra, led by music director James Moore with original orchestrations by William David Brohn and vocal arrangements by Stephen Flaherty. It will be directed by incoming Lincoln Center Artistic Director Lear deBessonet and choreographed by Ellenore Scott.

Ragtime is a musical adaptation of E.L. Doctorow’s novel that follows three fictional families in pursuit of the American Dream at the dawn of the 20th Century: Black pianist Coalhouse Walker, Jr. (Joshua Henry) and his beloved Sarah (Nichelle Lewis), Jewish immigrant Tateh (Brandon Uranowitz) and his little girl, and a wealthy white family led by matriarch Mother (Caissie Levy). They are all grasping for the same dream, if only they can hold onto it.

Featuring a lush score by Stephen Flaherty and Lynn Ahrens, a stirring book by Terrence McNally, and original orchestrations by William David Brohn, all of whom won Tony Awards for their work, Ragtime weaves fictional narratives with real historical figures and events, creating a rich tapestry that blurs the line between personal struggle and national identity, making history feel both intimate and epic.

Ragtime will begin previews on Sept. 26, and open on Oct. 16 at the Vivian Beaumont Theater on West 65th Street in New York City. It will play a limited engagement of 14 weeks through Jan. 4, 2026. For tickets and more information, click here.

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